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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Double Timeout | 7 | Drama Kings | (Spinoff of Double-O Eight) Light breakbeat with ambient guitars, stabs. Mod. @:30 and gets crunchier. | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Journey To Oz | 8 | Drama Kings | Fantasy opening into broad heroic brass theme w/hits, bridge with sidechain pulse, swells, atmosphere | Mitch Coodley/BMI | 130 | |
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00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
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00:30 | Machine Bomb | 7 | Electro Dance | Trance a/la Electronica 101, hypnotic pulse, pounding, evolving and bleepy textures | Krishna Venkatesh/ASCAP | 142 | |
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00:30 | Heart Of Steel | 9 | Epic Narrative | Icy landscape, female choir, swelling brass lead to emotional triumph and exhilaration, big backend | Mitch Coodley/BMI | 116 | |
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00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
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00:30 | Migration | 7 | Film Score | East, West and Middle come together in world orchestral track. Featuring strings, duduk and driving percussion. | Gabriel Hays/BMI | 132 | |
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00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |
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00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |
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00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |
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00:30 | Ghetto Deity | 7 | Indian Pop | Medium breakbeat and dark electronica with low flute, female and male vocal themes and shenai | Krishna Venkatesh/ASCAP | 96 | |
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00:30 | Gopis Calling | 7 | Indian Pop | Slow female vocal morphs into moody film cue like Indian pop-fusion with flute fills | Krishna Venkatesh/ASCAP | 100 | |
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00:30 | Kolkatta Chase | 7 | Indian Pop | Light energetic mix of fast rhythmic vocals over double-time tabla and dramatic violin section licks | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | After Hours | 7 | Indie Acoustic | Steady 8th note strumming over drum groove with light atmospheric pad and piano | Matthew Dolland/ASCAP | 120 | |
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00:48 | Too Sad | 1 | Light Docu-Drama | Dark strings and pads, mournful, sad, tragic mood, short cue | Mitch Coodley/BMI | 90 | |
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00:30 | Cybermind | 7 | Light Tech/Corporate | Moderate pulsing bass under harpy patterns and vocal aahs with string pads | Robert Allaire/ASCAP | 125 | |
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00:30 | Impulse Response | 7 | Light Tech/Corporate | Moody intro to energetic synth computer ostinatos blending with piano sequence | Robert Allaire/ASCAP | 140 | |
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00:30 | Processing Power | 7 | Light Tech/Corporate | Trolling, lightly percussive, new-agey organic tech piece with glass melody pads and hanging synths | Robert Allaire/ASCAP | 100 | |
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00:30 | Desert Oasis | 8 | Middle East Cinematic | A mysterious, exotic tone poem featuring moody flutes, low drones | Tristan Alexia/ASCAP | 105 | |
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00:30 | Harem Scarem | 7 | Middle East Cinematic | Cool, throbbing Middle Eastern dance track with evocative vocals, drums, percussion, drones | Tristan Alexia/ASCAP | 120 | |
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00:30 | Mesopotamia | 7 | Middle East Cinematic | Dramatic drones under tribal Middle East/Asian percussion groove, woodwinds, sultry female vocals | Tristan Alexia/ASCAP | 105 | |
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00:30 | Militant Surveillance | 7 | Middle East Cinematic | Dark, threatening Middle Eastern drama with doudouks, tampuras, square bass recorder, percussion | Tristan Alexia/ASCAP | 120 | |
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01:00 | Clockwork Plans | 1 | Mystery & Crime 1 | Countdown to murder. Ticking clock brings dark, brooding drones, pads, strings, drum groove | Mitch Coodley/BMI | 100 | |
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01:01 | Creep Me Out | 1 | Mystery & Crime 1 | Creepy crime scene. Light scary strings, processed percussion, string punctuations | Mitch Coodley/BMI | 100 | |
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01:03 | Crime Scene | 1 | Mystery & Crime 1 | I think someone died here. Dank atmospheric pads, creepy bells, shifting drones | Mitch Coodley/BMI | 122 | |
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01:36 | Dawning Realization | 1 | Mystery & Crime 1 | Investigation and human drama. Pulsing bass, light dramatic orchestral theme, elect. guitar | Mitch Coodley/BMI | 80 | |
