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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Candy Boy | 7 | Acoustic With Benefits | Old-school dark, low, vibrato, minor key lead guitar over bluesy vamping acoustic and tom-tom groove | Lucy Coodley/ASCAP | 110 | |
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00:30 | Family Time | 7 | Acoustic With Benefits | Warm, light new-agey folk-rock, acoustic guitar strumming with a joyous heartwarming feel | Lucy Coodley/ASCAP | 110 | |
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00:30 | Green Days | 7 | Acoustic With Benefits | Bright, sparkling synth sequence sets up a sunny positive groove with some thoughtful moments | Lucy Coodley/ASCAP | 120 | |
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00:30 | Just Say Yes | 7 | Acoustic With Benefits | Light acoustic rhythm guitar and mandolin textures, steady positive organic groove, optimistic melody | Lucy Coodley/ASCAP | 85 | |
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00:30 | Positively | 7 | Acoustic With Benefits | Light but joyous, upbeat acoustic strumming groove with descending melody | Lucy Coodley/ASCAP | 113 | |
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00:30 | Punky Pie | 7 | Acoustic With Benefits | Happy light post-punk with a frothy feel and clear leads | Lucy Coodley/ASCAP | 163 | |
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00:30 | Sheep's Meadow | 7 | Acoustic With Benefits | Heather-light highlands feel mandolin and acoustic guitars get a bit moody over light light alt-rock groove | Lucy Coodley/ASCAP | 115 | |
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00:30 | Since Then | 7 | Acoustic With Benefits | Soft acoustic pattern under a sweet, sentimental, lilting melody with light brushes | Lucy Coodley/ASCAP | 113 | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | Thursday's Child | 7 | Acoustic With Benefits | Nice acoustic/light electric mix plus pedal steel build positive and poignant moods on solid groove | Lucy Coodley/ASCAP | 105 | |
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00:30 | Coming Of Age | 7 | All Natural Acoustic | Gently pulsing guitar and piano ostinato under poignant alto flute melody then nylon gtuitar solo | Mitch Coodley/BMI | 120 | |
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00:30 | Country Kitchen | 6 | All Natural Acoustic | Happy acoustic strumming - easy and lighthearted 12-string country melody | Mitch Coodley/BMI | 100 | |
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00:30 | That Face | 7 | All Natural Acoustic | Jaunty, whimsical little two-guitar ditty with a moderate folksy swing feel | Mitch Coodley/BMI | 120 | |
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00:30 | The Way Down | 7 | All Natural Acoustic | Soft acoustic strumming and bright melody with a warm, folkloric flavor | Matthew Dolland/ASCAP | 90 | |
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00:30 | Wakin' Up Right | 7 | All Natural Acoustic | Light guitar picking sets up steady, upbeat, positive rising acoustic folk-rock groove | Mitch Coodley/BMI | 130 | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Del Mar | 7 | Chillout | Soft jazzy muted trumpet plays light cool phrases over an ambient latin percussion bed | Mitch Coodley/BMI | 110 | |
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00:30 | Goin' On | 7 | Chillout | Soft new-age atmospheres over lightly funky beat, with vibey guitar melody and jazzy solo | Mitch Coodley/BMI | 90 | |
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00:30 | Mistral | 7 | Chillout | Gentle intro to warm ambient trumpet song with misty swells and nylon guitar | Mitch Coodley/BMI | 120 | |
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00:30 | Moroccan Sands | 7 | Chillout | Exotic euro trip-hop lounge with mid-east ambience, sultry female vocal loops, processed flutes | Mitch Coodley/BMI | 90 | |
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00:30 | The Corner Booth | 7 | Chillout | Lightly pulsing ambient vibe with light 4/4 kick and acoustic guitar patterns and bridge melody | Mitch Coodley/BMI | 120 | |
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00:30 | The Time | 7 | Chillout | New age female vocals over gently shifting ambient pads and light club beat under guitar melodies | Mitch Coodley/BMI | 130 | |
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00:30 | After All | 7 | Downtempo Lounge | Smokey lounge with lightly pulsing keys, guitar top notes, light chugging groove | Bryan Nelson/ASCAP | 90 | |
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00:30 | Hourglass | 7 | Downtempo Lounge | Gently pulsing keyboard and guitar patterns with light bells over simple groove | Bryan Nelson/ASCAP | 120 | |
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00:30 | Birth Of A Monarch | 7 | Drama Kings | Sweet pastoral open, stately pattern, explosive fanfare hits @:53 into regal theme with big finish | Mitch Coodley/BMI | 134 | |
