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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Candy Boy | 7 | Acoustic With Benefits | Old-school dark, low, vibrato, minor key lead guitar over bluesy vamping acoustic and tom-tom groove | Lucy Coodley/ASCAP | 110 | |
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00:30 | Family Time | 7 | Acoustic With Benefits | Warm, light new-agey folk-rock, acoustic guitar strumming with a joyous heartwarming feel | Lucy Coodley/ASCAP | 110 | |
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00:30 | Green Days | 7 | Acoustic With Benefits | Bright, sparkling synth sequence sets up a sunny positive groove with some thoughtful moments | Lucy Coodley/ASCAP | 120 | |
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00:30 | Just Say Yes | 7 | Acoustic With Benefits | Light acoustic rhythm guitar and mandolin textures, steady positive organic groove, optimistic melody | Lucy Coodley/ASCAP | 85 | |
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00:30 | Positively | 7 | Acoustic With Benefits | Light but joyous, upbeat acoustic strumming groove with descending melody | Lucy Coodley/ASCAP | 113 | |
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00:30 | Sheep's Meadow | 7 | Acoustic With Benefits | Heather-light highlands feel mandolin and acoustic guitars get a bit moody over light light alt-rock groove | Lucy Coodley/ASCAP | 115 | |
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00:30 | Since Then | 7 | Acoustic With Benefits | Soft acoustic pattern under a sweet, sentimental, lilting melody with light brushes | Lucy Coodley/ASCAP | 113 | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | Tell Me What | 7 | Acoustic With Benefits | Minor key light indie rock with acoustic guitars and B-3 organ | Lucy Coodley/ASCAP | 125 | |
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00:30 | Thursday's Child | 7 | Acoustic With Benefits | Nice acoustic/light electric mix plus pedal steel build positive and poignant moods on solid groove | Lucy Coodley/ASCAP | 105 | |
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00:30 | All In Stride | 7 | All Natural Acoustic | Simple uke, guitar and whistled melody and claps create a happy-go-lucky feel | Matthew Dolland/ASCAP | 86 | |
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00:30 | Coming Of Age | 7 | All Natural Acoustic | Gently pulsing guitar and piano ostinato under poignant alto flute melody then nylon gtuitar solo | Mitch Coodley/BMI | 120 | |
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00:30 | Country Kitchen | 6 | All Natural Acoustic | Happy acoustic strumming - easy and lighthearted 12-string country melody | Mitch Coodley/BMI | 100 | |
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00:30 | Here I Go | 7 | All Natural Acoustic | Female vocal. Easy, sweet, innocent going-on-a-journey song with guitar and banjo | Matthew Dolland/ASCAP | 85 | |
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00:30 | Joy On The Way | 7 | All Natural Acoustic | Joyful open guitar and mandolin strumming under bright positive upbeat melody | Mitch Coodley/BMI | 125 | |
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00:30 | Low Roller | 7 | All Natural Acoustic | Firmly pulsing bluesy picking with acoustic slide and easy kick drum | Matthew Dolland/ASCAP | 114 | |
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00:30 | That Face | 7 | All Natural Acoustic | Jaunty, whimsical little two-guitar ditty with a moderate folksy swing feel | Mitch Coodley/BMI | 120 | |
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00:30 | The Missing Piece | 7 | All Natural Acoustic | Dark bluesy acoustic picking and retro slide over light train-groove snare | Matthew Dolland/ASCAP | 94 | |
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00:30 | The Way Down | 7 | All Natural Acoustic | Soft acoustic strumming and bright melody with a warm, folkloric flavor | Matthew Dolland/ASCAP | 90 | |
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00:30 | Wakin' Up Right | 7 | All Natural Acoustic | Light guitar picking sets up steady, upbeat, positive rising acoustic folk-rock groove | Mitch Coodley/BMI | 130 | |
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00:30 | Why Kee Kee | 7 | All Natural Acoustic | Light luau fare, langorous island feel with slack key guitars, uke, lap steel | Mitch Coodley/BMI | 74 | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Our Town | 7 | Good And Better | Warm, everyman soft rock, all positive, string theme with piano | Andy Snitzer/ASCAP | 104 | |
