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| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Candy Boy | 7 | Acoustic With Benefits | Old-school dark, low, vibrato, minor key lead guitar over bluesy vamping acoustic and tom-tom groove | Lucy Coodley/ASCAP | 110 | |
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00:30 | Don't Tell Me What | 7 | Acoustic With Benefits | Crunchy light electric riff sets up a thoughtful alt-rock groove with a little minor key vibe | Lucy Coodley/ASCAP | 100 | |
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00:30 | Family Time | 7 | Acoustic With Benefits | Warm, light new-agey folk-rock, acoustic guitar strumming with a joyous heartwarming feel | Lucy Coodley/ASCAP | 110 | |
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00:30 | Green Days | 7 | Acoustic With Benefits | Bright, sparkling synth sequence sets up a sunny positive groove with some thoughtful moments | Lucy Coodley/ASCAP | 120 | |
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00:30 | Just Say Yes | 7 | Acoustic With Benefits | Light acoustic rhythm guitar and mandolin textures, steady positive organic groove, optimistic melody | Lucy Coodley/ASCAP | 85 | |
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00:30 | Sheep's Meadow | 7 | Acoustic With Benefits | Heather-light highlands feel mandolin and acoustic guitars get a bit moody over light light alt-rock groove | Lucy Coodley/ASCAP | 115 | |
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00:30 | Thursday's Child | 7 | Acoustic With Benefits | Nice acoustic/light electric mix plus pedal steel build positive and poignant moods on solid groove | Lucy Coodley/ASCAP | 105 | |
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00:30 | All In Stride | 7 | All Natural Acoustic | Simple uke, guitar and whistled melody and claps create a happy-go-lucky feel | Matthew Dolland/ASCAP | 86 | |
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00:30 | Coming Of Age | 7 | All Natural Acoustic | Gently pulsing guitar and piano ostinato under poignant alto flute melody then nylon gtuitar solo | Mitch Coodley/BMI | 120 | |
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00:30 | Country Kitchen | 6 | All Natural Acoustic | Happy acoustic strumming - easy and lighthearted 12-string country melody | Mitch Coodley/BMI | 100 | |
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00:30 | That Face | 7 | All Natural Acoustic | Jaunty, whimsical little two-guitar ditty with a moderate folksy swing feel | Mitch Coodley/BMI | 120 | |
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00:30 | The Missing Piece | 7 | All Natural Acoustic | Dark bluesy acoustic picking and retro slide over light train-groove snare | Matthew Dolland/ASCAP | 94 | |
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00:30 | Why Kee Kee | 7 | All Natural Acoustic | Light luau fare, langorous island feel with slack key guitars, uke, lap steel | Mitch Coodley/BMI | 74 | |
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00:30 | Estrelas Brazileiras | 7 | Chillout | Swaying Brazilian bossa lounge with nylon guitar and breezy flute | Mitch Coodley/BMI | 80 | |
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00:30 | Quiet Nights | 7 | Chillout | Smooth club groove with soft textures and jazz guitar octave theme | Mitch Coodley/BMI | 120 | |
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00:30 | Sojazz | 7 | Chillout | Funky, jazzy breakbeats under vamping and riffing electro-rhodes and synth pulses | Mitch Coodley/BMI | 110 | |
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00:30 | The Corner Booth | 7 | Chillout | Lightly pulsing ambient vibe with light 4/4 kick and acoustic guitar patterns and bridge melody | Mitch Coodley/BMI | 120 | |
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00:30 | The Time | 7 | Chillout | New age female vocals over gently shifting ambient pads and light club beat under guitar melodies | Mitch Coodley/BMI | 130 | |
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00:30 | Ting-A-Ling | 7 | Chillout | Quirky light funky disco-lounge with cute licks and breaks | Mitch Coodley/BMI | 125 | |
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00:30 | World Peace | 8 | Chillout | Worldly, swelling, peaceful, positive atmosphere over light tribal beat with wood flutes | Mitch Coodley/BMI | 120 | |
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03:03 | Beethoven-Fur Elise | 1 | Classical Piano | Classical piano "Für Elise" | L. van Beethoven/None, Arr. Jacob Rhodebeck/ASCAP | 142 | |