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00:30 | Double Timeout | 7 | Drama Kings | (Spinoff of Double-O Eight) Light breakbeat with ambient guitars, stabs. Mod. @:30 and gets crunchier. | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Forest Green | 7 | Drama Kings | Poignant gestural theme. Lilting sections, light bg, then sweet guitar-piano melody | Mitch Coodley/BMI | 120 | |
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00:30 | Closest Kin | 2 | Epic Narrative | Lightly pulsing, positive underscore with worldly atmosphere | Mitch Coodley/BMI | 80 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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02:37 | Ways Of The Ocean | 1 | Epic Narrative | Warm, ambient, atmospheric feel speaks of the natural cycle of life | Mitch Coodley/BMI | 120 | |
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00:30 | Hands In The Air | 7 | Good And Better | Bouncy, fun 4/4 dance with playful synth riffs and soft background sections | Andy Snitzer/ASCAP | 125 | |
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00:30 | Local Hero | 7 | Good And Better | Happy, positive steady 4/4 groove with a warm mood | Andy Snitzer/ASCAP | 114 | |
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00:30 | Motional | 7 | Good And Better | Joyous, easy upbeat positive groove with or without warm soprano sax melody | Andy Snitzer/ASCAP | 129 | |
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00:30 | Our Town | 7 | Good And Better | Warm, everyman soft rock, all positive, string theme with piano | Andy Snitzer/ASCAP | 104 | |
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00:30 | Pull Together | 7 | Good And Better | Pure positive energy with pulsing strings and rhythm section | Andy Snitzer/ASCAP | 137 | |
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00:30 | Teching Stock | 7 | Good And Better | Soft tech patterns under strings generate a positive business vibe | Andy Snitzer/ASCAP | 128 | |
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00:30 | Time's Plus | 7 | Good And Better | Moderate pattern pulse builds layers for news or business | Andy Snitzer/ASCAP | 107 | |
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00:30 | Copycat Kitten | 7 | Homespun | Light, upbeat and cute - with uke and rhythm sect. Your pet video could go viral! | Ann Klein/BMI | 136 | |
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00:30 | Family Pack | 7 | Homespun | It's all good. Easy, upbeat family fun with loping guitars, mandolins and ukes | Ann Klein/BMI | 104 | |
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00:30 | After Hours | 7 | Indie Acoustic | Steady 8th note strumming over drum groove with light atmospheric pad and piano | Matthew Dolland/ASCAP | 120 | |
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00:30 | Al Fresco | 7 | Indie Acoustic | Building, moody vibe with forward motion travis picking acoustic and swelling atmospheric pads | Matthew Dolland/ASCAP | 116 | |
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00:30 | Front Pocket | 7 | Indie Acoustic | Loping easy alt. rock with steady 8th note bass under light electric part with glockenspiel and brass sustains | Matthew Dolland/ASCAP | 112 | |
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00:30 | Go Ahead | 7 | Indie Acoustic | Laid-back folk strumming alt-rock builds with crunchy guitar pads and piano | Matthew Dolland/ASCAP | 91 | |
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00:30 | I Know You Do | 7 | Indie Acoustic | Light country folk-rock with a slightly trashy backbeat and simple picking | Matthew Dolland/ASCAP | 140 | |
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00:30 | Marcha | 7 | Indie Acoustic | Highway picking over easy percussion leads to a country road trip with smoky pedals | Matthew Dolland/ASCAP | 120 | |
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00:30 | Northern Birds | 7 | Indie Acoustic | Upbeat optimistic medium folk rock with a semi-melodic strat lead | Matthew Dolland/ASCAP | 150 | |
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00:30 | On The Rocks | 7 | Indie Acoustic | Fast 8th note low riffs builds with anthemic delayed electric lead pattern | Matthew Dolland/ASCAP | 150 | |
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00:30 | Places | 7 | Indie Acoustic | Simple strumming and pattern pulse on a medium groove with an almost poignant mood | Matthew Dolland/ASCAP | 120 | |
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00:30 | Sidecar | 7 | Indie Acoustic | Light shuffle with delay guitars and drums builds to mini-indie anthem | Matthew Dolland/ASCAP | 123 | |
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00:30 | There Was Nothing | 7 | Indie Acoustic | Basic alt. rock rhythm section with easy 8th note guitar pulse and simple piano lead | Matthew Dolland/ASCAP | 118 | |