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00:30 | Time's Plus | 7 | Good And Better | Moderate pattern pulse builds layers for news or business | Andy Snitzer/ASCAP | 107 | |
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00:30 | Clean As A Whistle | 7 | Homespun | Sweet, lighthearted simple whistling tune with guitar, bass, uke, and pots and pans | Ann Klein/BMI | 146 | |
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00:30 | Copycat Kitten | 7 | Homespun | Light, upbeat and cute - with uke and rhythm sect. Your pet video could go viral! | Ann Klein/BMI | 136 | |
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00:30 | Creepy Crawlers | 7 | Homespun | Quirky, playfully creepy, for those occasional unwanted guests. 12-string gtr, pizzicato violins | Ann Klein/BMI | 142 | |
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00:30 | Done With Dust | 7 | Homespun | Fun whimsy with cute climbing questions and frisky double-time answers. With clarinet and banjo | Ann Klein/BMI | 144 | |
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00:30 | Family Pack | 7 | Homespun | It's all good. Easy, upbeat family fun with loping guitars, mandolins and ukes | Ann Klein/BMI | 104 | |
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00:30 | First Steps | 7 | Homespun | Jaunty, rhythmic kid's piano piece with acoustic guitars and bass | Ann Klein/BMI | 82.5 | |
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00:30 | Fresh Air Fun | 7 | Homespun | Infectious, happy country-western-Nashville mashup w/ fiddle, high-string guitars, rhythm | Ann Klein/BMI | 105 | |
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00:30 | Get Them Pups | 7 | Homespun | Pups on the move! Humorous, witty old-time two-step with clarinet, banjo, upright bass | Ann Klein/BMI | 208 | |
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00:30 | Homesick Blue | 7 | Homespun | Chunking bluesy guitars with slide dobro lead with a happy twist of knowing irony | Ann Klein/BMI | 90 | |
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00:30 | Hot Out Of The Oven | 7 | Homespun | Get 'em while they're hot! Cajun flavored upbeat shuffle with mandolins, accordion, dobro, rhythm | Ann Klein/BMI | 125 | |
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00:30 | Put Your Feet Up | 7 | Homespun | Sweet, lazy, laid-back relaxation with harmonica, uke and slide guitars | Ann Klein/BMI | 112 | |
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00:30 | Who Stole My Pancakes | 7 | Homespun | Sweet, joyful and playful fiddle and fingerpicking duet. Wha hoppen? | Ann Klein/BMI | 92 | |
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00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |
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00:30 | Gopis Calling | 7 | Indian Pop | Slow female vocal morphs into moody film cue like Indian pop-fusion with flute fills | Krishna Venkatesh/ASCAP | 100 | |
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00:30 | Juluka Dance | 7 | Indian Pop | Uptempo dance-pop with group yells, zithers, tablas, drums and breaks | Krishna Venkatesh/ASCAP | 115 | |
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00:30 | After Hours | 7 | Indie Acoustic | Steady 8th note strumming over drum groove with light atmospheric pad and piano | Matthew Dolland/ASCAP | 120 | |
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00:30 | Al Fresco | 7 | Indie Acoustic | Building, moody vibe with forward motion travis picking acoustic and swelling atmospheric pads | Matthew Dolland/ASCAP | 116 | |
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00:30 | Front Pocket | 7 | Indie Acoustic | Loping easy alt. rock with steady 8th note bass under light electric part with glockenspiel and brass sustains | Matthew Dolland/ASCAP | 112 | |
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00:30 | Go Ahead | 7 | Indie Acoustic | Laid-back folk strumming alt-rock builds with crunchy guitar pads and piano | Matthew Dolland/ASCAP | 91 | |
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00:30 | I Know You Do | 7 | Indie Acoustic | Light country folk-rock with a slightly trashy backbeat and simple picking | Matthew Dolland/ASCAP | 140 | |
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00:30 | Marcha | 7 | Indie Acoustic | Highway picking over easy percussion leads to a country road trip with smoky pedals | Matthew Dolland/ASCAP | 120 | |
