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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | The Corner Booth | 7 | Chillout | Lightly pulsing ambient vibe with light 4/4 kick and acoustic guitar patterns and bridge melody | Mitch Coodley/BMI | 120 | |
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00:30 | Up Holler Hellhole | 5 | Epic Narrative | Twisted hillbilly horror show. Warped bluegrass with grunge. Axe murderer with a smile! | Mitch Coodley/BMI | 128 | |
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00:30 | Time's Plus | 7 | Good And Better | Moderate pattern pulse builds layers for news or business | Andy Snitzer/ASCAP | 107 | |
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00:30 | Ajanta Calling | 7 | Indian Pop | Downtempo dramatic breakbeat with electronica/raga over drum and tabla mix with female vocal and violin | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |
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00:30 | Basement Bhangra | 7 | Indian Pop | Dance mix of electronica and Indian mambo-like fusion with breaks, licks and fills | Krishna Venkatesh/ASCAP | 106 | |
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00:30 | Delhi Disco | 7 | Indian Pop | Uptempo Indian disco funk with a bit of Big Beat with all the trimmings- shouts, fills, licks, solos | Krishna Venkatesh/ASCAP | 125 | |
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00:30 | Dosa Doe | 7 | Indian Pop | Solid 4/4 dance beat under sitar licks with electronic bass and dramatic synth/string swells and female vocal | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |
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00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |
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00:30 | Ghetto Deity | 7 | Indian Pop | Medium breakbeat and dark electronica with low flute, female and male vocal themes and shenai | Krishna Venkatesh/ASCAP | 96 | |
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00:30 | Gopis Calling | 7 | Indian Pop | Slow female vocal morphs into moody film cue like Indian pop-fusion with flute fills | Krishna Venkatesh/ASCAP | 100 | |
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00:30 | Juluka Dance | 7 | Indian Pop | Uptempo dance-pop with group yells, zithers, tablas, drums and breaks | Krishna Venkatesh/ASCAP | 115 | |
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00:30 | Kolkatta Chase | 7 | Indian Pop | Light energetic mix of fast rhythmic vocals over double-time tabla and dramatic violin section licks | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | Manju's Mango | 7 | Indian Pop | Joyous uptempo percussive dance pop with live/electronica mix and vocal tops | Krishna Venkatesh/ASCAP | 130 | |
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00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Folked Up | 7 | Light Acousti-Pop | Nice acoustic guitar picking with ultra funky deep electro-hip-hop bed | Deborah Difonzo/BMI | 88 | |
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00:30 | Happy The Clam | 7 | Light Acousti-Pop | Acoustic guitar-driven alt rock with stop and start intro. Energetic groove ensues with light string line | Deborah Difonzo/BMI | 184 | |
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00:30 | Keeping Clean | 7 | Light Acousti-Pop | Tight acoustic guitar strumming over dry R&B drums. Sparse, funky and dreamy | Deborah Difonzo/BMI | 82 | |
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00:30 | Sky Blue Eyes | 7 | Light Acousti-Pop | Mid tempo uplifting jangly, chugging American guitar pop | Deborah Difonzo/BMI | 124 | |
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00:30 | Summer Isle | 7 | Light Acousti-Pop | Positive, easy going indie rock track with nice dreamy guitar melody lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Harem Scarem | 7 | Middle East Cinematic | Cool, throbbing Middle Eastern dance track with evocative vocals, drums, percussion, drones | Tristan Alexia/ASCAP | 120 | |
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00:30 | Sand Storm | 7 | Middle East Cinematic | Middle Eastern world-rock w/ crunch gtrs, bansuri, tampura, dulcimer, drums, percussion | Tristan Alexia/ASCAP | 120 | |
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01:22 | Death Be Not Pretty | 1 | Mystery & Crime 1 | Dark brooding atmosphere. Evolving drones swell into pulsing strings and patterns | Mitch Coodley/BMI | 140 | |
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02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | Call My Name | 4 | Picture This Song | Female vocal. Indie alt-pop. Lonely piano and ambient tension explode into dramatic plea over pulsing drums | Jay Harper/ASCAP | 135 | |
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00:30 | Check The Scoreboard | 4 | Picture This Song | Male vocal. Slow urban dramatic. Beat,strings,synths, piano. No surrender: “I'm always on top” sports message/metaphor | Jay Harper/ASCAP | 93 | |
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00:30 | Euphoria | 4 | Picture This Song | Male Vocal. Uptempo indie pop-rock. Light then builds to driving chorus. Can't kick this habit - you. | Jay Harper/ASCAP | 147 | |
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00:30 | In Flames | 4 | Picture This Song | Male/Female vocals. Alt-pop, unsettling, moody, poignant, evocative ballad; "We'l all go down in flames" | Jay Harper/ASCAP | 83 | |
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00:30 | It's Not So Easy | 4 | Picture This Song | Male vocal. Bluesy/electro mash-up. Tremolo guitars meet heavy 4-on-the-floor. Powerful attitude hook "you don't get to have me" | Jay Harper/ASCAP | 134 | |
