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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Birth Of A Monarch | 7 | Drama Kings | Sweet pastoral open, stately pattern, explosive fanfare hits @:53 into regal theme with big finish | Mitch Coodley/BMI | 134 | |
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00:30 | Double-O Eight | 7 | Drama Kings | Dangerous breakbeat with adventurous strings, mod synths, hits, breaks. Shaken, not stirred | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Forest Green | 7 | Drama Kings | Poignant gestural theme. Lilting sections, light bg, then sweet guitar-piano melody | Mitch Coodley/BMI | 120 | |
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00:30 | Hardass | 6 | Drama Kings | Hard offbeat hits generate wiry, tense electo-orchestral groove under huge drums | Mitch Coodley/BMI | 130 | |
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00:30 | Journey To Oz | 8 | Drama Kings | Fantasy opening into broad heroic brass theme w/hits, bridge with sidechain pulse, swells, atmosphere | Mitch Coodley/BMI | 130 | |
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00:30 | Lies | 9 | Drama Kings | Brooding, dark open, build to mod. at 1:05 - then 4/4 kick under orch. suspense. Big hits in :30alt | Mitch Coodley/BMI | 130 | |
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00:30 | Lockdown | 7 | Drama Kings | Dark pulsing, crunchy orch-tech, with percolating guitars, drum hits, drama candy | Mitch Coodley/BMI | 130 | |
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00:30 | Stop Time | 7 | Drama Kings | Upfront hits into dangerous rocky-tech 4/4 with string licks, dropouts and drama drums | Mitch Coodley/BMI | 138 | |
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00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
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00:30 | Warrior's Dream | 11 | Drama Kings | Quiet minor key anticipation, sturdy ostinato, broad heroic brass theme, bridge and swells | Mitch Coodley/BMI | 130 | |
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01:00 | Dreams Of Conquest | 10 | Epic Narrative | Light ostinato strings build to broad theme of hope amid struggle to heroic finish - huge backend | Mitch Coodley/BMI | 142 | |
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00:30 | Faceoff | 3 | Epic Narrative | Driving staccato intro stabs build into triumphant hybrid orchestral theme with pounding backend | Mitch Coodley/BMI | 130 | |
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00:30 | Heart Of Steel | 9 | Epic Narrative | Icy landscape, female choir, swelling brass lead to emotional triumph and exhilaration, big backend | Mitch Coodley/BMI | 116 | |
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03:52 | Humans Win | 7 | Epic Narrative | Delicate intro, swelling build into ostinato, broad cinematic theme w/big drums, orch, choir, big backend | Mitch Coodley/BMI | 90 | |
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03:53 | New Kingdom | 2 | Epic Narrative | Slow brooding open to impending swells, building to triumphant theme w/orchestra and choir | Mitch Coodley/BMI | 110 | |
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00:30 | Slapshot | 3 | Epic Narrative | Low pounding rhythmic hits to building gridiron-type conflict, triumph, then tough as nails ending | Mitch Coodley/BMI | 145 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | The Glass Half Full | 3 | Epic Narrative | Light optimistic strings become more serious, worldly. Hope against struggle | Mitch Coodley/BMI | 140 | |
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00:30 | Your Number Is Up | 6 | Epic Narrative | Sharp stabs to dangerous action with pulsing strings, heavy perc., guitars, climactic backend | Mitch Coodley/BMI | 150 | |
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00:30 | American Field | 7 | Film Score | Lively Americana, broad orchestral theme with an open plains feel | Gabriel Hays/BMI | 142 | |
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00:30 | Battle Of The Machines | 7 | Film Score | Orchestral-electronic trailer. Soaring melodies and driving transforming rhythm patterns. | Gabriel Hays/BMI | 92 | |
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00:30 | Beautiful America | 7 | Film Score | Intimate shimmering piano pulsing into explosive fireworks, with elements of minimalism, classical and pop | Gabriel Hays/BMI | 130 | |
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00:30 | Dream Control | 7 | Film Score | Building minimalist orchestral-tech - Hermann meets Eno - driving drums, brooding strings, swirling synths. | Gabriel Hays/BMI | 150 | |
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00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
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00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |
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00:30 | Lift Up And Carry | 7 | Film Score | Poignant, sweeping romantic strings and intimate flute create a bittersweet nostalgia | Gabriel Hays/BMI | 80 | |
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00:30 | Memento | 7 | Film Score | Plucky marimba pattern under clarinet/flute theme - serious yet quirky | Gabriel Hays/BMI | 129 | |
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00:30 | Migration | 7 | Film Score | East, West and Middle come together in world orchestral track. Featuring strings, duduk and driving percussion. | Gabriel Hays/BMI | 132 | |
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00:30 | Return Of The Hero | 7 | Film Score | A triumphant warrior returns home. Sweeping string gestures and intimate woodwinds. | Gabriel Hays/BMI | 105 | |
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00:30 | The Hammer | 7 | Film Score | Metal guitars, heavy drums, driving strings for a powerful superhero | Gabriel Hays/BMI | 150 | |
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00:30 | Winning The Uphill Battle | 7 | Film Score | Exciting, inspirational battle music - great for charging up sports action and drama | Gabriel Hays/BMI | 130 | |
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00:30 | Friday Night Light | 7 | Good And Better | Uptempo brassy sports theme with a touch of drama | Andy Snitzer/ASCAP | 146 | |
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00:30 | Match Point | 7 | Good And Better | Brassy uptempo sports cue for light highlights and features | Andy Snitzer/ASCAP | 137 | |
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00:30 | Pull Together | 7 | Good And Better | Pure positive energy with pulsing strings and rhythm section | Andy Snitzer/ASCAP | 137 | |
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00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |
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00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |
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03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |
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03:26 | Passages | 1 | Light Docu-Drama | Richly textured landscape for a long journey to a grand finish | Mitch Coodley/BMI | 134 | |
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02:26 | Soul Chasers | 1 | Light Docu-Drama | Flighty quick pulse, hits, light tension with a touch of adventure | Mitch Coodley/BMI | 232 | |
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02:24 | Wheel of Life | 1 | Light Docu-Drama | Gentle piano pulse, slow emotional build, lovely cello theme, soft close | Mitch Coodley/BMI | 100 | |
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00:30 | Desert Extraction | 7 | Middle East Cinematic | Tense, mysterious, Middle East-West action adventure with vocal colors, crunch guitars, percussion | Tristan Alexia/ASCAP | 125 | |
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00:30 | In The Bazaar | 7 | Middle East Cinematic | Moody Middle Eastern drama featuring ouds and plucked strings over driving percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Persian Gulf | 7 | Middle East Cinematic | Evocative, dramatic Middle-Eastern/orchestral narrative with Arabic female vocal | Tristan Alexia/ASCAP | 110 | |
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01:00 | Clockwork Plans | 1 | Mystery & Crime 1 | Countdown to murder. Ticking clock brings dark, brooding drones, pads, strings, drum groove | Mitch Coodley/BMI | 100 | |
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01:01 | Creep Me Out | 1 | Mystery & Crime 1 | Creepy crime scene. Light scary strings, processed percussion, string punctuations | Mitch Coodley/BMI | 100 | |
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02:22 | Dial 911 | 1 | Mystery & Crime 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | 160 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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01:20 | Lost Lovers | 1 | Mystery & Crime 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | 95 | |
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01:45 | Out Of Money | 1 | Mystery & Crime 1 | Crime procedural. Pulsing percussive sequence, swell to moderate orchestral-tech groove | Mitch Coodley/BMI | 130 | |
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01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |
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01:42 | Data Analysis | 1 | Mystery & Crime 2 | Drone and pads create ambiguous analytical mood. High strings with pulsing synths | Tristan Alexia/ASCAP | 105 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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00:30 | Beat The Clock | 7 | Reality TV | Cascading strings plunge into a ticking dramatic pulse with periods of high-tension quandary | Mitch Coodley/BMI | 140 | |
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00:30 | Chasing The Money | 7 | Reality TV | Fast paced pulsing drama with a mix of fun and fear techno orchestra | Mitch Coodley/BMI | 149 | |
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00:30 | Hurry Up And Wait | 7 | Reality TV | Fun and funky beat marks time with low-tension pulse and string licks | Mitch Coodley/BMI | 110 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Scream Alert | 7 | Reality TV | Super-intense Gothic drama with dark percussive undercurrent and hard stabs | Mitch Coodley/BMI | 130 | |
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00:30 | Strategize | 7 | Reality TV | Thoughtful but energetic string patterns over percussion w/piano pattern pulse | Mitch Coodley/BMI | 140 | |
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00:30 | Time's Whys | 7 | Reality TV | Lush pattern pulse,moody introspective string pads with nylon guitar feeling of loss | Mitch Coodley/BMI | 145 | |
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02:28 | Call Of The Wild | 1 | Wildlife Documentary | Lonely alto flute, airy, a sense of loss, soft sustained chords, lots of space, positive end | Mitch Coodley/BMI | 124 | |
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01:35 | Cold Winter Range | 1 | Wildlife Documentary | Lonely alto flute, cool transparent pulse, desolate and sad then hopeful @ 1:00 | Mitch Coodley/BMI | 124 | |
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02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |
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01:34 | Death And Rebirth | 1 | Wildlife Documentary | Slow mournful elegy with story arc - becomes hopeful @ 1:00 to wistful quiet end | Mitch Coodley/BMI | 124 | |
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02:12 | Follow Their Footsteps | 1 | Wildlife Documentary | Light anticipation, moderate positive, fast pulsing world, jungle orchestral | Mitch Coodley/BMI | 140 | |
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01:43 | Into The Wild | 1 | Wildlife Documentary | Bold panoramic foray into the wild, with quiet, intimate middle | Mitch Coodley/BMI | 124 | |
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01:40 | Land Of The Jaguar | 1 | Wildlife Documentary | Light Latin flavor groove with nylon guitar, perc. - interlude turns to sustained strings | Mitch Coodley/BMI | 129 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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02:30 | Loss And Return | 1 | Wildlife Documentary | Moody, atmospheric texture leads to doubt, sadness but with a hopeful end | Mitch Coodley/BMI | 80 | |
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00:28 | Merciful End | 1 | Wildlife Documentary | Slow, dark, edgy, then tragic. Snapshot of wildlife loss or poaching | Mitch Coodley/BMI | 135 | |
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01:05 | Moving West | 1 | Wildlife Documentary | Soft open atmosphere, then acoustic gtr and strings open up the range | Mitch Coodley/BMI | 135 | |
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00:39 | Nature Marches On | 1 | Wildlife Documentary | Time passing - easy but serious, simple patterns, piano and strings, generic drama | Mitch Coodley/BMI | 135 | |
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00:42 | On The Prowl | 1 | Wildlife Documentary | Slightly dramatic, mild tension and anticipation with strings and bow harp | Mitch Coodley/BMI | 135 | |
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00:51 | Out Of The Wild | 1 | Wildlife Documentary | Happy world, orchestral theme with vocal oohs and African perciussion | Mitch Coodley/BMI | 124 | |
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02:22 | Quiet Earth | 1 | Wildlife Documentary | Light atmosphere, soft percussion, keyboards for intimate mood | Mitch Coodley/BMI | 135 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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00:53 | Serengeti Return | 1 | Wildlife Documentary | Rolling positive forward motion with an African 12/8 feel, percussion and strings | Mitch Coodley/BMI | 124 | |
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01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |
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01:03 | The Lifecycle | 1 | Wildlife Documentary | Slow, lovely orchestral string theme-poignant and wistful then hopeful | Mitch Coodley/BMI | 97 | |
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02:03 | They Fenced The West | 1 | Wildlife Documentary | Easy Copeland-esque Western feel of open prairie, strings, piano, lonely finish | Mitch Coodley/BMI | 135 | |
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00:43 | Western Loop | 1 | Wildlife Documentary | Positive motion, American West flavor with bouncy marcato strings - looping phrase | Mitch Coodley/BMI | 135 | |
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00:30 | Escape From Jharkhand | 7 | World Adventure | Driving strings, sitar and tabla create Indian high-tension Bollywood dramatic chase scene | Gabriel Hays/BMI | 162 | |
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00:30 | Gypsy Forever | 7 | World Adventure | Flamenco mashup with traditional guitar and a funky four-on-the-floor dance beat | Gabriel Hays/BMI | 123 | |
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00:30 | Hun Gary | 7 | World Adventure | Hurdy-gurdy drives a relentless boar (or man) hunt through the dark forests of Hungary | Gabriel Hays/BMI | 93 | |
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00:30 | Istanbul Noir | 7 | World Adventure | Pounding dramatic hits drive Saz and duduk in this Turkish-not-so-delightful adventure | Gabriel Hays/BMI | 120 | |
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00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 | |
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00:30 | Little Asia | 7 | World Adventure | Pan Asian spin through Indonesia, Vietnam and Japan, w/Vietnamese bells and shakuhachi | Gabriel Hays/BMI | 120 | |
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00:30 | Poppy Trail | 7 | World Adventure | Dark simmering drums, Persian/Middle Eastern drama featuring duduk. Persia/Middle East | Gabriel Hays/BMI | 98 | |
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00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 |