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Songs
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| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Since Then | 7 | Acoustic With Benefits | Soft acoustic pattern under a sweet, sentimental, lilting melody with light brushes | Lucy Coodley/ASCAP | 113 | |
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00:30 | Here I Go | 7 | All Natural Acoustic | Female vocal. Easy, sweet, innocent going-on-a-journey song with guitar and banjo | Matthew Dolland/ASCAP | 85 | |
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00:30 | Del Mar | 7 | Chillout | Soft jazzy muted trumpet plays light cool phrases over an ambient latin percussion bed | Mitch Coodley/BMI | 110 | |
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00:30 | Goin' On | 7 | Chillout | Soft new-age atmospheres over lightly funky beat, with vibey guitar melody and jazzy solo | Mitch Coodley/BMI | 90 | |
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00:30 | Mistral | 7 | Chillout | Gentle intro to warm ambient trumpet song with misty swells and nylon guitar | Mitch Coodley/BMI | 120 | |
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01:44 | Bach-Minuet in G Major | 1 | Classical Piano | Baroque, classical piano | J. S. Bach/None, Arr. Jacob Rhodebeck/ASCAP | 115 | |
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01:50 | Bach-Minuet in G Minor | 1 | Classical Piano | Baroque, classical piano | J. S. Bach/None, Arr. Jacob Rhodebeck/ASCAP | 112 | |
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02:11 | Bach-Prelude in C Major | 1 | Classical Piano | Baroque, classical piano | J. S. Bach/None, Arr. Jacob Rhodebeck/ASCAP | 133 | |
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05:04 | Debussy - Arabesque | 1 | Classical Piano | Classical, impressionistic | C. Debussy/None, Arr. Jacob Rhodebeck/ASCAP | 100 | |
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01:34 | Mussorgsky-Pictures at an Exhibition - Promenade | 1 | Classical Piano | Classical, romantic | M. Mussorgsky/None, Arr. Jacob Rhodebeck/ASCAP | 86 | |
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05:15 | Schubert- Impromptu in Ab Major Op. 142 No. 2 | 1 | Classical Piano | Classical, romantic | F. Schubert/None, Arr. Jacob Rhodebeck/ASCAP | 90 | |
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01:02 | Schumann - Papillons Op.2 First Waltz | 1 | Classical Piano | Classical, romantic | R. Schumann/None, Arr. Jacob Rhodebeck/ASCAP | 104 | |
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00:30 | Breakfast On The Veranda | 7 | Cute 'n' Kitschy | Langorous French-romantic kitsch with female la-las and bossa guitars | Allen Carrescia/ASCAP | 118 | |
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00:30 | Dapper Tapper | 7 | Cute 'n' Kitschy | Pretty ironic elevator music with pecky flute over sliding guitars | Allen Carrescia/ASCAP | 136 | |
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00:30 | Ooh La La | 7 | Cute 'n' Kitschy | Plaintive wah wah guitar lead over cheesy organ, then melodramatic male "ooh la la" | Allen Carrescia/ASCAP | 116 | |
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00:30 | Snake Eyes | 7 | Cute 'n' Kitschy | Bluesy chugging private-eye vamp with low guitars, organ, horn sect. swells | Allen Carrescia/ASCAP | 104 | |
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00:30 | After All | 7 | Downtempo Lounge | Smokey lounge with lightly pulsing keys, guitar top notes, light chugging groove | Bryan Nelson/ASCAP | 90 | |
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00:30 | At The Funky Lounge | 7 | Downtempo Lounge | Groovy, smoky lounge with warm funk under light wah guitars and keyboard fills | Bryan Nelson/ASCAP | 99 | |
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00:30 | Horizons | 7 | Downtempo Lounge | Moody dulcimer-guitar patterns with delay claps, piano and reverb drums | Bryan Nelson/ASCAP | 115 | |
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00:30 | Wishing Well | 7 | Downtempo Lounge | Dark wiry minor key vamp with keyboards and string pads | Bryan Nelson/ASCAP | 94 | |
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03:52 | Humans Win | 7 | Epic Narrative | Delicate intro, swelling build into ostinato, broad cinematic theme w/big drums, orch, choir, big backend | Mitch Coodley/BMI | 90 | |
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03:53 | New Kingdom | 2 | Epic Narrative | Slow brooding open to impending swells, building to triumphant theme w/orchestra and choir | Mitch Coodley/BMI | 110 | |