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00:30 | What I Am | 7 | Indie Acoustic | Dark muted picking over steady tom-tom parts and pattern pulse guitar | Matthew Dolland/ASCAP | 115 | |
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00:30 | Europa | 7 | Latin Pop | Dreamy, slightly trippy bossa nova with languorous sax and string leads | David Mann/ASCAP | 78 | |
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00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |
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00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Big Chill | 7 | Light Acousti-Pop | Pretty, slow, mellow fingerpicked guitar over warm pads and light percussion | Deborah Difonzo/BMI | 76 | |
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00:30 | Cut And Dry | 7 | Light Acousti-Pop | Uplifting positive energy. Tight drums and driving clean electric and acoustic guitars | Deborah Difonzo/BMI | 128 | |
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00:30 | Delay The Day | 7 | Light Acousti-Pop | Anticipatory guitar patterns build to positive moderate powered drums and bass | Deborah Difonzo/BMI | 80 | |
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00:30 | Happy The Clam | 7 | Light Acousti-Pop | Acoustic guitar-driven alt rock with stop and start intro. Energetic groove ensues with light string line | Deborah Difonzo/BMI | 184 | |
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00:30 | Keeping Clean | 7 | Light Acousti-Pop | Tight acoustic guitar strumming over dry R&B drums. Sparse, funky and dreamy | Deborah Difonzo/BMI | 82 | |
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00:30 | Slow Stepping | 7 | Light Acousti-Pop | Easy folkie acoustics with light funky drums. Warm string lines add dimension in chorus | Deborah Difonzo/BMI | 74 | |
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00:30 | Summer Isle | 7 | Light Acousti-Pop | Positive, easy going indie rock track with nice dreamy guitar melody lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Warm Nights | 7 | Light Acousti-Pop | Nice acoustic guitar picking with easy, dry beat, adding mandolin and dreamy pads | Deborah Difonzo/BMI | 78 | |
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00:53 | A Look Back | 1 | Light Docu-Drama | Watery intro to pattern piano creates introspective reflective mood | Mitch Coodley/BMI | 100 | |
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02:20 | Breaking Out | 2 | Light Docu-Drama | Joyous muso-rock with catchy posts and breaks. Break it out! | Mitch Coodley/BMI | 133 | |
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02:04 | Fragile Water | 1 | Light Docu-Drama | Silvery shimmering pads under evocative bass flute theme | Mitch Coodley/BMI | 85 | |
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02:10 | Growing Pains | 1 | Light Docu-Drama | Slow rising drone, soft piano patterns, touching and reflective growth | Mitch Coodley/BMI | 100 | |
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02:39 | Introspection | 1 | Light Docu-Drama | Gestural, lilting reflective memory with pregnant pauses, sense of innocence | Mitch Coodley/BMI | 100 | |
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03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |
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03:26 | Passages | 1 | Light Docu-Drama | Richly textured landscape for a long journey to a grand finish | Mitch Coodley/BMI | 134 | |
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02:26 | Soul Chasers | 1 | Light Docu-Drama | Flighty quick pulse, hits, light tension with a touch of adventure | Mitch Coodley/BMI | 232 | |
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00:48 | Too Sad | 1 | Light Docu-Drama | Dark strings and pads, mournful, sad, tragic mood, short cue | Mitch Coodley/BMI | 90 | |
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02:24 | Wheel of Life | 1 | Light Docu-Drama | Gentle piano pulse, slow emotional build, lovely cello theme, soft close | Mitch Coodley/BMI | 100 | |
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00:30 | Cybermind | 7 | Light Tech/Corporate | Moderate pulsing bass under harpy patterns and vocal aahs with string pads | Robert Allaire/ASCAP | 125 | |
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00:30 | DNA Dreams | 7 | Light Tech/Corporate | Pretty harp patterns, slow dreamy groove. Light tech new-age mechanical calm | Robert Allaire/ASCAP | 77 | |
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00:30 | Forward Look | 7 | Light Tech/Corporate | Lilting marimba patterns over pretty keyboards, minimalist patterns - build to easy positive groove | Robert Allaire/ASCAP | 127 | |
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00:30 | Going Viral | 7 | Light Tech/Corporate | Swell into lightly gritty tech groove with wiry guitar leads and pretty delayed synth patterns | Robert Allaire/ASCAP | 130 | |