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02:21 | Mozart-Sonata Facile No.16 in C Major KV545 | 1 | Classical Piano | Classical piano | W. A. Mozart/None, Arr. Jacob Rhodebeck/ASCAP | 121 | |
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01:51 | Schubert - Moments Musicaux in F min. Op. 94 No.3 | 1 | Classical Piano | Classical, romantic | F. Schubert/None, Arr. Jacob Rhodebeck/ASCAP | 80 | |
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00:30 | Boogie Down | 7 | Cute 'n' Kitschy | Goofy light funk with organ, slappy guitars, cheesy organ, bari sax | Allen Carrescia/ASCAP | 136 | |
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00:30 | Dressed And Buttoned-Up | 7 | Cute 'n' Kitschy | Kitschy bossa with pecky trumpet and male vocal das | Allen Carrescia/ASCAP | 136 | |
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00:30 | Love In The Air | 7 | Cute 'n' Kitschy | Kitschy '70s TV love theme with male aahs and pretty bells | Allen Carrescia/ASCAP | 140 | |
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00:30 | Shopophobia | 7 | Cute 'n' Kitschy | Catchy cute 'n' kitschy male vocal da's over retro elevator music bed | Allen Carrescia/ASCAP | 98 | |
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00:30 | Slap Happy | 7 | Cute 'n' Kitschy | Funky, cute happy kitsch with guitars, organ and bari sax | Allen Carrescia/ASCAP | 128 | |
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00:30 | Surf Serenade | 7 | Cute 'n' Kitschy | Surfy love song with cheesy organ and guitars | Allen Carrescia/ASCAP | 160 | |
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00:30 | City Glow | 7 | Downtempo Lounge | Dreamy lounge with guitar solo and light pulsing rhythm and bell accents | Bryan Nelson/ASCAP | 125 | |
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00:30 | Cosmos | 7 | Downtempo Lounge | Darkish string pads with minor key harp patterns over light steady drums | Bryan Nelson/ASCAP | 120 | |
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00:30 | Hourglass | 7 | Downtempo Lounge | Gently pulsing keyboard and guitar patterns with light bells over simple groove | Bryan Nelson/ASCAP | 120 | |
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00:30 | Reggae Bytes | 7 | Downtempo Lounge | Easy quacking reggae guitar on a simple minor key vamp with halftime backbeat | Bryan Nelson/ASCAP | 132 | |
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00:30 | Shorter Days | 7 | Downtempo Lounge | Delay minor-key keyboard pattern with pizz strings over lightly funky drums with a dreamy quality | Bryan Nelson/ASCAP | 95 | |
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00:30 | Who Knows | 7 | Downtempo Lounge | Light lounge under repeating descending harp arpeggios for an almost-upbeat groove | Bryan Nelson/ASCAP | 110 | |
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00:30 | Birth Of A Monarch | 7 | Drama Kings | Sweet pastoral open, stately pattern, explosive fanfare hits @:53 into regal theme with big finish | Mitch Coodley/BMI | 134 | |
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00:30 | Double Timeout | 7 | Drama Kings | (Spinoff of Double-O Eight) Light breakbeat with ambient guitars, stabs. Mod. @:30 and gets crunchier. | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Double-O Eight | 7 | Drama Kings | Dangerous breakbeat with adventurous strings, mod synths, hits, breaks. Shaken, not stirred | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Forest Green | 7 | Drama Kings | Poignant gestural theme. Lilting sections, light bg, then sweet guitar-piano melody | Mitch Coodley/BMI | 120 | |
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00:30 | Journey To Oz | 8 | Drama Kings | Fantasy opening into broad heroic brass theme w/hits, bridge with sidechain pulse, swells, atmosphere | Mitch Coodley/BMI | 130 | |
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00:30 | Lockdown | 7 | Drama Kings | Dark pulsing, crunchy orch-tech, with percolating guitars, drum hits, drama candy | Mitch Coodley/BMI | 130 | |
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00:30 | Warrior's Dream | 11 | Drama Kings | Quiet minor key anticipation, sturdy ostinato, broad heroic brass theme, bridge and swells | Mitch Coodley/BMI | 130 | |
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00:30 | Hot Hot Heavy | 7 | Electro Dance | Female vocal song. Midtempo, old school hip-hop figures, house piano track, sexy teasing lyrics | Tim Kvasnosky/ASCAP | 109 | |