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00:30 | Northern Birds | 7 | Indie Acoustic | Upbeat optimistic medium folk rock with a semi-melodic strat lead | Matthew Dolland/ASCAP | 150 | |
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00:30 | On The Rocks | 7 | Indie Acoustic | Fast 8th note low riffs builds with anthemic delayed electric lead pattern | Matthew Dolland/ASCAP | 150 | |
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00:30 | Places | 7 | Indie Acoustic | Simple strumming and pattern pulse on a medium groove with an almost poignant mood | Matthew Dolland/ASCAP | 120 | |
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00:30 | Sidecar | 7 | Indie Acoustic | Light shuffle with delay guitars and drums builds to mini-indie anthem | Matthew Dolland/ASCAP | 123 | |
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00:30 | There Was Nothing | 7 | Indie Acoustic | Basic alt. rock rhythm section with easy 8th note guitar pulse and simple piano lead | Matthew Dolland/ASCAP | 118 | |
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00:30 | What I Am | 7 | Indie Acoustic | Dark muted picking over steady tom-tom parts and pattern pulse guitar | Matthew Dolland/ASCAP | 115 | |
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00:30 | Mas Mariachi | 7 | Latin Pop | Happy, upbeat Mariachi with trumpet melody and violin counterpoint | David Mann/ASCAP | 110 | |
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00:30 | Volver a mi | 5 | Latin Pop | Male Spanish vocals "Coming Back To Myself". Pulsing Latin ballad with anthemic hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 87 | |
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00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |
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00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Big Chill | 7 | Light Acousti-Pop | Pretty, slow, mellow fingerpicked guitar over warm pads and light percussion | Deborah Difonzo/BMI | 76 | |
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00:30 | Cut And Dry | 7 | Light Acousti-Pop | Uplifting positive energy. Tight drums and driving clean electric and acoustic guitars | Deborah Difonzo/BMI | 128 | |
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00:30 | Delay The Day | 7 | Light Acousti-Pop | Anticipatory guitar patterns build to positive moderate powered drums and bass | Deborah Difonzo/BMI | 80 | |
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00:30 | Folked Up | 7 | Light Acousti-Pop | Nice acoustic guitar picking with ultra funky deep electro-hip-hop bed | Deborah Difonzo/BMI | 88 | |
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00:30 | Happy The Clam | 7 | Light Acousti-Pop | Acoustic guitar-driven alt rock with stop and start intro. Energetic groove ensues with light string line | Deborah Difonzo/BMI | 184 | |
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00:30 | Slow Stepping | 7 | Light Acousti-Pop | Easy folkie acoustics with light funky drums. Warm string lines add dimension in chorus | Deborah Difonzo/BMI | 74 | |
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00:30 | Summer Isle | 7 | Light Acousti-Pop | Positive, easy going indie rock track with nice dreamy guitar melody lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Warm Nights | 7 | Light Acousti-Pop | Nice acoustic guitar picking with easy, dry beat, adding mandolin and dreamy pads | Deborah Difonzo/BMI | 78 | |
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00:30 | Arid Pilgrimage | 7 | Middle East Cinematic | Droning Middle Eastern drama with oud ,saz, kanun, strings, wood flutes, percussion | Tristan Alexia/ASCAP | 121 | |
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00:30 | In The Bazaar | 7 | Middle East Cinematic | Moody Middle Eastern drama featuring ouds and plucked strings over driving percussion | Tristan Alexia/ASCAP | 120 | |
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01:53 | Domestic Terrorism | 1 | Mystery & Crime 2 | Dark, malevolent undercurrent with heavy guitar, feedback pulsing bass, ear candy | Tristan Alexia/ASCAP | 120 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | New Tricks | 4 | Picture This Song | Male vocal. Pop/reggae. Bouncy, fun. New girl's a red zone case - where's Cesar Millan? | Jay Harper/ASCAP | 75 | |