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00:30 | Good Connections | 7 | Light Tech/Corporate | Light drum/rhythm loop with piano under flutey positive melody | Robert Allaire/ASCAP | 80 | |
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00:30 | Impulse Response | 7 | Light Tech/Corporate | Moody intro to energetic synth computer ostinatos blending with piano sequence | Robert Allaire/ASCAP | 140 | |
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00:30 | More News | 7 | Light Tech/Corporate | Moderate thoughtful bleepy synth-tech pulse under string pads with piano | Robert Allaire/ASCAP | 118 | |
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00:30 | Processing Power | 7 | Light Tech/Corporate | Trolling, lightly percussive, new-agey organic tech piece with glass melody pads and hanging synths | Robert Allaire/ASCAP | 100 | |
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00:30 | Sunny Forecast | 7 | Light Tech/Corporate | Upbeat, positive, light melodic with guitar strums over pretty synth patterns | Robert Allaire/ASCAP | 130 | |
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00:30 | The Green Sector | 7 | Light Tech/Corporate | Loping drum loop with bell tones and light pattern synths for a modern organic feel | Robert Allaire/ASCAP | 88 | |
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00:30 | Thinkspace | 7 | Light Tech/Corporate | Light percussion and keyboards create motion-positive train of thought | Robert Allaire/ASCAP | 116 | |
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00:30 | Timecode | 7 | Light Tech/Corporate | Pensive thoughtful cue with light droplet sequence, piano chords, choir | Robert Allaire/ASCAP | 130 | |
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00:30 | Desert Oasis | 8 | Middle East Cinematic | A mysterious, exotic tone poem featuring moody flutes, low drones | Tristan Alexia/ASCAP | 105 | |
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00:30 | Harem Scarem | 7 | Middle East Cinematic | Cool, throbbing Middle Eastern dance track with evocative vocals, drums, percussion, drones | Tristan Alexia/ASCAP | 120 | |
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00:30 | Mesopotamia | 7 | Middle East Cinematic | Dramatic drones under tribal Middle East/Asian percussion groove, woodwinds, sultry female vocals | Tristan Alexia/ASCAP | 105 | |
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00:30 | Militant Surveillance | 7 | Middle East Cinematic | Dark, threatening Middle Eastern drama with doudouks, tampuras, square bass recorder, percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Oil Reserve | 7 | Middle East Cinematic | Dark, forboding Middle Eastern theme featuring distressed doudouks, zithers, percussion | Tristan Alexia/ASCAP | 108 | |
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01:26 | Bad Night | 1 | Mystery & Crime 1 | Nothing good happened here - what's the story? Slow-fast pulsing percussion and pads | Mitch Coodley/BMI | 150 | |
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01:00 | Clockwork Plans | 1 | Mystery & Crime 1 | Countdown to murder. Ticking clock brings dark, brooding drones, pads, strings, drum groove | Mitch Coodley/BMI | 100 | |
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01:01 | Creep Me Out | 1 | Mystery & Crime 1 | Creepy crime scene. Light scary strings, processed percussion, string punctuations | Mitch Coodley/BMI | 100 | |
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01:03 | Crime Scene | 1 | Mystery & Crime 1 | I think someone died here. Dank atmospheric pads, creepy bells, shifting drones | Mitch Coodley/BMI | 122 | |
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01:00 | Dark Cowboy | 1 | Mystery & Crime 1 | Noir-ish touch of evil character. Open minor guitar chords over pusling drone bass | Mitch Coodley/BMI | 120 | |
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01:36 | Dawning Realization | 1 | Mystery & Crime 1 | Investigation and human drama. Pulsing bass, light dramatic orchestral theme, elect. guitar | Mitch Coodley/BMI | 80 | |
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01:22 | Death Be Not Pretty | 1 | Mystery & Crime 1 | Dark brooding atmosphere. Evolving drones swell into pulsing strings and patterns | Mitch Coodley/BMI | 140 | |
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02:22 | Dial 911 | 1 | Mystery & Crime 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | 160 | |
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01:00 | Dim City | 1 | Mystery & Crime 1 | Hard street life. Brooding groove under ambient reverse guitars, dark atmosphere | Mitch Coodley/BMI | 80 | |
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01:00 | Don't Come Knocking | 1 | Mystery & Crime 1 | Knock at the door at night. Eerie swells over insistent pulse leads to brooding atmosphere | Mitch Coodley/BMI | 120 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |
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01:00 | Family Loss | 1 | Mystery & Crime 1 | Loved ones left behind. Wistful piano with warm pads and light percussion | Mitch Coodley/BMI | 70 | |