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00:30 | Smile | 4 | Picture This Song | Female vocal. Electropop - folk-EDM. Youthful, “feel good” hook. Smile like someone's there with you. | Jay Harper/ASCAP | 131 | |
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00:30 | Some Things Are | 4 | Picture This Song | Male vocal. Moody slow atmospheric pop. Lush evocative lyrics about things better left unsaid | Jay Harper/ASCAP | 66 | |
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00:30 | Up, Up | 4 | Picture This Song | Boy-girl vocal. Joyous optimism. Easy pop/R&B w/bright metaphors and slyly clever rapping bridge and outro | Jay Harper/ASCAP | 93 | |
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00:30 | Wherever I Be | 4 | Picture This Song | Group sing-along M/F vocals. Organic alt/folk. Happy, endearing, clever - about friendship through thick and thin | Jay Harper/ASCAP | 120 | |
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00:30 | Easy Rider | 7 | Positivity | Exuberant, playful indie rocker with catchy rhythmic hook and easy melody | Lucy Coodley/ASCAP | 140 | |
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00:30 | Meet Cute | 7 | Positivity | Plucky, light, happy froth over an almost funky beat with guitars and processed mandolin | Lucy Coodley/ASCAP | 120 | |
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00:30 | Play For Keeps | 7 | Positivity | Light sweet intro leads to steady uptempo positive pulsing backbeat and guitar textures | Lucy Coodley/ASCAP | 181 | |
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00:30 | Soft Then Loud | 7 | Positivity | Intro soft pads under guitar picks and perc, then hit hard with sustained crunch -anthemic joyous feel | Lucy Coodley/ASCAP | 126 | |
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00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 | |
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00:30 | Warm Teardrop | 7 | Positivity | Textural acoustic-electric strumming - upbeat indie texture strumming rock with thoughtful bridge | Lucy Coodley/ASCAP | 118 | |
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00:30 | Making Time | 7 | Reality TV | Fast, low chugging dark drama techno with moody sequencers and guitar | Mitch Coodley/BMI | 132 | |
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00:30 | Strategize | 7 | Reality TV | Thoughtful but energetic string patterns over percussion w/piano pattern pulse | Mitch Coodley/BMI | 140 | |
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00:30 | Avalanche | 7 | The Kids Are All Rock | Shimmering electronic atmospherics lead to upbeat rollicking rock chorus and catchy vocal hook | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 139 | |
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00:30 | Exciter | 7 | The Kids Are All Rock | Wall of crunchy guitars leads to picking patterns, thoughtful middle-eight and joyful, uptempo anthemic chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 148 | |
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00:30 | Funny Bones | 7 | The Kids Are All Rock | Upbeat, playful blend of ukelele, electric guitars and squelchy keyboards. Quirky electric guitar runs spice up the mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 172 | |
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00:30 | High Gain | 7 | The Kids Are All Rock | Overdriven, lo-fi garage rock stripped down to the basics -- trashy drums, a blistering guitar and thumping bass | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
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00:30 | Lost Highway | 7 | The Kids Are All Rock | Slightly sardonic uptempo, danceable crunch groove with 8th note guitar accents, kinetic electronica, a few film-score strings | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 128 | |
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00:30 | On Cloud Nine | 7 | The Kids Are All Rock | Fun, bright power-pop with off-kilter wah-wah sets up a light midsection and upbeat, epic outro | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 155 | |
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00:30 | Power Pill | 7 | The Kids Are All Rock | Quick, tight pounding drums, high shimmering guitar harmonics and thematic leads into light power crunch | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | Scorcher | 7 | The Kids Are All Rock | Balls-to-the-wall crunching guitars and a fast pounding, 4/4 drumbeat build to the stadium-ready chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | The Big Beat | 7 | The Kids Are All Rock | Thumping bass over a funk-filled trip-hop beat, modern and retro keyboard flourishes and exotic rhythmic elements | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 148 | |
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00:30 | The Tricky One | 7 | The Kids Are All Rock | Light punk-pop with piano hook merges with sustaining guitar chords and leads after a moody, minor key mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
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00:30 | Tupelo | 7 | The Kids Are All Rock | Easy-going, pastoral, alt-country. Twangy Telecaster and 12-string acoustic share the lead work | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 118 | |
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00:30 | Vacation | 7 | The Kids Are All Rock | Acoustic picking and irresistibly perky whistled hook. Upbeat hook features light keyboard theme with hand claps | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 134 |