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Songs
Click on song titles to see all versions.
Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
---|---|---|---|---|---|---|---|---|---|
00:30 | Positively | 7 | Acoustic With Benefits | Light but joyous, upbeat acoustic strumming groove with descending melody | Lucy Coodley/ASCAP | 113 | |||
00:30 | Punky Pie | 7 | Acoustic With Benefits | Happy light post-punk with a frothy feel and clear leads | Lucy Coodley/ASCAP | 163 | |||
00:30 | Sheep's Meadow | 7 | Acoustic With Benefits | Heather-light highlands feel mandolin and acoustic guitars get a bit moody over light light alt-rock groove | Lucy Coodley/ASCAP | 115 | |||
00:30 | Tell Me What | 7 | Acoustic With Benefits | Minor key light indie rock with acoustic guitars and B-3 organ | Lucy Coodley/ASCAP | 125 | |||
00:30 | Stiletto | 7 | Drama Kings | Pulsing glam-step with an urban adventure feel and funky touch of sex appeal | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 125.7 | |||
00:30 | Fourth Of July | 7 | Electro Dance | Electro-pop with string section, pulsing pads into building anthemic hook | Krishna Venkatesh/ASCAP | 124 | |||
00:30 | Hot Hot Heavy | 7 | Electro Dance | Female vocal song. Midtempo, old school hip-hop figures, house piano track, sexy teasing lyrics | Tim Kvasnosky/ASCAP | 109 | |||
00:30 | Lonely Winter | 7 | Electro Dance | Female vocal song. Moody house, yearning lyrics, light tech drums, sweeps, dark synths, pulsing bass | Tim Kvasnosky/ASCAP | 134 | |||
00:30 | Love Like Gold | 7 | Electro Dance | Classic pop dance, 4 on the floor, celebratory chordal synth pattern hook | Krishna Venkatesh/ASCAP | 128 | |||
00:30 | Taste Of The Night | 7 | Electro Dance | Female vocal song. Easy yet moody light tech with deep house pulse, sexy mischievous vocals | Tim Kvasnosky/ASCAP | 120 | |||
00:30 | Watchoo Want | 7 | Electro Dance | Light electro pop, with reggaeton-caribbean flavor, sexy vocal samples, catchy hook | Krishna Venkatesh/ASCAP | 92 | |||
00:30 | You Got It Good | 7 | Electro Dance | Catchy moderate electro-pop dance, with heavy grinding bass, pulsing synths | Krishna Venkatesh/ASCAP | 128 | |||
00:30 | Partay! | 5 | Fun Funk | Upbeat party music, very kool, very happy and catchy, with bright sax fills | Andez /ASCAP | 121 | |||
00:30 | Trouble In The City | 5 | Fun Funk | Slightly moody funk with a sad/serious overtone and pounding bridge | Andez /ASCAP | 125 | |||
00:30 | Hands In The Air | 7 | Good And Better | Bouncy, fun 4/4 dance with playful synth riffs and soft background sections | Andy Snitzer/ASCAP | 125 | |||
00:30 | Just For Fun | 7 | Good And Better | Easy, loping, playful shuffle, touch of reggae for everyday lightness | Andy Snitzer/ASCAP | 126 | |||
00:30 | Local Hero | 7 | Good And Better | Happy, positive steady 4/4 groove with a warm mood | Andy Snitzer/ASCAP | 114 | |||
00:30 | Motional | 7 | Good And Better | Joyous, easy upbeat positive groove with or without warm soprano sax melody | Andy Snitzer/ASCAP | 129 | |||
00:30 | Our Town | 7 | Good And Better | Warm, everyman soft rock, all positive, string theme with piano | Andy Snitzer/ASCAP | 104 | |||
00:30 | Time's Plus | 7 | Good And Better | Moderate pattern pulse builds layers for news or business | Andy Snitzer/ASCAP | 107 | |||
00:30 | Ajanta Calling | 7 | Indian Pop | Downtempo dramatic breakbeat with electronica/raga over drum and tabla mix with female vocal and violin | Krishna Venkatesh/ASCAP | 102 | |||
00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |||
00:30 | Basement Bhangra | 7 | Indian Pop | Dance mix of electronica and Indian mambo-like fusion with breaks, licks and fills | Krishna Venkatesh/ASCAP | 106 | |||
00:30 | Delhi Disco | 7 | Indian Pop | Uptempo Indian disco funk with a bit of Big Beat with all the trimmings- shouts, fills, licks, solos | Krishna Venkatesh/ASCAP | 125 | |||
00:30 | Dosa Doe | 7 | Indian Pop | Solid 4/4 dance beat under sitar licks with electronic bass and dramatic synth/string swells and female vocal | Krishna Venkatesh/ASCAP | 128 | |||
00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |||
00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |||
00:30 | Ghetto Deity | 7 | Indian Pop | Medium breakbeat and dark electronica with low flute, female and male vocal themes and shenai | Krishna Venkatesh/ASCAP | 96 | |||
00:30 | Gopis Calling | 7 | Indian Pop | Slow female vocal morphs into moody film cue like Indian pop-fusion with flute fills | Krishna Venkatesh/ASCAP | 100 | |||
00:30 | Juluka Dance | 7 | Indian Pop | Uptempo dance-pop with group yells, zithers, tablas, drums and breaks | Krishna Venkatesh/ASCAP | 115 | |||
00:30 | Kolkatta Chase | 7 | Indian Pop | Light energetic mix of fast rhythmic vocals over double-time tabla and dramatic violin section licks | Krishna Venkatesh/ASCAP | 102 | |||
00:30 | Deep House Tango | 7 | Latin Pop | Tango infused contemporary dance track with accordion, guitar, sax section | David Mann/ASCAP | 115 | |||