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02:22 | Dial 911 | 1 | Mystery & Crime 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | 160 | |
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01:00 | Dim City | 1 | Mystery & Crime 1 | Hard street life. Brooding groove under ambient reverse guitars, dark atmosphere | Mitch Coodley/BMI | 80 | |
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01:00 | Don't Come Knocking | 1 | Mystery & Crime 1 | Knock at the door at night. Eerie swells over insistent pulse leads to brooding atmosphere | Mitch Coodley/BMI | 120 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |
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01:00 | Hideout | 1 | Mystery & Crime 1 | Mind of the bad guy. Gestural anticipatory drama with warbling drones, strings, swells | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 1 | 1 | Mystery & Crime 1 | Police procedural. Atmosphere with motion, plucked synths, percussion over drone and pads | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 2 | 1 | Mystery & Crime 1 | Crime procedural. Atmosphere with sequences, plucked synths, perc., guitar, strings, pads | Mitch Coodley/BMI | 100 | |
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01:45 | Out Of Money | 1 | Mystery & Crime 1 | Crime procedural. Pulsing percussive sequence, swell to moderate orchestral-tech groove | Mitch Coodley/BMI | 130 | |
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01:03 | Who's In There | 1 | Mystery & Crime 1 | Ominous crime scene. Threatening drone, scary pads, bells and processed colors | Mitch Coodley/BMI | 90 | |
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01:20 | Admissible Evidence | 1 | Mystery & Crime 2 | Urgent investigation. Breathy dark lead over warbling synth pulses and percussion loops | Tristan Alexia/ASCAP | 110 | |
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01:24 | Burden Of Proof | 1 | Mystery & Crime 2 | Muted urgency - fast mallets and percussion over drone with trailing crunch guitars and mystery synths | Tristan Alexia/ASCAP | 130 | |
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01:51 | Crime Lab | 1 | Mystery & Crime 2 | Contemplative yet agitated landscape. Synths & perc., with processed guitar, bass create light tension | Tristan Alexia/ASCAP | 130 | |
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01:30 | Crime Scene Search | 1 | Mystery & Crime 2 | Dark muted urgency. Impending pulse with synth ostinatos, percussion, elec. guitar, rhythmic breaths | Tristan Alexia/ASCAP | 145 | |
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01:40 | Crime Scene Walk Through | 1 | Mystery & Crime 2 | Mix of doubt and satisfaction. Large drones and pads shift between major and minor | Tristan Alexia/ASCAP | 120 | |
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01:46 | Crime's Whys | 1 | Mystery & Crime 2 | Dark eerie crime scene. Sweeping pads and low drum and bass pulse, not too tense | Jonathan Perl/ASCAP | 94 | |
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01:42 | Data Analysis | 1 | Mystery & Crime 2 | Drone and pads create ambiguous analytical mood. High strings with pulsing synths | Tristan Alexia/ASCAP | 105 | |
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01:35 | DNA Fingerprint | 1 | Mystery & Crime 2 | Reflective, analytical mood. Clockwork vibe with moody atmosphere | Tristan Alexia/ASCAP | 80 | |
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01:53 | Domestic Terrorism | 1 | Mystery & Crime 2 | Dark, malevolent undercurrent with heavy guitar, feedback pulsing bass, ear candy | Tristan Alexia/ASCAP | 120 | |
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01:52 | Evidence Recovery | 1 | Mystery & Crime 2 | Simple science. Crime scene examination with touch of danger, pathos. Piano, synths, drums, strings | Tristan Alexia/ASCAP | 100 | |
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01:35 | Evidence Time Crunch | 1 | Mystery & Crime 2 | Cool dark drama. Chugging and chunky crunch guitars over a steady groove with wavy pads | Tristan Alexia/ASCAP | 115 | |
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02:15 | Exculpatory Evidence | 1 | Mystery & Crime 2 | Light investigative mood. Low pulsing bass under simple dark patterns create contemplative scene | Tristan Alexia/ASCAP | 120 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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01:40 | Family Aftermath | 1 | Mystery & Crime 2 | Sad reflective piece. Synth drones, piano, sparse drums create mournful atmosphere | Tristan Alexia/ASCAP | 120 | |
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01:43 | Forensic Analysis | 1 | Mystery & Crime 2 | Slow, building, determined investigative piece. Synths, drones and percussion. | Tristan Alexia/ASCAP | 94 | |
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01:24 | Grisly Discovery | 1 | Mystery & Crime 2 | Minimally dangerous and eerie. Synth swells and percussion hits paint a dark, grisly picture | Tristan Alexia/ASCAP | 105 | |
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01:35 | Gunshot Wound | 1 | Mystery & Crime 2 | Generic drama, with a beat. Kick drum, synths, guitar lines underscore a crime scene | Tristan Alexia/ASCAP | 115 | |
