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Songs
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| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Punky Pie | 7 | Acoustic With Benefits | Happy light post-punk with a frothy feel and clear leads | Lucy Coodley/ASCAP | 163 | |
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00:30 | Starlight Express | 7 | Chillout | Speedy, pulsing lush techno-lounge with warm pads and glam-string melody | Mitch Coodley/BMI | 149 | |
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01:33 | Bach-Goldberg Variation 1 BWV 988 | 1 | Classical Piano | Baroque, classical piano | J. S. Bach/None, Arr. Jacob Rhodebeck/ASCAP | 57 | |
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02:41 | Chopin-Revolutionary Etude in C Minor Op. 10 No 12 | 1 | Classical Piano | Classical piano | F. Chopin/None, Arr. Jacob Rhodebeck/ASCAP | 131 | |
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02:54 | Mozart-Rondo Alla Turca from Sonata in A Major KV331 | 1 | Classical Piano | Clasical Piano | W. A. Mozart/None, Arr. Jacob Rhodebeck/ASCAP | 158 | |
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00:30 | Psychotic Polka | 7 | Cute 'n' Kitschy | Slap-happy polka with guitars over tuba ala Curb | Allen Carrescia/ASCAP | 116 | |
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00:30 | Galaxy Class Fallout | 7 | Electro Dance | Four-on-the-floor trance, dark and robotic, heavy synths, cool breaks from abstract intro | Krishna Venkatesh/ASCAP | 144 | |
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00:30 | Machine Bomb | 7 | Electro Dance | Trance a/la Electronica 101, hypnotic pulse, pounding, evolving and bleepy textures | Krishna Venkatesh/ASCAP | 142 | |
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00:30 | Whack Tek | 7 | Electro Dance | Sputtering super-fast techno with bleepy synths, wiry bluesy bass, insistent drums, bubbling pads | Mitch Coodley/BMI | 160 | |
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00:30 | The Hammer | 7 | Film Score | Metal guitars, heavy drums, driving strings for a powerful superhero | Gabriel Hays/BMI | 150 | |
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00:30 | Booga Lulu | 5 | Fun Funk | Fast funky boogaloo groove with light breaks, organ fills and picking guitar | Andez /ASCAP | 128 | |
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00:30 | Dosa Doe | 7 | Indian Pop | Solid 4/4 dance beat under sitar licks with electronic bass and dramatic synth/string swells and female vocal | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Kolkatta Chase | 7 | Indian Pop | Light energetic mix of fast rhythmic vocals over double-time tabla and dramatic violin section licks | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | Manju's Mango | 7 | Indian Pop | Joyous uptempo percussive dance pop with live/electronica mix and vocal tops | Krishna Venkatesh/ASCAP | 130 | |
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00:30 | Going Viral | 7 | Light Tech/Corporate | Swell into lightly gritty tech groove with wiry guitar leads and pretty delayed synth patterns | Robert Allaire/ASCAP | 130 | |
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02:22 | Dial 911 | 1 | Mystery & Crime 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | 160 | |
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00:30 | Ay Ay Ay! | 7 | Positivity | Lo-fi, processed, infectiously upbeat Latin mix of salsa, Ricky Ricardo horns and percussive mambo | Lucy Coodley/ASCAP | 200 | |
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00:30 | Lucky Charm | 7 | Positivity | G-rated fun, upbeat punky pop-rock for the whole family. Stop-time figures great for edits | Lucy Coodley/ASCAP | 157 | |
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00:30 | Play For Keeps | 7 | Positivity | Light sweet intro leads to steady uptempo positive pulsing backbeat and guitar textures | Lucy Coodley/ASCAP | 181 | |
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00:30 | Beat The Clock | 7 | Reality TV | Cascading strings plunge into a ticking dramatic pulse with periods of high-tension quandary | Mitch Coodley/BMI | 140 | |
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00:30 | Breakout | 7 | Reality TV | Gritty power rock jam with a metallic riff and funk inspired guitars | Mitch Coodley/BMI | 140 | |
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00:30 | Chasing The Money | 7 | Reality TV | Fast paced pulsing drama with a mix of fun and fear techno orchestra | Mitch Coodley/BMI | 149 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Making Time | 7 | Reality TV | Fast, low chugging dark drama techno with moody sequencers and guitar | Mitch Coodley/BMI | 132 | |
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00:30 | Scream Alert | 7 | Reality TV | Super-intense Gothic drama with dark percussive undercurrent and hard stabs | Mitch Coodley/BMI | 130 | |
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00:30 | Football Wars | 7 | Testosterone | Fast pulsing energetic thematic rock with wiry guitar melody and flash solos | Deborah Difonzo/BMI | 136 | |
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00:30 | Primal Shred | 7 | Testosterone | Fast high-energy metal - kicking drums, slashing guitars. Chorus provides relief | Deborah Difonzo/BMI | 145 | |
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00:30 | Speedfreak | 7 | Testosterone | Speed metal with blazing guitars, frenetic racing drums and jackhammer bridge | Deborah Difonzo/BMI | 160 | |
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00:30 | Testosterone | 7 | Testosterone | Fast gritty rocker with growling guttural guitar lines and dramatic energy | Deborah Difonzo/BMI | 196 | |
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00:30 | Avalanche | 7 | The Kids Are All Rock | Shimmering electronic atmospherics lead to upbeat rollicking rock chorus and catchy vocal hook | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 139 | |
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00:30 | Exciter | 7 | The Kids Are All Rock | Wall of crunchy guitars leads to picking patterns, thoughtful middle-eight and joyful, uptempo anthemic chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 148 | |
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00:30 | On Cloud Nine | 7 | The Kids Are All Rock | Fun, bright power-pop with off-kilter wah-wah sets up a light midsection and upbeat, epic outro | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 155 | |
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00:30 | Power Pill | 7 | The Kids Are All Rock | Quick, tight pounding drums, high shimmering guitar harmonics and thematic leads into light power crunch | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | Scorcher | 7 | The Kids Are All Rock | Balls-to-the-wall crunching guitars and a fast pounding, 4/4 drumbeat build to the stadium-ready chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | The Big Beat | 7 | The Kids Are All Rock | Thumping bass over a funk-filled trip-hop beat, modern and retro keyboard flourishes and exotic rhythmic elements | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 148 | |
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00:30 | Escape From Jharkhand | 7 | World Adventure | Driving strings, sitar and tabla create Indian high-tension Bollywood dramatic chase scene | Gabriel Hays/BMI | 162 |