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Songs
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| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | The Way Down | 7 | All Natural Acoustic | Soft acoustic strumming and bright melody with a warm, folkloric flavor | Matthew Dolland/ASCAP | 90 | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Moroccan Sands | 7 | Chillout | Exotic euro trip-hop lounge with mid-east ambience, sultry female vocal loops, processed flutes | Mitch Coodley/BMI | 90 | |
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02:36 | Bach-Air From Suite No. 3 in D Major | 1 | Classical Piano | Baroque, classical piano | J. S. Bach/None, Arr. Jacob Rhodebeck/ASCAP | 57 | |
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05:34 | Beethoven-Moonlight Sonata in C# Minor Op.27 No.2 | 1 | Classical Piano | Classical Piano | L. van Beethoven/None, Arr. Jacob Rhodebeck/ASCAP | 57 | |
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06:10 | Brahms-Intermezzo in A Major Op. 118 No.2 | 1 | Classical Piano | Classical piano | J. Brahms/None, Arr. Jacob Rhodebeck/ASCAP | Rubato | |
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01:34 | Brahms-Lullabye (transcr.) | 1 | Classical Piano | Classical piano | J. Brahms/None, Arr. Jacob Rhodebeck/ASCAP | 79 | |
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05:29 | Chopin-Raindrops Prelude in D Flat Op. 28 No. 15 | 1 | Classical Piano | Classical piano | F. Chopin/None, Arr. Jacob Rhodebeck/ASCAP | 65 | |
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06:30 | Ravel - Pavane pour une infante defunte | 1 | Classical Piano | Classical, impressionistic | M. Ravel/None, Arr. Jacob Rhodebeck/ASCAP | 50 | |
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03:08 | Schumann - Dreams from Kinderszenen Op. 15 | 1 | Classical Piano | Classical, romantic | R. Schumann/None, Arr. Jacob Rhodebeck/ASCAP | 45 | |
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01:45 | Schumann-Von fremden Londern from Kinderszenen Op. 15 | 1 | Classical Piano | Classical piano | R. Schumann/None, Arr. Jacob Rhodebeck/ASCAP | 55 | |
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00:30 | July | 7 | Downtempo Lounge | Backwards guitar drones and vamps create cool, psychedelic lounge vibe | Bryan Nelson/ASCAP | 80 | |
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00:30 | Lost Thoughts | 7 | Downtempo Lounge | Pattern delays and cool reverbs create dreamy lounge | Bryan Nelson/ASCAP | 120 | |
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02:37 | Ways Of The Ocean | 1 | Epic Narrative | Warm, ambient, atmospheric feel speaks of the natural cycle of life | Mitch Coodley/BMI | 120 | |
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00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |
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00:30 | Lift Up And Carry | 7 | Film Score | Poignant, sweeping romantic strings and intimate flute create a bittersweet nostalgia | Gabriel Hays/BMI | 80 | |
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00:30 | Return Of The Hero | 7 | Film Score | A triumphant warrior returns home. Sweeping string gestures and intimate woodwinds. | Gabriel Hays/BMI | 105 | |
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00:30 | Night Session | 5 | Fun Funk | Slow funk with light strings for a little sexy late night romance | Andez /ASCAP | 81 | |
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00:30 | The Right Moment | 7 | Good And Better | Breezy smooth groove with a touch of romance | Andy Snitzer/ASCAP | 75 | |
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00:48 | Too Sad | 1 | Light Docu-Drama | Dark strings and pads, mournful, sad, tragic mood, short cue | Mitch Coodley/BMI | 90 | |
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00:30 | DNA Dreams | 7 | Light Tech/Corporate | Pretty harp patterns, slow dreamy groove. Light tech new-age mechanical calm | Robert Allaire/ASCAP | 77 | |
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00:30 | Processing Power | 7 | Light Tech/Corporate | Trolling, lightly percussive, new-agey organic tech piece with glass melody pads and hanging synths | Robert Allaire/ASCAP | 100 | |
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00:30 | Desert Oasis | 8 | Middle East Cinematic | A mysterious, exotic tone poem featuring moody flutes, low drones | Tristan Alexia/ASCAP | 105 | |
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01:03 | Crime Scene | 1 | Mystery & Crime 1 | I think someone died here. Dank atmospheric pads, creepy bells, shifting drones | Mitch Coodley/BMI | 122 | |
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01:22 | Death Be Not Pretty | 1 | Mystery & Crime 1 | Dark brooding atmosphere. Evolving drones swell into pulsing strings and patterns | Mitch Coodley/BMI | 140 | |
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01:00 | Family Loss | 1 | Mystery & Crime 1 | Loved ones left behind. Wistful piano with warm pads and light percussion | Mitch Coodley/BMI | 70 | |
