Search Music
Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Acoustic (197)
Alternative (55)
Ambient (93)
Americana (30)
Atmospheric (80)
Blues/Country (23)
Cajun/Zydeco/Reggae (2)
Children (22)
Alternative (55)
Ambient (93)
Americana (30)
Atmospheric (80)
Blues/Country (23)
Cajun/Zydeco/Reggae (2)
Children (22)
Classical (26)
Comedy (19)
Corporate (30)
Downtempo/Lounge (43)
Drama (140)
Easy Listening (62)
Electronica/Dance/Disco (88)
Film/TV/Stage (82)
Comedy (19)
Corporate (30)
Downtempo/Lounge (43)
Drama (140)
Easy Listening (62)
Electronica/Dance/Disco (88)
Film/TV/Stage (82)
Folk/Acoustic (90)
Funk/R&B (35)
International (55)
Jazz (19)
Kitsch (15)
Latin (21)
New Age (53)
News/Current Affairs (11)
Funk/R&B (35)
International (55)
Jazz (19)
Kitsch (15)
Latin (21)
New Age (53)
News/Current Affairs (11)
Orchestral (88)
Pop (63)
Promos (63)
Retro (18)
Rock (66)
Romantic/Sensual (38)
Specialty/Religious (2)
Sports (57)
Pop (63)
Promos (63)
Retro (18)
Rock (66)
Romantic/Sensual (38)
Specialty/Religious (2)
Sports (57)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
|---|---|---|---|---|---|---|---|---|---|
|
|
|
00:30 | Estrelas Brazileiras | 7 | Chillout | Swaying Brazilian bossa lounge with nylon guitar and breezy flute | Mitch Coodley/BMI | 80 | |
|
|
|
00:30 | World Peace | 8 | Chillout | Worldly, swelling, peaceful, positive atmosphere over light tribal beat with wood flutes | Mitch Coodley/BMI | 120 | |
|
|
|
00:30 | Closest Kin | 2 | Epic Narrative | Lightly pulsing, positive underscore with worldly atmosphere | Mitch Coodley/BMI | 80 | |
|
|
|
00:30 | Ajanta Calling | 7 | Indian Pop | Downtempo dramatic breakbeat with electronica/raga over drum and tabla mix with female vocal and violin | Krishna Venkatesh/ASCAP | 102 | |
|
|
|
00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |
|
|
|
00:30 | Basement Bhangra | 7 | Indian Pop | Dance mix of electronica and Indian mambo-like fusion with breaks, licks and fills | Krishna Venkatesh/ASCAP | 106 | |
|
|
|
00:30 | Delhi Disco | 7 | Indian Pop | Uptempo Indian disco funk with a bit of Big Beat with all the trimmings- shouts, fills, licks, solos | Krishna Venkatesh/ASCAP | 125 | |
|
|
|
00:30 | Dosa Doe | 7 | Indian Pop | Solid 4/4 dance beat under sitar licks with electronic bass and dramatic synth/string swells and female vocal | Krishna Venkatesh/ASCAP | 128 | |
|
|
|
00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |
|
|
|
00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |
|
|
|
00:30 | Ghetto Deity | 7 | Indian Pop | Medium breakbeat and dark electronica with low flute, female and male vocal themes and shenai | Krishna Venkatesh/ASCAP | 96 | |
|
|
|
00:30 | Gopis Calling | 7 | Indian Pop | Slow female vocal morphs into moody film cue like Indian pop-fusion with flute fills | Krishna Venkatesh/ASCAP | 100 | |
|
|
|
00:30 | Juluka Dance | 7 | Indian Pop | Uptempo dance-pop with group yells, zithers, tablas, drums and breaks | Krishna Venkatesh/ASCAP | 115 | |
|
|
|
00:30 | Kolkatta Chase | 7 | Indian Pop | Light energetic mix of fast rhythmic vocals over double-time tabla and dramatic violin section licks | Krishna Venkatesh/ASCAP | 102 | |
|
|
|
00:30 | Manju's Mango | 7 | Indian Pop | Joyous uptempo percussive dance pop with live/electronica mix and vocal tops | Krishna Venkatesh/ASCAP | 130 | |
|
|
|
00:30 | Deep House Tango | 7 | Latin Pop | Tango infused contemporary dance track with accordion, guitar, sax section | David Mann/ASCAP | 115 | |
|
|
|
00:30 | Europa | 7 | Latin Pop | Dreamy, slightly trippy bossa nova with languorous sax and string leads | David Mann/ASCAP | 78 | |