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00:30 | Taste Of The Night | 7 | Electro Dance | Female vocal song. Easy yet moody light tech with deep house pulse, sexy mischievous vocals | Tim Kvasnosky/ASCAP | 120 | |
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00:30 | Watchoo Want | 7 | Electro Dance | Light electro pop, with reggaeton-caribbean flavor, sexy vocal samples, catchy hook | Krishna Venkatesh/ASCAP | 92 | |
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00:30 | Closest Kin | 2 | Epic Narrative | Lightly pulsing, positive underscore with worldly atmosphere | Mitch Coodley/BMI | 80 | |
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01:00 | Dreams Of Conquest | 10 | Epic Narrative | Light ostinato strings build to broad theme of hope amid struggle to heroic finish - huge backend | Mitch Coodley/BMI | 142 | |
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00:30 | Heart Of Steel | 9 | Epic Narrative | Icy landscape, female choir, swelling brass lead to emotional triumph and exhilaration, big backend | Mitch Coodley/BMI | 116 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | The Glass Half Full | 3 | Epic Narrative | Light optimistic strings become more serious, worldly. Hope against struggle | Mitch Coodley/BMI | 140 | |
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00:30 | Up Holler Hellhole | 5 | Epic Narrative | Twisted hillbilly horror show. Warped bluegrass with grunge. Axe murderer with a smile! | Mitch Coodley/BMI | 128 | |
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00:30 | American Field | 7 | Film Score | Lively Americana, broad orchestral theme with an open plains feel | Gabriel Hays/BMI | 142 | |
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00:30 | Battle Of The Machines | 7 | Film Score | Orchestral-electronic trailer. Soaring melodies and driving transforming rhythm patterns. | Gabriel Hays/BMI | 92 | |
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00:30 | Beautiful America | 7 | Film Score | Intimate shimmering piano pulsing into explosive fireworks, with elements of minimalism, classical and pop | Gabriel Hays/BMI | 130 | |
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00:30 | Memento | 7 | Film Score | Plucky marimba pattern under clarinet/flute theme - serious yet quirky | Gabriel Hays/BMI | 129 | |
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00:30 | Migration | 7 | Film Score | East, West and Middle come together in world orchestral track. Featuring strings, duduk and driving percussion. | Gabriel Hays/BMI | 132 | |
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00:30 | Winning The Uphill Battle | 7 | Film Score | Exciting, inspirational battle music - great for charging up sports action and drama | Gabriel Hays/BMI | 130 | |
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00:30 | Cops On Lunch Break | 5 | Fun Funk | Dark and gritty funk with fuzzy bass, wah synth, and strings for an urban feel | Andez /ASCAP | 110 | |
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00:30 | Happy Meal | 5 | Fun Funk | Easy, happy go lucky stroll for young-at-heart funksters | Andez /ASCAP | 85 | |
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00:30 | The Dude | 5 | Fun Funk | Medium funk with guitar and bass over light drum groove with claps and wah guitar | Andez /ASCAP | 105 | |
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00:30 | Trouble In The City | 5 | Fun Funk | Slightly moody funk with a sad/serious overtone and pounding bridge | Andez /ASCAP | 125 | |
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00:30 | We Bad | 5 | Fun Funk | Bluesy sax riffs over chunky funk groove and sustained strings and organ | Andez /ASCAP | 106 | |
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00:30 | Just For Fun | 7 | Good And Better | Easy, loping, playful shuffle, touch of reggae for everyday lightness | Andy Snitzer/ASCAP | 126 | |
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00:30 | Local Hero | 7 | Good And Better | Happy, positive steady 4/4 groove with a warm mood | Andy Snitzer/ASCAP | 114 | |
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00:30 | Our Town | 7 | Good And Better | Warm, everyman soft rock, all positive, string theme with piano | Andy Snitzer/ASCAP | 104 | |
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00:30 | Teching Stock | 7 | Good And Better | Soft tech patterns under strings generate a positive business vibe | Andy Snitzer/ASCAP | 128 | |