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00:30 | Average White Guy | 5 | Fun Funk | Down and dirty funk with bass and guitar riffs over scratchy percussion | Andez /ASCAP | 97 | |
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00:30 | First Steps | 7 | Homespun | Jaunty, rhythmic kid's piano piece with acoustic guitars and bass | Ann Klein/BMI | 82.5 | |
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00:30 | Homesick Blue | 7 | Homespun | Chunking bluesy guitars with slide dobro lead with a happy twist of knowing irony | Ann Klein/BMI | 90 | |
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00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |
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00:30 | Ghetto Deity | 7 | Indian Pop | Medium breakbeat and dark electronica with low flute, female and male vocal themes and shenai | Krishna Venkatesh/ASCAP | 96 | |
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00:30 | Gopis Calling | 7 | Indian Pop | Slow female vocal morphs into moody film cue like Indian pop-fusion with flute fills | Krishna Venkatesh/ASCAP | 100 | |
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00:30 | Europa | 7 | Latin Pop | Dreamy, slightly trippy bossa nova with languorous sax and string leads | David Mann/ASCAP | 78 | |
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00:30 | Volver a mi | 5 | Latin Pop | Male Spanish vocals "Coming Back To Myself". Pulsing Latin ballad with anthemic hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 87 | |
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00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |
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00:30 | Big Chill | 7 | Light Acousti-Pop | Pretty, slow, mellow fingerpicked guitar over warm pads and light percussion | Deborah Difonzo/BMI | 76 | |
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00:30 | Folked Up | 7 | Light Acousti-Pop | Nice acoustic guitar picking with ultra funky deep electro-hip-hop bed | Deborah Difonzo/BMI | 88 | |
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00:30 | Slow Stepping | 7 | Light Acousti-Pop | Easy folkie acoustics with light funky drums. Warm string lines add dimension in chorus | Deborah Difonzo/BMI | 74 | |
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00:30 | Warm Nights | 7 | Light Acousti-Pop | Nice acoustic guitar picking with easy, dry beat, adding mandolin and dreamy pads | Deborah Difonzo/BMI | 78 | |
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00:53 | A Look Back | 1 | Light Docu-Drama | Watery intro to pattern piano creates introspective reflective mood | Mitch Coodley/BMI | 100 | |
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02:04 | Fragile Water | 1 | Light Docu-Drama | Silvery shimmering pads under evocative bass flute theme | Mitch Coodley/BMI | 85 | |
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02:10 | Growing Pains | 1 | Light Docu-Drama | Slow rising drone, soft piano patterns, touching and reflective growth | Mitch Coodley/BMI | 100 | |
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02:39 | Introspection | 1 | Light Docu-Drama | Gestural, lilting reflective memory with pregnant pauses, sense of innocence | Mitch Coodley/BMI | 100 | |
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03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |
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02:24 | Wheel of Life | 1 | Light Docu-Drama | Gentle piano pulse, slow emotional build, lovely cello theme, soft close | Mitch Coodley/BMI | 100 | |
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00:30 | Timecode | 7 | Light Tech/Corporate | Pensive thoughtful cue with light droplet sequence, piano chords, choir | Robert Allaire/ASCAP | 130 | |
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01:00 | Clockwork Plans | 1 | Mystery & Crime 1 | Countdown to murder. Ticking clock brings dark, brooding drones, pads, strings, drum groove | Mitch Coodley/BMI | 100 | |
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01:01 | Creep Me Out | 1 | Mystery & Crime 1 | Creepy crime scene. Light scary strings, processed percussion, string punctuations | Mitch Coodley/BMI | 100 | |
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01:00 | Dark Cowboy | 1 | Mystery & Crime 1 | Noir-ish touch of evil character. Open minor guitar chords over pusling drone bass | Mitch Coodley/BMI | 120 | |
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01:00 | Dim City | 1 | Mystery & Crime 1 | Hard street life. Brooding groove under ambient reverse guitars, dark atmosphere | Mitch Coodley/BMI | 80 | |
