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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Candy Boy | 7 | Acoustic With Benefits | Old-school dark, low, vibrato, minor key lead guitar over bluesy vamping acoustic and tom-tom groove | Lucy Coodley/ASCAP | 110 | |
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00:30 | Don't Tell Me What | 7 | Acoustic With Benefits | Crunchy light electric riff sets up a thoughtful alt-rock groove with a little minor key vibe | Lucy Coodley/ASCAP | 100 | |
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00:30 | Positively | 7 | Acoustic With Benefits | Light but joyous, upbeat acoustic strumming groove with descending melody | Lucy Coodley/ASCAP | 113 | |
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00:30 | Punky Pie | 7 | Acoustic With Benefits | Happy light post-punk with a frothy feel and clear leads | Lucy Coodley/ASCAP | 163 | |
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00:30 | Tell Me What | 7 | Acoustic With Benefits | Minor key light indie rock with acoustic guitars and B-3 organ | Lucy Coodley/ASCAP | 125 | |
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00:30 | Wakin' Up Right | 7 | All Natural Acoustic | Light guitar picking sets up steady, upbeat, positive rising acoustic folk-rock groove | Mitch Coodley/BMI | 130 | |
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00:30 | Surf Serenade | 7 | Cute 'n' Kitschy | Surfy love song with cheesy organ and guitars | Allen Carrescia/ASCAP | 160 | |
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00:30 | Lockdown | 7 | Drama Kings | Dark pulsing, crunchy orch-tech, with percolating guitars, drum hits, drama candy | Mitch Coodley/BMI | 130 | |
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00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
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00:30 | The Hammer | 7 | Film Score | Metal guitars, heavy drums, driving strings for a powerful superhero | Gabriel Hays/BMI | 150 | |
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00:30 | After Hours | 7 | Indie Acoustic | Steady 8th note strumming over drum groove with light atmospheric pad and piano | Matthew Dolland/ASCAP | 120 | |
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00:30 | Front Pocket | 7 | Indie Acoustic | Loping easy alt. rock with steady 8th note bass under light electric part with glockenspiel and brass sustains | Matthew Dolland/ASCAP | 112 | |
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00:30 | What I Am | 7 | Indie Acoustic | Dark muted picking over steady tom-tom parts and pattern pulse guitar | Matthew Dolland/ASCAP | 115 | |
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00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Cut And Dry | 7 | Light Acousti-Pop | Uplifting positive energy. Tight drums and driving clean electric and acoustic guitars | Deborah Difonzo/BMI | 128 | |
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00:30 | Delay The Day | 7 | Light Acousti-Pop | Anticipatory guitar patterns build to positive moderate powered drums and bass | Deborah Difonzo/BMI | 80 | |
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00:30 | Happy The Clam | 7 | Light Acousti-Pop | Acoustic guitar-driven alt rock with stop and start intro. Energetic groove ensues with light string line | Deborah Difonzo/BMI | 184 | |
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00:30 | Sky Blue Eyes | 7 | Light Acousti-Pop | Mid tempo uplifting jangly, chugging American guitar pop | Deborah Difonzo/BMI | 124 | |
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00:30 | Summer Isle | 7 | Light Acousti-Pop | Positive, easy going indie rock track with nice dreamy guitar melody lines | Deborah Difonzo/BMI | 110 | |
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02:20 | Breaking Out | 2 | Light Docu-Drama | Joyous muso-rock with catchy posts and breaks. Break it out! | Mitch Coodley/BMI | 133 | |
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00:30 | Desert Extraction | 7 | Middle East Cinematic | Tense, mysterious, Middle East-West action adventure with vocal colors, crunch guitars, percussion | Tristan Alexia/ASCAP | 125 | |
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00:30 | Sand Storm | 7 | Middle East Cinematic | Middle Eastern world-rock w/ crunch gtrs, bansuri, tampura, dulcimer, drums, percussion | Tristan Alexia/ASCAP | 120 | |
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01:41 | Perp Hunt | 1 | Mystery & Crime 2 | Urgent urban crime rock. Crunch guitars with pulsing percussion and synth hooks | Tristan Alexia/ASCAP | 120 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | Euphoria | 4 | Picture This Song | Male Vocal. Uptempo indie pop-rock. Light then builds to driving chorus. Can't kick this habit - you. | Jay Harper/ASCAP | 147 | |
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00:30 | Some Things Are | 4 | Picture This Song | Male vocal. Moody slow atmospheric pop. Lush evocative lyrics about things better left unsaid | Jay Harper/ASCAP | 66 | |
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00:30 | Easy Rider | 7 | Positivity | Exuberant, playful indie rocker with catchy rhythmic hook and easy melody | Lucy Coodley/ASCAP | 140 | |
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00:30 | Lucky Charm | 7 | Positivity | G-rated fun, upbeat punky pop-rock for the whole family. Stop-time figures great for edits | Lucy Coodley/ASCAP | 157 | |
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00:30 | Play For Keeps | 7 | Positivity | Light sweet intro leads to steady uptempo positive pulsing backbeat and guitar textures | Lucy Coodley/ASCAP | 181 | |
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00:30 | Soft Then Loud | 7 | Positivity | Intro soft pads under guitar picks and perc, then hit hard with sustained crunch -anthemic joyous feel | Lucy Coodley/ASCAP | 126 | |
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00:30 | Synchronize Watches | 7 | Positivity | Light tech and steady keyboards create positive pulse building to triumphant bridge w/strings | Lucy Coodley/ASCAP | 110 | |
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00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 | |
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00:30 | Warm Teardrop | 7 | Positivity | Textural acoustic-electric strumming - upbeat indie texture strumming rock with thoughtful bridge | Lucy Coodley/ASCAP | 118 | |
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00:30 | Beat The Clock | 7 | Reality TV | Cascading strings plunge into a ticking dramatic pulse with periods of high-tension quandary | Mitch Coodley/BMI | 140 | |