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00:30 | Wherever I Be | 4 | Picture This Song | Group sing-along M/F vocals. Organic alt/folk. Happy, endearing, clever - about friendship through thick and thin | Jay Harper/ASCAP | 120 | |
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00:30 | Back Home | 3 | Poignant Piano | Warm folkloric song with simple melody and touch of poignant happy/sad reminiscence | Kana Kamitsubo/ASCAP | 93 | |
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00:30 | Easy Rider | 7 | Positivity | Exuberant, playful indie rocker with catchy rhythmic hook and easy melody | Lucy Coodley/ASCAP | 140 | |
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00:30 | Lucky Charm | 7 | Positivity | G-rated fun, upbeat punky pop-rock for the whole family. Stop-time figures great for edits | Lucy Coodley/ASCAP | 157 | |
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00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 | |
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00:30 | Only A Game | 7 | Reality TV | Happy go lucky guitars, positive acoustic rock, joyous hook | Mitch Coodley/BMI | 90 | |
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00:30 | Tupelo | 7 | The Kids Are All Rock | Easy-going, pastoral, alt-country. Twangy Telecaster and 12-string acoustic share the lead work | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 118 | |
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00:30 | Vacation | 7 | The Kids Are All Rock | Acoustic picking and irresistibly perky whistled hook. Upbeat hook features light keyboard theme with hand claps | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 134 | |
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00:44 | Balance Of Nature | 1 | Wildlife Documentary | Plucky, positive light percussion with acoustic guitar | Mitch Coodley/BMI | 135 | |
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00:42 | Close Reflection | 1 | Wildlife Documentary | Open sky feel, acoustic guitar echoes with airy pad, instrospective | Mitch Coodley/BMI | 134 | |
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00:43 | Easy Passage | 1 | Wildlife Documentary | Positive forward motion - plucky blend of acoustic guitar strums and light percussion | Mitch Coodley/BMI | 135 | |
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01:40 | Land Of The Jaguar | 1 | Wildlife Documentary | Light Latin flavor groove with nylon guitar, perc. - interlude turns to sustained strings | Mitch Coodley/BMI | 129 | |
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00:42 | Morning Tide | 1 | Wildlife Documentary | Rolling new-age piano pattern and high strings create a serene atmosphere | Mitch Coodley/BMI | 135 | |
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01:05 | Moving West | 1 | Wildlife Documentary | Soft open atmosphere, then acoustic gtr and strings open up the range | Mitch Coodley/BMI | 135 | |
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01:51 | On Safari | 1 | Wildlife Documentary | African drums set the scene for exotic wildlife on the move | Mitch Coodley/BMI | 124 | |
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00:53 | River Valley | 1 | Wildlife Documentary | Slow piano folk song with a wistful poignancy | Mitch Coodley/BMI | 120 | |
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00:26 | Soft Pulses | 1 | Wildlife Documentary | Flute and acoustic guitar pulse create steady, light, easy looping moion | Mitch Coodley/BMI | 80 | |
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02:03 | They Fenced The West | 1 | Wildlife Documentary | Easy Copeland-esque Western feel of open prairie, strings, piano, lonely finish | Mitch Coodley/BMI | 135 | |
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00:43 | Western Loop | 1 | Wildlife Documentary | Positive motion, American West flavor with bouncy marcato strings - looping phrase | Mitch Coodley/BMI | 135 | |
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00:30 | Gypsy Forever | 7 | World Adventure | Flamenco mashup with traditional guitar and a funky four-on-the-floor dance beat | Gabriel Hays/BMI | 123 | |
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00:30 | Highlands Triumph | 7 | World Adventure | Bold Highlands bagpipes, uplifting strings, dramatic percussion create an expansive Celtic celebration | Gabriel Hays/BMI | 133 | |
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00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 |