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00:30 | Time's Plus | 7 | Good And Better | Moderate pattern pulse builds layers for news or business | Andy Snitzer/ASCAP | 107 | |
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00:30 | Clean As A Whistle | 7 | Homespun | Sweet, lighthearted simple whistling tune with guitar, bass, uke, and pots and pans | Ann Klein/BMI | 146 | |
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00:30 | Copycat Kitten | 7 | Homespun | Light, upbeat and cute - with uke and rhythm sect. Your pet video could go viral! | Ann Klein/BMI | 136 | |
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00:30 | Creepy Crawlers | 7 | Homespun | Quirky, playfully creepy, for those occasional unwanted guests. 12-string gtr, pizzicato violins | Ann Klein/BMI | 142 | |
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00:30 | Family Pack | 7 | Homespun | It's all good. Easy, upbeat family fun with loping guitars, mandolins and ukes | Ann Klein/BMI | 104 | |
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00:30 | Fresh Air Fun | 7 | Homespun | Infectious, happy country-western-Nashville mashup w/ fiddle, high-string guitars, rhythm | Ann Klein/BMI | 105 | |
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00:30 | Hot Out Of The Oven | 7 | Homespun | Get 'em while they're hot! Cajun flavored upbeat shuffle with mandolins, accordion, dobro, rhythm | Ann Klein/BMI | 125 | |
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00:30 | Put Your Feet Up | 7 | Homespun | Sweet, lazy, laid-back relaxation with harmonica, uke and slide guitars | Ann Klein/BMI | 112 | |
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00:30 | Who Stole My Pancakes | 7 | Homespun | Sweet, joyful and playful fiddle and fingerpicking duet. Wha hoppen? | Ann Klein/BMI | 92 | |
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00:30 | Ajanta Calling | 7 | Indian Pop | Downtempo dramatic breakbeat with electronica/raga over drum and tabla mix with female vocal and violin | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |
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00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |
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00:30 | Al Fresco | 7 | Indie Acoustic | Building, moody vibe with forward motion travis picking acoustic and swelling atmospheric pads | Matthew Dolland/ASCAP | 116 | |
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00:30 | Front Pocket | 7 | Indie Acoustic | Loping easy alt. rock with steady 8th note bass under light electric part with glockenspiel and brass sustains | Matthew Dolland/ASCAP | 112 | |
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00:30 | Go Ahead | 7 | Indie Acoustic | Laid-back folk strumming alt-rock builds with crunchy guitar pads and piano | Matthew Dolland/ASCAP | 91 | |
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00:30 | I Know You Do | 7 | Indie Acoustic | Light country folk-rock with a slightly trashy backbeat and simple picking | Matthew Dolland/ASCAP | 140 | |
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00:30 | Places | 7 | Indie Acoustic | Simple strumming and pattern pulse on a medium groove with an almost poignant mood | Matthew Dolland/ASCAP | 120 | |
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00:30 | Sidecar | 7 | Indie Acoustic | Light shuffle with delay guitars and drums builds to mini-indie anthem | Matthew Dolland/ASCAP | 123 | |
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00:30 | There Was Nothing | 7 | Indie Acoustic | Basic alt. rock rhythm section with easy 8th note guitar pulse and simple piano lead | Matthew Dolland/ASCAP | 118 | |
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00:30 | What I Am | 7 | Indie Acoustic | Dark muted picking over steady tom-tom parts and pattern pulse guitar | Matthew Dolland/ASCAP | 115 | |
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00:30 | Deep House Tango | 7 | Latin Pop | Tango infused contemporary dance track with accordion, guitar, sax section | David Mann/ASCAP | 115 | |
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00:30 | Mas Mariachi | 7 | Latin Pop | Happy, upbeat Mariachi with trumpet melody and violin counterpoint | David Mann/ASCAP | 110 | |
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00:30 | Montuno Dub | 7 | Latin Pop | Swaying funky-Latin track with montuno piano and horn section riffs | David Mann/ASCAP | 110 | |