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00:30 | Breakout | 7 | Reality TV | Gritty power rock jam with a metallic riff and funk inspired guitars | Mitch Coodley/BMI | 140 | |
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00:30 | Chasing The Money | 7 | Reality TV | Fast paced pulsing drama with a mix of fun and fear techno orchestra | Mitch Coodley/BMI | 149 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Making Time | 7 | Reality TV | Fast, low chugging dark drama techno with moody sequencers and guitar | Mitch Coodley/BMI | 132 | |
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00:30 | Only A Game | 7 | Reality TV | Happy go lucky guitars, positive acoustic rock, joyous hook | Mitch Coodley/BMI | 90 | |
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00:30 | Scream Alert | 7 | Reality TV | Super-intense Gothic drama with dark percussive undercurrent and hard stabs | Mitch Coodley/BMI | 130 | |
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00:30 | Strategize | 7 | Reality TV | Thoughtful but energetic string patterns over percussion w/piano pattern pulse | Mitch Coodley/BMI | 140 | |
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00:30 | We Won! | 7 | Reality TV | Triumphant classic anthemic four-chord rock for moments of pure pride | Mitch Coodley/BMI | 90 | |
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00:30 | Breakbeat Of Champions | 7 | Testosterone | Uptempo electro-breakbeat with gritty guitars and heavily syncopated synths and stutter edits | Deborah Difonzo/BMI | 140 | |
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00:30 | Evil Genius | 7 | Testosterone | Wiry synths into pounding tech with some low bendy guitars and percussive ear candy | Deborah Difonzo/BMI | 140 | |
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00:30 | Football Wars | 7 | Testosterone | Fast pulsing energetic thematic rock with wiry guitar melody and flash solos | Deborah Difonzo/BMI | 136 | |
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00:30 | Grind It Out | 7 | Testosterone | Slow, stabby figures with beefy low octaves and steely slide fills | Deborah Difonzo/BMI | 70 | |
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00:30 | Kill Kill | 7 | Testosterone | Driving, dark, heavy mid-tempo drums and evil guitars create sinister drama | Deborah Difonzo/BMI | 95 | |
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00:30 | Lead Balloon | 7 | Testosterone | Slow grinding dark drama metal rock with climbing minor key theme | Deborah Difonzo/BMI | 115 | |
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00:30 | Primal Shred | 7 | Testosterone | Fast high-energy metal - kicking drums, slashing guitars. Chorus provides relief | Deborah Difonzo/BMI | 145 | |
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00:30 | Speedfreak | 7 | Testosterone | Speed metal with blazing guitars, frenetic racing drums and jackhammer bridge | Deborah Difonzo/BMI | 160 | |
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00:30 | Survivalist | 7 | Testosterone | Slow pounding pyrrhic victory - dark dramatic orchestral rock with heavy guitar underpinnings | Deborah Difonzo/BMI | 82 | |
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00:30 | Testosterone | 7 | Testosterone | Fast gritty rocker with growling guttural guitar lines and dramatic energy | Deborah Difonzo/BMI | 196 | |
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00:30 | Waving Hello | 7 | Testosterone | Bright uplifting pop-rock with clean guitars and sunny mood | Deborah Difonzo/BMI | 160 | |
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00:30 | Whirlwind | 7 | Testosterone | Slinky mid/up tempo power riff-rock metal jam with soaring choruses | Deborah Difonzo/BMI | 102 | |
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00:30 | Avalanche | 7 | The Kids Are All Rock | Shimmering electronic atmospherics lead to upbeat rollicking rock chorus and catchy vocal hook | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 139 | |
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00:30 | Exciter | 7 | The Kids Are All Rock | Wall of crunchy guitars leads to picking patterns, thoughtful middle-eight and joyful, uptempo anthemic chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 148 | |
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00:30 | Funny Bones | 7 | The Kids Are All Rock | Upbeat, playful blend of ukelele, electric guitars and squelchy keyboards. Quirky electric guitar runs spice up the mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 172 | |
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00:30 | High Gain | 7 | The Kids Are All Rock | Overdriven, lo-fi garage rock stripped down to the basics -- trashy drums, a blistering guitar and thumping bass | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
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00:30 | Lost Highway | 7 | The Kids Are All Rock | Slightly sardonic uptempo, danceable crunch groove with 8th note guitar accents, kinetic electronica, a few film-score strings | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 128 | |
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00:30 | On Cloud Nine | 7 | The Kids Are All Rock | Fun, bright power-pop with off-kilter wah-wah sets up a light midsection and upbeat, epic outro | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 155 | |
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00:30 | Power Pill | 7 | The Kids Are All Rock | Quick, tight pounding drums, high shimmering guitar harmonics and thematic leads into light power crunch | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | Scorcher | 7 | The Kids Are All Rock | Balls-to-the-wall crunching guitars and a fast pounding, 4/4 drumbeat build to the stadium-ready chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | The Big Beat | 7 | The Kids Are All Rock | Thumping bass over a funk-filled trip-hop beat, modern and retro keyboard flourishes and exotic rhythmic elements | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 148 | |
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00:30 | The Tricky One | 7 | The Kids Are All Rock | Light punk-pop with piano hook merges with sustaining guitar chords and leads after a moody, minor key mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
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00:30 | Tupelo | 7 | The Kids Are All Rock | Easy-going, pastoral, alt-country. Twangy Telecaster and 12-string acoustic share the lead work | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 118 | |
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00:30 | Vacation | 7 | The Kids Are All Rock | Acoustic picking and irresistibly perky whistled hook. Upbeat hook features light keyboard theme with hand claps | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 134 |