|
|
|
00:30 | La dama | 5 | Latin Pop | Male Spanish vocal "The Lady" Catchy latin boy-group dance-pop with a lost love theme | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 128 | |
|
|
|
00:30 | Lambada Dada | 7 | Latin Pop | Uptempo dubby Latin w/popping meringue-style saxes and trombones | David Mann/ASCAP | 120 | |
|
|
|
00:30 | Mas Mariachi | 7 | Latin Pop | Happy, upbeat Mariachi with trumpet melody and violin counterpoint | David Mann/ASCAP | 110 | |
|
|
|
00:30 | Montuno Dub | 7 | Latin Pop | Swaying funky-Latin track with montuno piano and horn section riffs | David Mann/ASCAP | 110 | |
|
|
|
00:30 | Mueve tu cadera | 5 | Latin Pop | Male Spanish vocals "Move Your Hips". Bouncy 4/4 pop-dance w/catchy hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 125 | |
|
|
|
00:30 | Musica | 7 | Latin Pop | Sexy, uptempo Cuban with montuno break, horn licks, vocal lines | David Mann/ASCAP | 115 | |
|
|
|
00:30 | Nadie como tu | 5 | Latin Pop | Female/male Spanish vocal "Somebody Like You". Chugging, hooky EDM-pop w/ light rap | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 130 | |
|
|
|
00:30 | No llores mas | 5 | Latin Pop | Male/femaleSpanish vocals "Don't Cry Anymore" Hooky latin-reggaeton with punchy synths | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 124 | |
|
|
|
00:30 | Te espero | 5 | Latin Pop | Male Spanish vocal "I'll Wait" Driving, assertive 4/4 Latin reggae-house with rap section | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 118 | |
|
|
|
00:30 | Volver a mi | 5 | Latin Pop | Male Spanish vocals "Coming Back To Myself". Pulsing Latin ballad with anthemic hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 87 | |
|
|
|
00:30 | Arabian Dunes | 7 | Middle East Cinematic | Mideast/world percussion with dark, alluring, female Arabic vocals, strings, flute | Tristan Alexia/ASCAP | 120 | |
|
|
|
00:30 | Arid Pilgrimage | 7 | Middle East Cinematic | Droning Middle Eastern drama with oud ,saz, kanun, strings, wood flutes, percussion | Tristan Alexia/ASCAP | 121 | |
|
|
|
00:30 | Desert Oasis | 8 | Middle East Cinematic | A mysterious, exotic tone poem featuring moody flutes, low drones | Tristan Alexia/ASCAP | 105 | |
|
|
|
00:30 | Harem Scarem | 7 | Middle East Cinematic | Cool, throbbing Middle Eastern dance track with evocative vocals, drums, percussion, drones | Tristan Alexia/ASCAP | 120 | |
|
|
|
00:30 | In The Bazaar | 7 | Middle East Cinematic | Moody Middle Eastern drama featuring ouds and plucked strings over driving percussion | Tristan Alexia/ASCAP | 120 | |
|
|
|
00:30 | Mesopotamia | 7 | Middle East Cinematic | Dramatic drones under tribal Middle East/Asian percussion groove, woodwinds, sultry female vocals | Tristan Alexia/ASCAP | 105 | |
|
|
|
00:30 | Militant Surveillance | 7 | Middle East Cinematic | Dark, threatening Middle Eastern drama with doudouks, tampuras, square bass recorder, percussion | Tristan Alexia/ASCAP | 120 | |
|
|
|
00:30 | Nomadic Journey | 7 | Middle East Cinematic | Afghan rabab leads sinuous percussive journey w/various Middle Eastern strings | Tristan Alexia/ASCAP | 107 | |
|
|
|
00:30 | Oil Reserve | 7 | Middle East Cinematic | Dark, forboding Middle Eastern theme featuring distressed doudouks, zithers, percussion | Tristan Alexia/ASCAP | 108 | |
|
|
|
00:30 | Persian Gulf | 7 | Middle East Cinematic | Evocative, dramatic Middle-Eastern/orchestral narrative with Arabic female vocal | Tristan Alexia/ASCAP | 110 | |
|
|
|
00:30 | Sand Storm | 7 | Middle East Cinematic | Middle Eastern world-rock w/ crunch gtrs, bansuri, tampura, dulcimer, drums, percussion | Tristan Alexia/ASCAP | 120 | |