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00:30 | Te espero | 5 | Latin Pop | Male Spanish vocal "I'll Wait" Driving, assertive 4/4 Latin reggae-house with rap section | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 118 | |
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00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Delay The Day | 7 | Light Acousti-Pop | Anticipatory guitar patterns build to positive moderate powered drums and bass | Deborah Difonzo/BMI | 80 | |
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00:30 | Keeping Clean | 7 | Light Acousti-Pop | Tight acoustic guitar strumming over dry R&B drums. Sparse, funky and dreamy | Deborah Difonzo/BMI | 82 | |
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00:30 | Sky Blue Eyes | 7 | Light Acousti-Pop | Mid tempo uplifting jangly, chugging American guitar pop | Deborah Difonzo/BMI | 124 | |
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00:30 | Summer Isle | 7 | Light Acousti-Pop | Positive, easy going indie rock track with nice dreamy guitar melody lines | Deborah Difonzo/BMI | 110 | |
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03:26 | Passages | 1 | Light Docu-Drama | Richly textured landscape for a long journey to a grand finish | Mitch Coodley/BMI | 134 | |
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03:26 | Piece of My Heart | 1 | Light Docu-Drama | Solo violin pattern over light orchestra leads to sweet, childlike emotional theme | Mitch Coodley/BMI | 100 | |
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00:30 | Cybermind | 7 | Light Tech/Corporate | Moderate pulsing bass under harpy patterns and vocal aahs with string pads | Robert Allaire/ASCAP | 125 | |
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00:30 | Forward Look | 7 | Light Tech/Corporate | Lilting marimba patterns over pretty keyboards, minimalist patterns - build to easy positive groove | Robert Allaire/ASCAP | 127 | |
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00:30 | Good Connections | 7 | Light Tech/Corporate | Light drum/rhythm loop with piano under flutey positive melody | Robert Allaire/ASCAP | 80 | |
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00:30 | More News | 7 | Light Tech/Corporate | Moderate thoughtful bleepy synth-tech pulse under string pads with piano | Robert Allaire/ASCAP | 118 | |
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00:30 | The Green Sector | 7 | Light Tech/Corporate | Loping drum loop with bell tones and light pattern synths for a modern organic feel | Robert Allaire/ASCAP | 88 | |
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00:30 | Thinkspace | 7 | Light Tech/Corporate | Light percussion and keyboards create motion-positive train of thought | Robert Allaire/ASCAP | 116 | |
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00:30 | Arabian Dunes | 7 | Middle East Cinematic | Mideast/world percussion with dark, alluring, female Arabic vocals, strings, flute | Tristan Alexia/ASCAP | 120 | |
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00:30 | Arid Pilgrimage | 7 | Middle East Cinematic | Droning Middle Eastern drama with oud ,saz, kanun, strings, wood flutes, percussion | Tristan Alexia/ASCAP | 121 | |
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00:30 | Harem Scarem | 7 | Middle East Cinematic | Cool, throbbing Middle Eastern dance track with evocative vocals, drums, percussion, drones | Tristan Alexia/ASCAP | 120 | |
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00:30 | In The Bazaar | 7 | Middle East Cinematic | Moody Middle Eastern drama featuring ouds and plucked strings over driving percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Mesopotamia | 7 | Middle East Cinematic | Dramatic drones under tribal Middle East/Asian percussion groove, woodwinds, sultry female vocals | Tristan Alexia/ASCAP | 105 | |
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00:30 | Militant Surveillance | 7 | Middle East Cinematic | Dark, threatening Middle Eastern drama with doudouks, tampuras, square bass recorder, percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Nomadic Journey | 7 | Middle East Cinematic | Afghan rabab leads sinuous percussive journey w/various Middle Eastern strings | Tristan Alexia/ASCAP | 107 | |
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00:30 | Oil Reserve | 7 | Middle East Cinematic | Dark, forboding Middle Eastern theme featuring distressed doudouks, zithers, percussion | Tristan Alexia/ASCAP | 108 | |
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00:30 | Persian Gulf | 7 | Middle East Cinematic | Evocative, dramatic Middle-Eastern/orchestral narrative with Arabic female vocal | Tristan Alexia/ASCAP | 110 | |
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00:30 | Sand Storm | 7 | Middle East Cinematic | Middle Eastern world-rock w/ crunch gtrs, bansuri, tampura, dulcimer, drums, percussion | Tristan Alexia/ASCAP | 120 | |
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01:36 | Dawning Realization | 1 | Mystery & Crime 1 | Investigation and human drama. Pulsing bass, light dramatic orchestral theme, elect. guitar | Mitch Coodley/BMI | 80 | |
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01:00 | Don't Come Knocking | 1 | Mystery & Crime 1 | Knock at the door at night. Eerie swells over insistent pulse leads to brooding atmosphere | Mitch Coodley/BMI | 120 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 1 | 1 | Mystery & Crime 1 | Police procedural. Atmosphere with motion, plucked synths, percussion over drone and pads | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 2 | 1 | Mystery & Crime 1 | Crime procedural. Atmosphere with sequences, plucked synths, perc., guitar, strings, pads | Mitch Coodley/BMI | 100 | |
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01:02 | Mean Streets | 1 | Mystery & Crime 1 | Dark urban crime aftermath. Solid hit, swells to pulsing dark loops with pulsing strings | Mitch Coodley/BMI | 90 | |
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01:02 | The Jury Is Out | 1 | Mystery & Crime 1 | Difficult waiting game. Pensive melodrama, pulsing chords, strings, percussion | Mitch Coodley/BMI | 120 | |
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01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |
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01:20 | Admissible Evidence | 1 | Mystery & Crime 2 | Urgent investigation. Breathy dark lead over warbling synth pulses and percussion loops | Tristan Alexia/ASCAP | 110 | |
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01:35 | DNA Fingerprint | 1 | Mystery & Crime 2 | Reflective, analytical mood. Clockwork vibe with moody atmosphere | Tristan Alexia/ASCAP | 80 | |
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01:53 | Domestic Terrorism | 1 | Mystery & Crime 2 | Dark, malevolent undercurrent with heavy guitar, feedback pulsing bass, ear candy | Tristan Alexia/ASCAP | 120 | |
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01:35 | Evidence Time Crunch | 1 | Mystery & Crime 2 | Cool dark drama. Chugging and chunky crunch guitars over a steady groove with wavy pads | Tristan Alexia/ASCAP | 115 | |
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02:15 | Exculpatory Evidence | 1 | Mystery & Crime 2 | Light investigative mood. Low pulsing bass under simple dark patterns create contemplative scene | Tristan Alexia/ASCAP | 120 | |
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01:48 | Lost In The Hood | 1 | Mystery & Crime 2 | Dark urban atmosphere. Sub bass and light loops with wiry synths and blankety pads | Tristan Alexia/ASCAP | 148 | |
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01:50 | Low Blows | 1 | Mystery & Crime 2 | Dark and wiry underscore. Moderate tension with crunchy sustains and compelling light groove | Tristan Alexia/ASCAP | 115 | |
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01:38 | Message Received | 1 | Mystery & Crime 2 | Mystery with a touch of sci-fi. Sleepy telegraphic synth sets up a lightly padded mysterious mood | Jonathan Perl/ASCAP | 120 | |
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02:21 | Murder Art | 1 | Mystery & Crime 2 | Dark strings and pulses set a scene of unsettling distress | Tristan Alexia/ASCAP | 120 | |
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02:08 | Nightsteps | 1 | Mystery & Crime 2 | Simple low tension. Warbling light pulse under compelling pads - easy pulse with some swells | Jonathan Perl/ASCAP | 134 | |
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01:41 | Perp Hunt | 1 | Mystery & Crime 2 | Urgent urban crime rock. Crunch guitars with pulsing percussion and synth hooks | Tristan Alexia/ASCAP | 120 | |
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01:51 | Poring Over The Evidence | 1 | Mystery & Crime 2 | Procedural crime drama, time passing. Pulsing light synths under ambiguous swelling pads | Tristan Alexia/ASCAP | 120 | |
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00:30 | Call My Name | 4 | Picture This Song | Female vocal. Indie alt-pop. Lonely piano and ambient tension explode into dramatic plea over pulsing drums | Jay Harper/ASCAP | 135 | |
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00:30 | It's Not So Easy | 4 | Picture This Song | Male vocal. Bluesy/electro mash-up. Tremolo guitars meet heavy 4-on-the-floor. Powerful attitude hook "you don't get to have me" | Jay Harper/ASCAP | 134 | |
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00:30 | New Tricks | 4 | Picture This Song | Male vocal. Pop/reggae. Bouncy, fun. New girl's a red zone case - where's Cesar Millan? | Jay Harper/ASCAP | 75 | |
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00:30 | Up, Up | 4 | Picture This Song | Boy-girl vocal. Joyous optimism. Easy pop/R&B w/bright metaphors and slyly clever rapping bridge and outro | Jay Harper/ASCAP | 93 | |
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00:30 | Wherever I Be | 4 | Picture This Song | Group sing-along M/F vocals. Organic alt/folk. Happy, endearing, clever - about friendship through thick and thin | Jay Harper/ASCAP | 120 | |
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00:30 | Little Island Time | 7 | Positivity | Happy Caribbean reggae-infused romp with hooky sax section, plucky guitar, B3 organ | Lucy Coodley/ASCAP | 100 | |
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00:30 | Meet Cute | 7 | Positivity | Plucky, light, happy froth over an almost funky beat with guitars and processed mandolin | Lucy Coodley/ASCAP | 120 | |
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00:30 | Quiet Cool | 7 | Positivity | Cool jazzy lounge with techy backing under soft keyboard and jazz guitar octaves | Mitch Coodley/BMI | 120 | |
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00:30 | Soft Then Loud | 7 | Positivity | Intro soft pads under guitar picks and perc, then hit hard with sustained crunch -anthemic joyous feel | Lucy Coodley/ASCAP | 126 | |
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00:30 | Synchronize Watches | 7 | Positivity | Light tech and steady keyboards create positive pulse building to triumphant bridge w/strings | Lucy Coodley/ASCAP | 110 | |
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00:30 | Warm Teardrop | 7 | Positivity | Textural acoustic-electric strumming - upbeat indie texture strumming rock with thoughtful bridge | Lucy Coodley/ASCAP | 118 | |
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00:30 | Chill Time | 7 | Reality TV | Loungey-ambient chill with sexy lush pads and plucks for the prize vacation | Mitch Coodley/BMI | 147 | |
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00:30 | Hurry Up And Wait | 7 | Reality TV | Fun and funky beat marks time with low-tension pulse and string licks | Mitch Coodley/BMI | 110 | |
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00:30 | Only A Game | 7 | Reality TV | Happy go lucky guitars, positive acoustic rock, joyous hook | Mitch Coodley/BMI | 90 | |
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00:30 | We Won! | 7 | Reality TV | Triumphant classic anthemic four-chord rock for moments of pure pride | Mitch Coodley/BMI | 90 | |
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00:30 | Kill Kill | 7 | Testosterone | Driving, dark, heavy mid-tempo drums and evil guitars create sinister drama | Deborah Difonzo/BMI | 95 | |
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00:30 | Survivalist | 7 | Testosterone | Slow pounding pyrrhic victory - dark dramatic orchestral rock with heavy guitar underpinnings | Deborah Difonzo/BMI | 82 | |
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00:30 | Whirlwind | 7 | Testosterone | Slinky mid/up tempo power riff-rock metal jam with soaring choruses | Deborah Difonzo/BMI | 102 | |
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00:30 | The Tricky One | 7 | The Kids Are All Rock | Light punk-pop with piano hook merges with sustaining guitar chords and leads after a moody, minor key mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
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00:30 | Tupelo | 7 | The Kids Are All Rock | Easy-going, pastoral, alt-country. Twangy Telecaster and 12-string acoustic share the lead work | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 118 | |
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00:44 | Balance Of Nature | 1 | Wildlife Documentary | Plucky, positive light percussion with acoustic guitar | Mitch Coodley/BMI | 135 | |
