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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Family Time | 7 | Acoustic With Benefits | Warm, light new-agey folk-rock, acoustic guitar strumming with a joyous heartwarming feel | Lucy Coodley/ASCAP | 110 | |
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00:30 | Green Days | 7 | Acoustic With Benefits | Bright, sparkling synth sequence sets up a sunny positive groove with some thoughtful moments | Lucy Coodley/ASCAP | 120 | |
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00:30 | Just Say Yes | 7 | Acoustic With Benefits | Light acoustic rhythm guitar and mandolin textures, steady positive organic groove, optimistic melody | Lucy Coodley/ASCAP | 85 | |
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00:30 | Positively | 7 | Acoustic With Benefits | Light but joyous, upbeat acoustic strumming groove with descending melody | Lucy Coodley/ASCAP | 113 | |
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00:30 | Sheep's Meadow | 7 | Acoustic With Benefits | Heather-light highlands feel mandolin and acoustic guitars get a bit moody over light light alt-rock groove | Lucy Coodley/ASCAP | 115 | |
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00:30 | Since Then | 7 | Acoustic With Benefits | Soft acoustic pattern under a sweet, sentimental, lilting melody with light brushes | Lucy Coodley/ASCAP | 113 | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | Thursday's Child | 7 | Acoustic With Benefits | Nice acoustic/light electric mix plus pedal steel build positive and poignant moods on solid groove | Lucy Coodley/ASCAP | 105 | |
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00:30 | Coming Of Age | 7 | All Natural Acoustic | Gently pulsing guitar and piano ostinato under poignant alto flute melody then nylon gtuitar solo | Mitch Coodley/BMI | 120 | |
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00:30 | Country Kitchen | 6 | All Natural Acoustic | Happy acoustic strumming - easy and lighthearted 12-string country melody | Mitch Coodley/BMI | 100 | |
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00:30 | Joy On The Way | 7 | All Natural Acoustic | Joyful open guitar and mandolin strumming under bright positive upbeat melody | Mitch Coodley/BMI | 125 | |
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00:30 | Estrelas Brazileiras | 7 | Chillout | Swaying Brazilian bossa lounge with nylon guitar and breezy flute | Mitch Coodley/BMI | 80 | |
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00:30 | Goin' On | 7 | Chillout | Soft new-age atmospheres over lightly funky beat, with vibey guitar melody and jazzy solo | Mitch Coodley/BMI | 90 | |
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00:30 | The Corner Booth | 7 | Chillout | Lightly pulsing ambient vibe with light 4/4 kick and acoustic guitar patterns and bridge melody | Mitch Coodley/BMI | 120 | |
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00:30 | Breakfast On The Veranda | 7 | Cute 'n' Kitschy | Langorous French-romantic kitsch with female la-las and bossa guitars | Allen Carrescia/ASCAP | 118 | |
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00:30 | Dapper Tapper | 7 | Cute 'n' Kitschy | Pretty ironic elevator music with pecky flute over sliding guitars | Allen Carrescia/ASCAP | 136 | |
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00:30 | Dressed And Buttoned-Up | 7 | Cute 'n' Kitschy | Kitschy bossa with pecky trumpet and male vocal das | Allen Carrescia/ASCAP | 136 | |
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00:30 | Love In The Air | 7 | Cute 'n' Kitschy | Kitschy '70s TV love theme with male aahs and pretty bells | Allen Carrescia/ASCAP | 140 | |
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00:30 | Ooh La La | 7 | Cute 'n' Kitschy | Plaintive wah wah guitar lead over cheesy organ, then melodramatic male "ooh la la" | Allen Carrescia/ASCAP | 116 | |
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00:30 | Shopophobia | 7 | Cute 'n' Kitschy | Catchy cute 'n' kitschy male vocal da's over retro elevator music bed | Allen Carrescia/ASCAP | 98 | |
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00:30 | Snake Eyes | 7 | Cute 'n' Kitschy | Bluesy chugging private-eye vamp with low guitars, organ, horn sect. swells | Allen Carrescia/ASCAP | 104 | |
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00:30 | Forest Green | 7 | Drama Kings | Poignant gestural theme. Lilting sections, light bg, then sweet guitar-piano melody | Mitch Coodley/BMI | 120 | |
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02:37 | Ways Of The Ocean | 1 | Epic Narrative | Warm, ambient, atmospheric feel speaks of the natural cycle of life | Mitch Coodley/BMI | 120 | |
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00:30 | Just For Fun | 7 | Good And Better | Easy, loping, playful shuffle, touch of reggae for everyday lightness | Andy Snitzer/ASCAP | 126 | |
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00:30 | Local Hero | 7 | Good And Better | Happy, positive steady 4/4 groove with a warm mood | Andy Snitzer/ASCAP | 114 | |
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00:30 | Motional | 7 | Good And Better | Joyous, easy upbeat positive groove with or without warm soprano sax melody | Andy Snitzer/ASCAP | 129 | |
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00:30 | Our Town | 7 | Good And Better | Warm, everyman soft rock, all positive, string theme with piano | Andy Snitzer/ASCAP | 104 | |
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00:30 | Pull Together | 7 | Good And Better | Pure positive energy with pulsing strings and rhythm section | Andy Snitzer/ASCAP | 137 | |
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00:30 | The Right Moment | 7 | Good And Better | Breezy smooth groove with a touch of romance | Andy Snitzer/ASCAP | 75 | |
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00:30 | Clean As A Whistle | 7 | Homespun | Sweet, lighthearted simple whistling tune with guitar, bass, uke, and pots and pans | Ann Klein/BMI | 146 | |