|
|
|
00:30 | Ay Ay Ay! | 7 | Positivity | Lo-fi, processed, infectiously upbeat Latin mix of salsa, Ricky Ricardo horns and percussive mambo | Lucy Coodley/ASCAP | 200 | |
|
|
|
00:30 | Little Island Time | 7 | Positivity | Happy Caribbean reggae-infused romp with hooky sax section, plucky guitar, B3 organ | Lucy Coodley/ASCAP | 100 | |
|
|
|
02:12 | Follow Their Footsteps | 1 | Wildlife Documentary | Light anticipation, moderate positive, fast pulsing world, jungle orchestral | Mitch Coodley/BMI | 140 | |
|
|
|
01:43 | Into The Wild | 1 | Wildlife Documentary | Bold panoramic foray into the wild, with quiet, intimate middle | Mitch Coodley/BMI | 124 | |
|
|
|
04:00 | Islands In The Sun | 1 | Wildlife Documentary | Transparent strings and percussion, airy and mild theme then light island feel | Mitch Coodley/BMI | 135 | |
|
|
|
02:30 | Loss And Return | 1 | Wildlife Documentary | Moody, atmospheric texture leads to doubt, sadness but with a hopeful end | Mitch Coodley/BMI | 80 | |
|
|
|
01:51 | On Safari | 1 | Wildlife Documentary | African drums set the scene for exotic wildlife on the move | Mitch Coodley/BMI | 124 | |
|
|
|
00:51 | Out Of The Wild | 1 | Wildlife Documentary | Happy world, orchestral theme with vocal oohs and African perciussion | Mitch Coodley/BMI | 124 | |
|
|
|
03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
|
|
|
00:53 | Serengeti Return | 1 | Wildlife Documentary | Rolling positive forward motion with an African 12/8 feel, percussion and strings | Mitch Coodley/BMI | 124 | |
|
|
|
00:36 | Touring The Land | 1 | Wildlife Documentary | Light, happy jaunty feel for exotic travel or sightseeing the wild | Mitch Coodley/BMI | 124 | |
|
|
|
00:30 | Andean Heights | 7 | World Adventure | Charge up Machu Pichu on a dangerous high-altitude adventure - with ocarina and canon | Gabriel Hays/BMI | 115 | |
|
|
|
00:30 | Escape From Jharkhand | 7 | World Adventure | Driving strings, sitar and tabla create Indian high-tension Bollywood dramatic chase scene | Gabriel Hays/BMI | 162 | |
|
|
|
00:30 | Game Park | 7 | World Adventure | Beautiful Kora and driving Djembe invite you on an expansive pan-African eco-tour | Gabriel Hays/BMI | 130 | |
|
|
|
00:30 | Gypsy Forever | 7 | World Adventure | Flamenco mashup with traditional guitar and a funky four-on-the-floor dance beat | Gabriel Hays/BMI | 123 | |
|
|
|
00:30 | Highlands Triumph | 7 | World Adventure | Bold Highlands bagpipes, uplifting strings, dramatic percussion create an expansive Celtic celebration | Gabriel Hays/BMI | 133 | |
|
|
|
00:30 | Hun Gary | 7 | World Adventure | Hurdy-gurdy drives a relentless boar (or man) hunt through the dark forests of Hungary | Gabriel Hays/BMI | 93 | |
|
|
|
00:30 | Istanbul Noir | 7 | World Adventure | Pounding dramatic hits drive Saz and duduk in this Turkish-not-so-delightful adventure | Gabriel Hays/BMI | 120 | |
|
|
|
00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 | |
|
|
|
00:30 | Little Asia | 7 | World Adventure | Pan Asian spin through Indonesia, Vietnam and Japan, w/Vietnamese bells and shakuhachi | Gabriel Hays/BMI | 120 | |
|
|
|
00:30 | Poppy Trail | 7 | World Adventure | Dark simmering drums, Persian/Middle Eastern drama featuring duduk. Persia/Middle East | Gabriel Hays/BMI | 98 | |
|
|
|
00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 | |
|
|
|
00:30 | Where In The World | 7 | World Adventure | Watch your back when traveling alone through Turkmenistan, feat. darbuka and duduk | Gabriel Hays/BMI | 120 |