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01:00 | Hideout | 1 | Mystery & Crime 1 | Mind of the bad guy. Gestural anticipatory drama with warbling drones, strings, swells | Mitch Coodley/BMI | 100 | |
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01:30 | Crime Scene Search | 1 | Mystery & Crime 2 | Dark muted urgency. Impending pulse with synth ostinatos, percussion, elec. guitar, rhythmic breaths | Tristan Alexia/ASCAP | 145 | |
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01:46 | Crime's Whys | 1 | Mystery & Crime 2 | Dark eerie crime scene. Sweeping pads and low drum and bass pulse, not too tense | Jonathan Perl/ASCAP | 94 | |
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01:42 | Data Analysis | 1 | Mystery & Crime 2 | Drone and pads create ambiguous analytical mood. High strings with pulsing synths | Tristan Alexia/ASCAP | 105 | |
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01:52 | Evidence Recovery | 1 | Mystery & Crime 2 | Simple science. Crime scene examination with touch of danger, pathos. Piano, synths, drums, strings | Tristan Alexia/ASCAP | 100 | |
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01:35 | Gunshot Wound | 1 | Mystery & Crime 2 | Generic drama, with a beat. Kick drum, synths, guitar lines underscore a crime scene | Tristan Alexia/ASCAP | 115 | |
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02:00 | Preliminary Injunction | 1 | Mystery & Crime 2 | Low tension crime drama. Rubbery pulses, loops and plings create a building, subtly dire mood | Tristan Alexia/ASCAP | 110 | |
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01:51 | Waiting For The Verdict | 1 | Mystery & Crime 2 | Edgy but soft time-passing. Touch of anxiety with ticking percussion, coloristic synths and pads | Tristan Alexia/ASCAP | 105 | |
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01:39 | What Happened That Night | 1 | Mystery & Crime 2 | Dark, unsettling strings and atmospheric synth loops set a disturbing mood | Tristan Alexia/ASCAP | 110 | |
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01:30 | Witness Competency | 1 | Mystery & Crime 2 | Shadows of doubt. Light melodrama, slight anxiety with piano, strings, and percussive patterns | Tristan Alexia/ASCAP | 100 | |
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00:30 | Back Home | 3 | Poignant Piano | Warm folkloric song with simple melody and touch of poignant happy/sad reminiscence | Kana Kamitsubo/ASCAP | 93 | |
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00:30 | Gentle Flow | 3 | Poignant Piano | Light tinkly piano creates a gentle innocent mood with a meditative quality and hint of sadness | Kana Kamitsubo/ASCAP | 150 | |
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00:33 | Pulse Of Life | 3 | Poignant Piano | Gentle warm chord pattern leads to a poignant melody | Kana Kamitsubo/ASCAP | 125 | |
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00:30 | Ringbearers | 3 | Poignant Piano | Light new-age/classical round a/la Pachelbel Canon, gentle processional feel nice for wedding | Kana Kamitsubo/ASCAP | 94 | |
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00:33 | Springtime | 3 | Poignant Piano | Twinkly falling gentle arpeggios creating a springlike warmth rising skyward. Smile through one's tears | Kana Kamitsubo/ASCAP | 96 | |
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00:30 | Time's Whys | 7 | Reality TV | Lush pattern pulse,moody introspective string pads with nylon guitar feeling of loss | Mitch Coodley/BMI | 145 | |
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00:30 | Grind It Out | 7 | Testosterone | Slow, stabby figures with beefy low octaves and steely slide fills | Deborah Difonzo/BMI | 70 | |
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00:42 | Close Reflection | 1 | Wildlife Documentary | Open sky feel, acoustic guitar echoes with airy pad, instrospective | Mitch Coodley/BMI | 134 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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02:30 | Loss And Return | 1 | Wildlife Documentary | Moody, atmospheric texture leads to doubt, sadness but with a hopeful end | Mitch Coodley/BMI | 80 | |
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01:03 | The Lifecycle | 1 | Wildlife Documentary | Slow, lovely orchestral string theme-poignant and wistful then hopeful | Mitch Coodley/BMI | 97 | |
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00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 | |
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00:30 | Poppy Trail | 7 | World Adventure | Dark simmering drums, Persian/Middle Eastern drama featuring duduk. Persia/Middle East | Gabriel Hays/BMI | 98 |