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00:30 | Copycat Kitten | 7 | Homespun | Light, upbeat and cute - with uke and rhythm sect. Your pet video could go viral! | Ann Klein/BMI | 136 | |
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00:30 | Family Pack | 7 | Homespun | It's all good. Easy, upbeat family fun with loping guitars, mandolins and ukes | Ann Klein/BMI | 104 | |
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00:30 | Fresh Air Fun | 7 | Homespun | Infectious, happy country-western-Nashville mashup w/ fiddle, high-string guitars, rhythm | Ann Klein/BMI | 105 | |
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00:30 | Hot Out Of The Oven | 7 | Homespun | Get 'em while they're hot! Cajun flavored upbeat shuffle with mandolins, accordion, dobro, rhythm | Ann Klein/BMI | 125 | |
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00:30 | Put Your Feet Up | 7 | Homespun | Sweet, lazy, laid-back relaxation with harmonica, uke and slide guitars | Ann Klein/BMI | 112 | |
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00:30 | Who Stole My Pancakes | 7 | Homespun | Sweet, joyful and playful fiddle and fingerpicking duet. Wha hoppen? | Ann Klein/BMI | 92 | |
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00:30 | Front Pocket | 7 | Indie Acoustic | Loping easy alt. rock with steady 8th note bass under light electric part with glockenspiel and brass sustains | Matthew Dolland/ASCAP | 112 | |
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00:30 | I Know You Do | 7 | Indie Acoustic | Light country folk-rock with a slightly trashy backbeat and simple picking | Matthew Dolland/ASCAP | 140 | |
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00:30 | Northern Birds | 7 | Indie Acoustic | Upbeat optimistic medium folk rock with a semi-melodic strat lead | Matthew Dolland/ASCAP | 150 | |
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00:30 | There Was Nothing | 7 | Indie Acoustic | Basic alt. rock rhythm section with easy 8th note guitar pulse and simple piano lead | Matthew Dolland/ASCAP | 118 | |
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00:30 | Europa | 7 | Latin Pop | Dreamy, slightly trippy bossa nova with languorous sax and string leads | David Mann/ASCAP | 78 | |
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00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |
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00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Big Chill | 7 | Light Acousti-Pop | Pretty, slow, mellow fingerpicked guitar over warm pads and light percussion | Deborah Difonzo/BMI | 76 | |
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00:30 | Slow Stepping | 7 | Light Acousti-Pop | Easy folkie acoustics with light funky drums. Warm string lines add dimension in chorus | Deborah Difonzo/BMI | 74 | |
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00:30 | Forward Look | 7 | Light Tech/Corporate | Lilting marimba patterns over pretty keyboards, minimalist patterns - build to easy positive groove | Robert Allaire/ASCAP | 127 | |
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00:30 | Good Connections | 7 | Light Tech/Corporate | Light drum/rhythm loop with piano under flutey positive melody | Robert Allaire/ASCAP | 80 | |
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00:30 | Sunny Forecast | 7 | Light Tech/Corporate | Upbeat, positive, light melodic with guitar strums over pretty synth patterns | Robert Allaire/ASCAP | 130 | |
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00:30 | The Green Sector | 7 | Light Tech/Corporate | Loping drum loop with bell tones and light pattern synths for a modern organic feel | Robert Allaire/ASCAP | 88 | |
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00:30 | Thinkspace | 7 | Light Tech/Corporate | Light percussion and keyboards create motion-positive train of thought | Robert Allaire/ASCAP | 116 | |
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01:00 | Family Loss | 1 | Mystery & Crime 1 | Loved ones left behind. Wistful piano with warm pads and light percussion | Mitch Coodley/BMI | 70 | |
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01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | New Tricks | 4 | Picture This Song | Male vocal. Pop/reggae. Bouncy, fun. New girl's a red zone case - where's Cesar Millan? | Jay Harper/ASCAP | 75 | |
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00:30 | Smile | 4 | Picture This Song | Female vocal. Electropop - folk-EDM. Youthful, “feel good” hook. Smile like someone's there with you. | Jay Harper/ASCAP | 131 | |
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00:30 | Up, Up | 4 | Picture This Song | Boy-girl vocal. Joyous optimism. Easy pop/R&B w/bright metaphors and slyly clever rapping bridge and outro | Jay Harper/ASCAP | 93 | |
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00:30 | Wherever I Be | 4 | Picture This Song | Group sing-along M/F vocals. Organic alt/folk. Happy, endearing, clever - about friendship through thick and thin | Jay Harper/ASCAP | 120 | |
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00:30 | Only A Game | 7 | Reality TV | Happy go lucky guitars, positive acoustic rock, joyous hook | Mitch Coodley/BMI | 90 | |
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00:43 | Easy Passage | 1 | Wildlife Documentary | Positive forward motion - plucky blend of acoustic guitar strums and light percussion | Mitch Coodley/BMI | 135 | |
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04:00 | Islands In The Sun | 1 | Wildlife Documentary | Transparent strings and percussion, airy and mild theme then light island feel | Mitch Coodley/BMI | 135 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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00:26 | Soft Pulses | 1 | Wildlife Documentary | Flute and acoustic guitar pulse create steady, light, easy looping moion | Mitch Coodley/BMI | 80 |