Album: Mystery & Crime 1 
Narrative underscores and teases for real-life crime and mystery focusing on the human drama
Generally understated mood pieces with some pulse, drones, and patterns. Mix of ambient synths, processed guitars and keys and small orchestra. A few light action.
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Description | Composer(s) |
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01:40 | Empty House | 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | |
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01:26 | Bad Night | 1 | Nothing good happened here - what's the story? Slow-fast pulsing percussion and pads | Mitch Coodley/BMI | |
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01:02 | The Jury Is Out | 1 | Difficult waiting game. Pensive melodrama, pulsing chords, strings, percussion | Mitch Coodley/BMI | |
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01:36 | Dawning Realization | 1 | Investigation and human drama. Pulsing bass, light dramatic orchestral theme, elect. guitar | Mitch Coodley/BMI | |
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01:02 | Mean Streets | 1 | Dark urban crime aftermath. Solid hit, swells to pulsing dark loops with pulsing strings | Mitch Coodley/BMI | |
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01:00 | Dim City | 1 | Hard street life. Brooding groove under ambient reverse guitars, dark atmosphere | Mitch Coodley/BMI | |
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01:00 | Don't Come Knocking | 1 | Knock at the door at night. Eerie swells over insistent pulse leads to brooding atmosphere | Mitch Coodley/BMI | |
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01:00 | Dark Cowboy | 1 | Noir-ish touch of evil character. Open minor guitar chords over pusling drone bass | Mitch Coodley/BMI | |
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01:22 | Death Be Not Pretty | 1 | Dark brooding atmosphere. Evolving drones swell into pulsing strings and patterns | Mitch Coodley/BMI | |
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01:00 | Family Loss | 1 | Loved ones left behind. Wistful piano with warm pads and light percussion | Mitch Coodley/BMI | |
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01:45 | Out Of Money | 1 | Crime procedural. Pulsing percussive sequence, swell to moderate orchestral-tech groove | Mitch Coodley/BMI | |
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01:01 | Creep Me Out | 1 | Creepy crime scene. Light scary strings, processed percussion, string punctuations | Mitch Coodley/BMI | |
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02:00 | Exlife | 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | |
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01:03 | Crime Scene | 1 | I think someone died here. Dank atmospheric pads, creepy bells, shifting drones | Mitch Coodley/BMI | |
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01:20 | Lost Lovers | 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | |
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02:19 | Hand Over Your Dub | 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | |
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01:00 | Clockwork Plans | 1 | Countdown to murder. Ticking clock brings dark, brooding drones, pads, strings, drum groove | Mitch Coodley/BMI | |
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02:22 | Dial 911 | 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | |
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01:01 | Investigate 1 | 1 | Police procedural. Atmosphere with motion, plucked synths, percussion over drone and pads | Mitch Coodley/BMI | |
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01:01 | Investigate 2 | 1 | Crime procedural. Atmosphere with sequences, plucked synths, perc., guitar, strings, pads | Mitch Coodley/BMI | |
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01:03 | Who's In There | 1 | Ominous crime scene. Threatening drone, scary pads, bells and processed colors | Mitch Coodley/BMI | |
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01:00 | Why Did This Happen | 1 | Gentle human tragedy. Sad piano ballad with modulating synths and low drone | Mitch Coodley/BMI | |
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01:02 | The Morning Before | 1 | Sunrise in an ordinary town. Calm before the storm | Mitch Coodley/BMI | |
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01:00 | Hideout | 1 | Mind of the bad guy. Gestural anticipatory drama with warbling drones, strings, swells | Mitch Coodley/BMI | |
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01:01 | They Wait | 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI |