Search Music
Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
|---|---|---|---|---|---|---|---|---|---|
|
|
|
00:30 | Positively | 7 | Acoustic With Benefits | Light but joyous, upbeat acoustic strumming groove with descending melody | Lucy Coodley/ASCAP | 113 | |
|
|
|
00:30 | Tell Me What | 7 | Acoustic With Benefits | Minor key light indie rock with acoustic guitars and B-3 organ | Lucy Coodley/ASCAP | 125 | |
|
|
|
00:30 | Joy On The Way | 7 | All Natural Acoustic | Joyful open guitar and mandolin strumming under bright positive upbeat melody | Mitch Coodley/BMI | 125 | |
|
|
|
00:30 | Low Roller | 7 | All Natural Acoustic | Firmly pulsing bluesy picking with acoustic slide and easy kick drum | Matthew Dolland/ASCAP | 114 | |
|
|
|
00:30 | Wakin' Up Right | 7 | All Natural Acoustic | Light guitar picking sets up steady, upbeat, positive rising acoustic folk-rock groove | Mitch Coodley/BMI | 130 | |
|
|
|
00:49 | Bach-Invention in F Major | 1 | Classical Piano | Baroque, classical piano | J. S. Bach/None, Arr. Jacob Rhodebeck/ASCAP | 125 | |
|
|
|
00:24 | Brahms-Variations on a Theme by Paganini Op. 35 | 1 | Classical Piano | Classical piano | J. Brahms/None, Arr. Jacob Rhodebeck/ASCAP | 129 | |
|
|
|
06:12 | Chopin-Polonaise in A Flat Major Op. 53 | 1 | Classical Piano | Classical, romantic | F. Chopin/None, Arr. Jacob Rhodebeck/ASCAP | 82 | |
|
|
|
03:59 | Mozart-Eine Kleine Nachtmusik (transcr.) KV525 | 1 | Classical Piano | Classical piano | W. A. Mozart/None, Arr. Jacob Rhodebeck/ASCAP | 143 | |
|
|
|
00:30 | Jazzercizin' | 7 | Cute 'n' Kitschy | Light samba rhythm section under tongue-in-cheek slide guitar melody | Allen Carrescia/ASCAP | 116 | |
|
|
|
00:30 | Hardass | 6 | Drama Kings | Hard offbeat hits generate wiry, tense electo-orchestral groove under huge drums | Mitch Coodley/BMI | 130 | |
|
|
|
00:30 | Lies | 9 | Drama Kings | Brooding, dark open, build to mod. at 1:05 - then 4/4 kick under orch. suspense. Big hits in :30alt | Mitch Coodley/BMI | 130 | |
|
|
|
00:30 | Stiletto | 7 | Drama Kings | Pulsing glam-step with an urban adventure feel and funky touch of sex appeal | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 125.7 | |
|
|
|
00:30 | Stop Time | 7 | Drama Kings | Upfront hits into dangerous rocky-tech 4/4 with string licks, dropouts and drama drums | Mitch Coodley/BMI | 138 | |
|
|
|
00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
|
|
|
00:30 | Fourth Of July | 7 | Electro Dance | Electro-pop with string section, pulsing pads into building anthemic hook | Krishna Venkatesh/ASCAP | 124 | |
|
|
|
00:30 | Gimme Skankin' | 7 | Electro Dance | Heavy dustup with glitch and chipbeat elements, lot's of tweaks, breaks, funky stutters, distorted synths | Krishna Venkatesh/ASCAP | 140 | |
|
|
|
00:30 | Justice League | 7 | Electro Dance | Popping grinding electrofunk, heavy downbeat with skanky synths over hard dance groove | Krishna Venkatesh/ASCAP | 128 | |
|
|
|
00:30 | Lonely Winter | 7 | Electro Dance | Female vocal song. Moody house, yearning lyrics, light tech drums, sweeps, dark synths, pulsing bass | Tim Kvasnosky/ASCAP | 134 | |
|
|
|
00:30 | Love Like Gold | 7 | Electro Dance | Classic pop dance, 4 on the floor, celebratory chordal synth pattern hook | Krishna Venkatesh/ASCAP | 128 | |
|
|
|
00:30 | You Got It Good | 7 | Electro Dance | Catchy moderate electro-pop dance, with heavy grinding bass, pulsing synths | Krishna Venkatesh/ASCAP | 128 | |
|
|
|
00:30 | Faceoff | 3 | Epic Narrative | Driving staccato intro stabs build into triumphant hybrid orchestral theme with pounding backend | Mitch Coodley/BMI | 130 | |
|
|
|
00:30 | Slapshot | 3 | Epic Narrative | Low pounding rhythmic hits to building gridiron-type conflict, triumph, then tough as nails ending | Mitch Coodley/BMI | 145 | |
|
|
|
00:30 | Your Number Is Up | 6 | Epic Narrative | Sharp stabs to dangerous action with pulsing strings, heavy perc., guitars, climactic backend | Mitch Coodley/BMI | 150 | |
|
|
|
00:30 | Dream Control | 7 | Film Score | Building minimalist orchestral-tech - Hermann meets Eno - driving drums, brooding strings, swirling synths. | Gabriel Hays/BMI | 150 | |
|
|
|
00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
|
|
|
00:30 | Funk Toon | 5 | Fun Funk | Funky but fun groove loop with a repeating bluesy bass and guitar riff | Andez /ASCAP | 120 | |
|
|
|
00:30 | Partay! | 5 | Fun Funk | Upbeat party music, very kool, very happy and catchy, with bright sax fills | Andez /ASCAP | 121 | |
|
|
|
00:30 | Saxting | 5 | Fun Funk | Fun, upbeat chugging funk with 2 saxes in a classic riffs leads to a bluesy bridge | Andez /ASCAP | 128 | |
|
|
|
00:30 | The Skinny | 5 | Fun Funk | Uptempo, slightly dangerous funk with wah guitar over bass and organ riffs | Andez /ASCAP | 130 | |
|
|
|
00:30 | Friday Night Light | 7 | Good And Better | Uptempo brassy sports theme with a touch of drama | Andy Snitzer/ASCAP | 146 | |
|
|
|
00:30 | Hands In The Air | 7 | Good And Better | Bouncy, fun 4/4 dance with playful synth riffs and soft background sections | Andy Snitzer/ASCAP | 125 | |
|
|
|
00:30 | Match Point | 7 | Good And Better | Brassy uptempo sports cue for light highlights and features | Andy Snitzer/ASCAP | 137 | |
|
|
|
00:30 | Motional | 7 | Good And Better | Joyous, easy upbeat positive groove with or without warm soprano sax melody | Andy Snitzer/ASCAP | 129 | |
|
|
|
00:30 | Pull Together | 7 | Good And Better | Pure positive energy with pulsing strings and rhythm section | Andy Snitzer/ASCAP | 137 | |
|
|
|
00:30 | Startup | 7 | Good And Better | Light tech pattern creates forward motion for good news | Andy Snitzer/ASCAP | 132 | |
|
|
|
00:30 | Done With Dust | 7 | Homespun | Fun whimsy with cute climbing questions and frisky double-time answers. With clarinet and banjo | Ann Klein/BMI | 144 | |
|
|
|
00:30 | Get Them Pups | 7 | Homespun | Pups on the move! Humorous, witty old-time two-step with clarinet, banjo, upright bass | Ann Klein/BMI | 208 | |
|
|
|
00:30 | Basement Bhangra | 7 | Indian Pop | Dance mix of electronica and Indian mambo-like fusion with breaks, licks and fills | Krishna Venkatesh/ASCAP | 106 | |
|
|
|
00:30 | Delhi Disco | 7 | Indian Pop | Uptempo Indian disco funk with a bit of Big Beat with all the trimmings- shouts, fills, licks, solos | Krishna Venkatesh/ASCAP | 125 | |
|
|
|
00:30 | Juluka Dance | 7 | Indian Pop | Uptempo dance-pop with group yells, zithers, tablas, drums and breaks | Krishna Venkatesh/ASCAP | 115 | |
|
|
|
00:30 | After Hours | 7 | Indie Acoustic | Steady 8th note strumming over drum groove with light atmospheric pad and piano | Matthew Dolland/ASCAP | 120 | |
|
|
|
00:30 | Marcha | 7 | Indie Acoustic | Highway picking over easy percussion leads to a country road trip with smoky pedals | Matthew Dolland/ASCAP | 120 | |
|
|
|
00:30 | Northern Birds | 7 | Indie Acoustic | Upbeat optimistic medium folk rock with a semi-melodic strat lead | Matthew Dolland/ASCAP | 150 | |
|
|
|
00:30 | On The Rocks | 7 | Indie Acoustic | Fast 8th note low riffs builds with anthemic delayed electric lead pattern | Matthew Dolland/ASCAP | 150 | |
|
|
|
00:30 | La dama | 5 | Latin Pop | Male Spanish vocal "The Lady" Catchy latin boy-group dance-pop with a lost love theme | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 128 | |
|
|
|
00:30 | Lambada Dada | 7 | Latin Pop | Uptempo dubby Latin w/popping meringue-style saxes and trombones | David Mann/ASCAP | 120 | |
|
|
|
00:30 | Mueve tu cadera | 5 | Latin Pop | Male Spanish vocals "Move Your Hips". Bouncy 4/4 pop-dance w/catchy hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 125 | |
|
|
|
00:30 | Musica | 7 | Latin Pop | Sexy, uptempo Cuban with montuno break, horn licks, vocal lines | David Mann/ASCAP | 115 | |
|
|
|
00:30 | Nadie como tu | 5 | Latin Pop | Female/male Spanish vocal "Somebody Like You". Chugging, hooky EDM-pop w/ light rap | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 130 | |
|
|
|
00:30 | No llores mas | 5 | Latin Pop | Male/femaleSpanish vocals "Don't Cry Anymore" Hooky latin-reggaeton with punchy synths | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 124 | |
|
|
|
00:30 | Cut And Dry | 7 | Light Acousti-Pop | Uplifting positive energy. Tight drums and driving clean electric and acoustic guitars | Deborah Difonzo/BMI | 128 | |
|
|
|
00:30 | Happy The Clam | 7 | Light Acousti-Pop | Acoustic guitar-driven alt rock with stop and start intro. Energetic groove ensues with light string line | Deborah Difonzo/BMI | 184 | |
|
|
|
02:20 | Breaking Out | 2 | Light Docu-Drama | Joyous muso-rock with catchy posts and breaks. Break it out! | Mitch Coodley/BMI | 133 | |
|
|
|
02:26 | Soul Chasers | 1 | Light Docu-Drama | Flighty quick pulse, hits, light tension with a touch of adventure | Mitch Coodley/BMI | 232 | |
|
|
|
00:30 | Impulse Response | 7 | Light Tech/Corporate | Moody intro to energetic synth computer ostinatos blending with piano sequence | Robert Allaire/ASCAP | 140 | |
|
|
|
00:30 | Sunny Forecast | 7 | Light Tech/Corporate | Upbeat, positive, light melodic with guitar strums over pretty synth patterns | Robert Allaire/ASCAP | 130 | |
|
|
|
00:30 | Desert Extraction | 7 | Middle East Cinematic | Tense, mysterious, Middle East-West action adventure with vocal colors, crunch guitars, percussion | Tristan Alexia/ASCAP | 125 | |
|
|
|
01:26 | Bad Night | 1 | Mystery & Crime 1 | Nothing good happened here - what's the story? Slow-fast pulsing percussion and pads | Mitch Coodley/BMI | 150 | |
|
|
|
02:19 | Hand Over Your Dub | 1 | Mystery & Crime 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | 140 | |
|
|
|
01:45 | Out Of Money | 1 | Mystery & Crime 1 | Crime procedural. Pulsing percussive sequence, swell to moderate orchestral-tech groove | Mitch Coodley/BMI | 130 | |
|
|
|
01:24 | Burden Of Proof | 1 | Mystery & Crime 2 | Muted urgency - fast mallets and percussion over drone with trailing crunch guitars and mystery synths | Tristan Alexia/ASCAP | 130 | |
|
|
|
01:51 | Crime Lab | 1 | Mystery & Crime 2 | Contemplative yet agitated landscape. Synths & perc., with processed guitar, bass create light tension | Tristan Alexia/ASCAP | 130 | |
|
|
|
02:24 | The Convict | 1 | Mystery & Crime 2 | Medium fast dark tension with pulsing synth lines, drums, percussion and edgy guitar. | Tristan Alexia/ASCAP | 120 | |
|
|
|
00:30 | Euphoria | 4 | Picture This Song | Male Vocal. Uptempo indie pop-rock. Light then builds to driving chorus. Can't kick this habit - you. | Jay Harper/ASCAP | 147 | |
|
|
|
00:30 | Hotter Than Lava | 4 | Picture This Song | Male/female rap trio vocals. Electro/urban new school. Deep guy chorus alternates with sexy PG popping rapped banter | Jay Harper/ASCAP | 145 | |
|
|
|
00:30 | Smile | 4 | Picture This Song | Female vocal. Electropop - folk-EDM. Youthful, “feel good” hook. Smile like someone's there with you. | Jay Harper/ASCAP | 131 | |
|
|
|
00:30 | Easy Rider | 7 | Positivity | Exuberant, playful indie rocker with catchy rhythmic hook and easy melody | Lucy Coodley/ASCAP | 140 | |
|
|
|
00:30 | Sunny Side | 7 | Positivity | Easy, carefree jazz swing quartet with Goodman style clarinet – relaxed and happy | Lucy Coodley/ASCAP | 160 | |
|
|
|
00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 | |
|
|
|
00:30 | Strategize | 7 | Reality TV | Thoughtful but energetic string patterns over percussion w/piano pattern pulse | Mitch Coodley/BMI | 140 | |
|
|
|
00:30 | Breakbeat Of Champions | 7 | Testosterone | Uptempo electro-breakbeat with gritty guitars and heavily syncopated synths and stutter edits | Deborah Difonzo/BMI | 140 | |
|
|
|
00:30 | Evil Genius | 7 | Testosterone | Wiry synths into pounding tech with some low bendy guitars and percussive ear candy | Deborah Difonzo/BMI | 140 | |
|
|
|
00:30 | Waving Hello | 7 | Testosterone | Bright uplifting pop-rock with clean guitars and sunny mood | Deborah Difonzo/BMI | 160 | |
|
|
|
00:30 | Funny Bones | 7 | The Kids Are All Rock | Upbeat, playful blend of ukelele, electric guitars and squelchy keyboards. Quirky electric guitar runs spice up the mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 172 | |
|
|
|
00:30 | High Gain | 7 | The Kids Are All Rock | Overdriven, lo-fi garage rock stripped down to the basics -- trashy drums, a blistering guitar and thumping bass | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
|
|
|
00:30 | Lost Highway | 7 | The Kids Are All Rock | Slightly sardonic uptempo, danceable crunch groove with 8th note guitar accents, kinetic electronica, a few film-score strings | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 128 | |
|
|
|
00:30 | Vacation | 7 | The Kids Are All Rock | Acoustic picking and irresistibly perky whistled hook. Upbeat hook features light keyboard theme with hand claps | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 134 | |
|
|
|
02:12 | Follow Their Footsteps | 1 | Wildlife Documentary | Light anticipation, moderate positive, fast pulsing world, jungle orchestral | Mitch Coodley/BMI | 140 | |
|
|
|
00:51 | Out Of The Wild | 1 | Wildlife Documentary | Happy world, orchestral theme with vocal oohs and African perciussion | Mitch Coodley/BMI | 124 | |
|
|
|
00:30 | Game Park | 7 | World Adventure | Beautiful Kora and driving Djembe invite you on an expansive pan-African eco-tour | Gabriel Hays/BMI | 130 | |
|
|
|
00:30 | Gypsy Forever | 7 | World Adventure | Flamenco mashup with traditional guitar and a funky four-on-the-floor dance beat | Gabriel Hays/BMI | 123 | |
|
|
|
00:30 | Highlands Triumph | 7 | World Adventure | Bold Highlands bagpipes, uplifting strings, dramatic percussion create an expansive Celtic celebration | Gabriel Hays/BMI | 133 | |
|
|
|
00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 |