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01:20 | Lost Lovers | 1 | Mystery & Crime 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | 95 | |
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01:02 | The Morning Before | 1 | Mystery & Crime 1 | Sunrise in an ordinary town. Calm before the storm | Mitch Coodley/BMI | 100 | |
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01:03 | Who's In There | 1 | Mystery & Crime 1 | Ominous crime scene. Threatening drone, scary pads, bells and processed colors | Mitch Coodley/BMI | 90 | |
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01:00 | Why Did This Happen | 1 | Mystery & Crime 1 | Gentle human tragedy. Sad piano ballad with modulating synths and low drone | Mitch Coodley/BMI | 100 | |
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01:40 | Crime Scene Walk Through | 1 | Mystery & Crime 2 | Mix of doubt and satisfaction. Large drones and pads shift between major and minor | Tristan Alexia/ASCAP | 120 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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01:40 | Family Aftermath | 1 | Mystery & Crime 2 | Sad reflective piece. Synth drones, piano, sparse drums create mournful atmosphere | Tristan Alexia/ASCAP | 120 | |
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01:43 | Forensic Analysis | 1 | Mystery & Crime 2 | Slow, building, determined investigative piece. Synths, drones and percussion. | Tristan Alexia/ASCAP | 94 | |
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01:24 | Grisly Discovery | 1 | Mystery & Crime 2 | Minimally dangerous and eerie. Synth swells and percussion hits paint a dark, grisly picture | Tristan Alexia/ASCAP | 105 | |
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01:25 | Remembering The Victim | 1 | Mystery & Crime 2 | Mournful reflection of loss. Processed piano, synth motion and ambient guitar | Tristan Alexia/ASCAP | 109 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | Check The Scoreboard | 4 | Picture This Song | Male vocal. Slow urban dramatic. Beat,strings,synths, piano. No surrender: “I'm always on top” sports message/metaphor | Jay Harper/ASCAP | 93 | |
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00:30 | In Flames | 4 | Picture This Song | Male/Female vocals. Alt-pop, unsettling, moody, poignant, evocative ballad; "We'l all go down in flames" | Jay Harper/ASCAP | 83 | |
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00:30 | Some Things Are | 4 | Picture This Song | Male vocal. Moody slow atmospheric pop. Lush evocative lyrics about things better left unsaid | Jay Harper/ASCAP | 66 | |
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00:39 | Color Splash | 3 | Poignant Piano | Sparkling chordal splashes create color pallete of warmth amd serenity | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Just Between Us | 3 | Poignant Piano | Lilting minor key love theme builds into rich emotional longing | Kana Kamitsubo/ASCAP | 68 | |
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00:30 | Let It Go | 3 | Poignant Piano | New-Age, ambiguous, open chords lead to light cascades of falling tension and relief | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Lovers | 3 | Poignant Piano | Melodic major to minor theme with light dramatic undertone and cycle of fiths chord pattern | Kana Kamitsubo/ASCAP | 88 | |
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00:30 | Watercolors | 3 | Poignant Piano | Soft, bight watery arpeggios in free time create a timeless magical mood | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Lead Balloon | 7 | Testosterone | Slow grinding dark drama metal rock with climbing minor key theme | Deborah Difonzo/BMI | 115 | |
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02:28 | Call Of The Wild | 1 | Wildlife Documentary | Lonely alto flute, airy, a sense of loss, soft sustained chords, lots of space, positive end | Mitch Coodley/BMI | 124 | |
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01:35 | Cold Winter Range | 1 | Wildlife Documentary | Lonely alto flute, cool transparent pulse, desolate and sad then hopeful @ 1:00 | Mitch Coodley/BMI | 124 | |
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02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |
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01:34 | Death And Rebirth | 1 | Wildlife Documentary | Slow mournful elegy with story arc - becomes hopeful @ 1:00 to wistful quiet end | Mitch Coodley/BMI | 124 | |
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00:28 | Merciful End | 1 | Wildlife Documentary | Slow, dark, edgy, then tragic. Snapshot of wildlife loss or poaching | Mitch Coodley/BMI | 135 | |
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00:53 | River Valley | 1 | Wildlife Documentary | Slow piano folk song with a wistful poignancy | Mitch Coodley/BMI | 120 |