00:30 | La dama | 5 | Latin Pop | Male Spanish vocal "The Lady" Catchy latin boy-group dance-pop with a lost love theme | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 128 | |||
00:30 | Lambada Dada | 7 | Latin Pop | Uptempo dubby Latin w/popping meringue-style saxes and trombones | David Mann/ASCAP | 120 | |||
00:30 | Montuno Dub | 7 | Latin Pop | Swaying funky-Latin track with montuno piano and horn section riffs | David Mann/ASCAP | 110 | |||
00:30 | Mueve tu cadera | 5 | Latin Pop | Male Spanish vocals "Move Your Hips". Bouncy 4/4 pop-dance w/catchy hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 125 | |||
00:30 | Musica | 7 | Latin Pop | Sexy, uptempo Cuban with montuno break, horn licks, vocal lines | David Mann/ASCAP | 115 | |||
00:30 | Nadie como tu | 5 | Latin Pop | Female/male Spanish vocal "Somebody Like You". Chugging, hooky EDM-pop w/ light rap | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 130 | |||
00:30 | No llores mas | 5 | Latin Pop | Male/femaleSpanish vocals "Don't Cry Anymore" Hooky latin-reggaeton with punchy synths | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 124 | |||
00:30 | Te espero | 5 | Latin Pop | Male Spanish vocal "I'll Wait" Driving, assertive 4/4 Latin reggae-house with rap section | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 118 | |||
00:30 | Volver a mi | 5 | Latin Pop | Male Spanish vocals "Coming Back To Myself". Pulsing Latin ballad with anthemic hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 87 | |||
00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |||
00:30 | Cut And Dry | 7 | Light Acousti-Pop | Uplifting positive energy. Tight drums and driving clean electric and acoustic guitars | Deborah Difonzo/BMI | 128 | |||
00:30 | Delay The Day | 7 | Light Acousti-Pop | Anticipatory guitar patterns build to positive moderate powered drums and bass | Deborah Difonzo/BMI | 80 | |||
00:30 | Happy The Clam | 7 | Light Acousti-Pop | Acoustic guitar-driven alt rock with stop and start intro. Energetic groove ensues with light string line | Deborah Difonzo/BMI | 184 | |||
00:30 | Keeping Clean | 7 | Light Acousti-Pop | Tight acoustic guitar strumming over dry R&B drums. Sparse, funky and dreamy | Deborah Difonzo/BMI | 82 | |||
00:30 | Sky Blue Eyes | 7 | Light Acousti-Pop | Mid tempo uplifting jangly, chugging American guitar pop | Deborah Difonzo/BMI | 124 | |||
00:30 | Summer Isle | 7 | Light Acousti-Pop | Positive, easy going indie rock track with nice dreamy guitar melody lines | Deborah Difonzo/BMI | 110 | |||
00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |||
00:30 | Call My Name | 4 | Picture This Song | Female vocal. Indie alt-pop. Lonely piano and ambient tension explode into dramatic plea over pulsing drums | Jay Harper/ASCAP | 135 | |||
00:30 | Check The Scoreboard | 4 | Picture This Song | Male vocal. Slow urban dramatic. Beat,strings,synths, piano. No surrender: “I'm always on top” sports message/metaphor | Jay Harper/ASCAP | 93 | |||
00:30 | Euphoria | 4 | Picture This Song | Male Vocal. Uptempo indie pop-rock. Light then builds to driving chorus. Can't kick this habit - you. | Jay Harper/ASCAP | 147 | |||
00:30 | Hotter Than Lava | 4 | Picture This Song | Male/female rap trio vocals. Electro/urban new school. Deep guy chorus alternates with sexy PG popping rapped banter | Jay Harper/ASCAP | 145 | |||
00:30 | In Flames | 4 | Picture This Song | Male/Female vocals. Alt-pop, unsettling, moody, poignant, evocative ballad; "We'l all go down in flames" | Jay Harper/ASCAP | 83 | |||
00:30 | It's Not So Easy | 4 | Picture This Song | Male vocal. Bluesy/electro mash-up. Tremolo guitars meet heavy 4-on-the-floor. Powerful attitude hook "you don't get to have me" | Jay Harper/ASCAP | 134 | |||
00:30 | New Tricks | 4 | Picture This Song | Male vocal. Pop/reggae. Bouncy, fun. New girl's a red zone case - where's Cesar Millan? | Jay Harper/ASCAP | 75 | |||
00:30 | Smile | 4 | Picture This Song | Female vocal. Electropop - folk-EDM. Youthful, “feel good” hook. Smile like someone's there with you. | Jay Harper/ASCAP | 131 | |||
00:30 | Some Things Are | 4 | Picture This Song | Male vocal. Moody slow atmospheric pop. Lush evocative lyrics about things better left unsaid | Jay Harper/ASCAP | 66 | |||
00:30 | Up, Up | 4 | Picture This Song | Boy-girl vocal. Joyous optimism. Easy pop/R&B w/bright metaphors and slyly clever rapping bridge and outro | Jay Harper/ASCAP | 93 | |||
00:30 | Wherever I Be | 4 | Picture This Song | Group sing-along M/F vocals. Organic alt/folk. Happy, endearing, clever - about friendship through thick and thin | Jay Harper/ASCAP | 120 | |||
00:30 | Ay Ay Ay! | 7 | Positivity | Lo-fi, processed, infectiously upbeat Latin mix of salsa, Ricky Ricardo horns and percussive mambo | Lucy Coodley/ASCAP | 200 | |||
00:30 | Little Island Time | 7 | Positivity | Happy Caribbean reggae-infused romp with hooky sax section, plucky guitar, B3 organ | Lucy Coodley/ASCAP | 100 | |||
00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 |