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01:48 | Lost In The Hood | 1 | Mystery & Crime 2 | Dark urban atmosphere. Sub bass and light loops with wiry synths and blankety pads | Tristan Alexia/ASCAP | 148 | |
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01:50 | Low Blows | 1 | Mystery & Crime 2 | Dark and wiry underscore. Moderate tension with crunchy sustains and compelling light groove | Tristan Alexia/ASCAP | 115 | |
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01:38 | Message Received | 1 | Mystery & Crime 2 | Mystery with a touch of sci-fi. Sleepy telegraphic synth sets up a lightly padded mysterious mood | Jonathan Perl/ASCAP | 120 | |
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02:21 | Murder Art | 1 | Mystery & Crime 2 | Dark strings and pulses set a scene of unsettling distress | Tristan Alexia/ASCAP | 120 | |
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02:08 | Nightsteps | 1 | Mystery & Crime 2 | Simple low tension. Warbling light pulse under compelling pads - easy pulse with some swells | Jonathan Perl/ASCAP | 134 | |
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01:41 | Perp Hunt | 1 | Mystery & Crime 2 | Urgent urban crime rock. Crunch guitars with pulsing percussion and synth hooks | Tristan Alexia/ASCAP | 120 | |
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01:51 | Poring Over The Evidence | 1 | Mystery & Crime 2 | Procedural crime drama, time passing. Pulsing light synths under ambiguous swelling pads | Tristan Alexia/ASCAP | 120 | |
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02:00 | Preliminary Injunction | 1 | Mystery & Crime 2 | Low tension crime drama. Rubbery pulses, loops and plings create a building, subtly dire mood | Tristan Alexia/ASCAP | 110 | |
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01:25 | Remembering The Victim | 1 | Mystery & Crime 2 | Mournful reflection of loss. Processed piano, synth motion and ambient guitar | Tristan Alexia/ASCAP | 109 | |
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02:24 | The Convict | 1 | Mystery & Crime 2 | Medium fast dark tension with pulsing synth lines, drums, percussion and edgy guitar. | Tristan Alexia/ASCAP | 120 | |
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01:51 | Waiting For The Verdict | 1 | Mystery & Crime 2 | Edgy but soft time-passing. Touch of anxiety with ticking percussion, coloristic synths and pads | Tristan Alexia/ASCAP | 105 | |
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01:39 | What Happened That Night | 1 | Mystery & Crime 2 | Dark, unsettling strings and atmospheric synth loops set a disturbing mood | Tristan Alexia/ASCAP | 110 | |
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01:30 | Witness Competency | 1 | Mystery & Crime 2 | Shadows of doubt. Light melodrama, slight anxiety with piano, strings, and percussive patterns | Tristan Alexia/ASCAP | 100 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | Call My Name | 4 | Picture This Song | Female vocal. Indie alt-pop. Lonely piano and ambient tension explode into dramatic plea over pulsing drums | Jay Harper/ASCAP | 135 | |
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00:30 | Chill Time | 7 | Reality TV | Loungey-ambient chill with sexy lush pads and plucks for the prize vacation | Mitch Coodley/BMI | 147 | |
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00:30 | Scream Alert | 7 | Reality TV | Super-intense Gothic drama with dark percussive undercurrent and hard stabs | Mitch Coodley/BMI | 130 | |
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00:30 | Time's Whys | 7 | Reality TV | Lush pattern pulse,moody introspective string pads with nylon guitar feeling of loss | Mitch Coodley/BMI | 145 | |
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00:30 | Power Pill | 7 | The Kids Are All Rock | Quick, tight pounding drums, high shimmering guitar harmonics and thematic leads into light power crunch | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:42 | Close Reflection | 1 | Wildlife Documentary | Open sky feel, acoustic guitar echoes with airy pad, instrospective | Mitch Coodley/BMI | 134 | |
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00:30 | Game Park | 7 | World Adventure | Beautiful Kora and driving Djembe invite you on an expansive pan-African eco-tour | Gabriel Hays/BMI | 130 | |
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00:30 | Hun Gary | 7 | World Adventure | Hurdy-gurdy drives a relentless boar (or man) hunt through the dark forests of Hungary | Gabriel Hays/BMI | 93 | |
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00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 | |
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00:30 | Little Asia | 7 | World Adventure | Pan Asian spin through Indonesia, Vietnam and Japan, w/Vietnamese bells and shakuhachi | Gabriel Hays/BMI | 120 | |
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00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 | |
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00:30 | Where In The World | 7 | World Adventure | Watch your back when traveling alone through Turkmenistan, feat. darbuka and duduk | Gabriel Hays/BMI | 120 |