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00:43 | Easy Passage | 1 | Wildlife Documentary | Positive forward motion - plucky blend of acoustic guitar strums and light percussion | Mitch Coodley/BMI | 135 | |
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01:43 | Into The Wild | 1 | Wildlife Documentary | Bold panoramic foray into the wild, with quiet, intimate middle | Mitch Coodley/BMI | 124 | |
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04:00 | Islands In The Sun | 1 | Wildlife Documentary | Transparent strings and percussion, airy and mild theme then light island feel | Mitch Coodley/BMI | 135 | |
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01:40 | Land Of The Jaguar | 1 | Wildlife Documentary | Light Latin flavor groove with nylon guitar, perc. - interlude turns to sustained strings | Mitch Coodley/BMI | 129 | |
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00:42 | Morning Tide | 1 | Wildlife Documentary | Rolling new-age piano pattern and high strings create a serene atmosphere | Mitch Coodley/BMI | 135 | |
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01:05 | Moving West | 1 | Wildlife Documentary | Soft open atmosphere, then acoustic gtr and strings open up the range | Mitch Coodley/BMI | 135 | |
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00:39 | Nature Marches On | 1 | Wildlife Documentary | Time passing - easy but serious, simple patterns, piano and strings, generic drama | Mitch Coodley/BMI | 135 | |
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01:51 | On Safari | 1 | Wildlife Documentary | African drums set the scene for exotic wildlife on the move | Mitch Coodley/BMI | 124 | |
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00:42 | On The Prowl | 1 | Wildlife Documentary | Slightly dramatic, mild tension and anticipation with strings and bow harp | Mitch Coodley/BMI | 135 | |
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02:22 | Quiet Earth | 1 | Wildlife Documentary | Light atmosphere, soft percussion, keyboards for intimate mood | Mitch Coodley/BMI | 135 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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00:53 | Serengeti Return | 1 | Wildlife Documentary | Rolling positive forward motion with an African 12/8 feel, percussion and strings | Mitch Coodley/BMI | 124 | |
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00:26 | Soft Pulses | 1 | Wildlife Documentary | Flute and acoustic guitar pulse create steady, light, easy looping moion | Mitch Coodley/BMI | 80 | |
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01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |
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01:18 | Steady Move Loop | 1 | Wildlife Documentary | Plucky, neutral, light textural loop - easy forward motion | Mitch Coodley/BMI | 135 | |
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02:03 | They Fenced The West | 1 | Wildlife Documentary | Easy Copeland-esque Western feel of open prairie, strings, piano, lonely finish | Mitch Coodley/BMI | 135 | |
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00:36 | Touring The Land | 1 | Wildlife Documentary | Light, happy jaunty feel for exotic travel or sightseeing the wild | Mitch Coodley/BMI | 124 | |
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00:43 | Western Loop | 1 | Wildlife Documentary | Positive motion, American West flavor with bouncy marcato strings - looping phrase | Mitch Coodley/BMI | 135 | |
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00:30 | Andean Heights | 7 | World Adventure | Charge up Machu Pichu on a dangerous high-altitude adventure - with ocarina and canon | Gabriel Hays/BMI | 115 | |
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00:30 | Hun Gary | 7 | World Adventure | Hurdy-gurdy drives a relentless boar (or man) hunt through the dark forests of Hungary | Gabriel Hays/BMI | 93 | |
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00:30 | Istanbul Noir | 7 | World Adventure | Pounding dramatic hits drive Saz and duduk in this Turkish-not-so-delightful adventure | Gabriel Hays/BMI | 120 | |
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00:30 | Little Asia | 7 | World Adventure | Pan Asian spin through Indonesia, Vietnam and Japan, w/Vietnamese bells and shakuhachi | Gabriel Hays/BMI | 120 | |
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00:30 | Where In The World | 7 | World Adventure | Watch your back when traveling alone through Turkmenistan, feat. darbuka and duduk | Gabriel Hays/BMI | 120 |