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02:19 | Hand Over Your Dub | 1 | Mystery & Crime 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | 140 | |
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01:00 | Hideout | 1 | Mystery & Crime 1 | Mind of the bad guy. Gestural anticipatory drama with warbling drones, strings, swells | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 1 | 1 | Mystery & Crime 1 | Police procedural. Atmosphere with motion, plucked synths, percussion over drone and pads | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 2 | 1 | Mystery & Crime 1 | Crime procedural. Atmosphere with sequences, plucked synths, perc., guitar, strings, pads | Mitch Coodley/BMI | 100 | |
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01:20 | Lost Lovers | 1 | Mystery & Crime 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | 95 | |
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01:02 | Mean Streets | 1 | Mystery & Crime 1 | Dark urban crime aftermath. Solid hit, swells to pulsing dark loops with pulsing strings | Mitch Coodley/BMI | 90 | |
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01:45 | Out Of Money | 1 | Mystery & Crime 1 | Crime procedural. Pulsing percussive sequence, swell to moderate orchestral-tech groove | Mitch Coodley/BMI | 130 | |
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01:02 | The Jury Is Out | 1 | Mystery & Crime 1 | Difficult waiting game. Pensive melodrama, pulsing chords, strings, percussion | Mitch Coodley/BMI | 120 | |
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01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |
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01:03 | Who's In There | 1 | Mystery & Crime 1 | Ominous crime scene. Threatening drone, scary pads, bells and processed colors | Mitch Coodley/BMI | 90 | |
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01:00 | Why Did This Happen | 1 | Mystery & Crime 1 | Gentle human tragedy. Sad piano ballad with modulating synths and low drone | Mitch Coodley/BMI | 100 | |
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01:20 | Admissible Evidence | 1 | Mystery & Crime 2 | Urgent investigation. Breathy dark lead over warbling synth pulses and percussion loops | Tristan Alexia/ASCAP | 110 | |
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01:24 | Burden Of Proof | 1 | Mystery & Crime 2 | Muted urgency - fast mallets and percussion over drone with trailing crunch guitars and mystery synths | Tristan Alexia/ASCAP | 130 | |
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01:51 | Crime Lab | 1 | Mystery & Crime 2 | Contemplative yet agitated landscape. Synths & perc., with processed guitar, bass create light tension | Tristan Alexia/ASCAP | 130 | |
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01:40 | Crime Scene Walk Through | 1 | Mystery & Crime 2 | Mix of doubt and satisfaction. Large drones and pads shift between major and minor | Tristan Alexia/ASCAP | 120 | |
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01:46 | Crime's Whys | 1 | Mystery & Crime 2 | Dark eerie crime scene. Sweeping pads and low drum and bass pulse, not too tense | Jonathan Perl/ASCAP | 94 | |
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01:42 | Data Analysis | 1 | Mystery & Crime 2 | Drone and pads create ambiguous analytical mood. High strings with pulsing synths | Tristan Alexia/ASCAP | 105 | |
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01:35 | DNA Fingerprint | 1 | Mystery & Crime 2 | Reflective, analytical mood. Clockwork vibe with moody atmosphere | Tristan Alexia/ASCAP | 80 | |
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01:53 | Domestic Terrorism | 1 | Mystery & Crime 2 | Dark, malevolent undercurrent with heavy guitar, feedback pulsing bass, ear candy | Tristan Alexia/ASCAP | 120 | |
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01:52 | Evidence Recovery | 1 | Mystery & Crime 2 | Simple science. Crime scene examination with touch of danger, pathos. Piano, synths, drums, strings | Tristan Alexia/ASCAP | 100 | |
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01:35 | Evidence Time Crunch | 1 | Mystery & Crime 2 | Cool dark drama. Chugging and chunky crunch guitars over a steady groove with wavy pads | Tristan Alexia/ASCAP | 115 | |
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02:15 | Exculpatory Evidence | 1 | Mystery & Crime 2 | Light investigative mood. Low pulsing bass under simple dark patterns create contemplative scene | Tristan Alexia/ASCAP | 120 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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01:40 | Family Aftermath | 1 | Mystery & Crime 2 | Sad reflective piece. Synth drones, piano, sparse drums create mournful atmosphere | Tristan Alexia/ASCAP | 120 | |
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01:43 | Forensic Analysis | 1 | Mystery & Crime 2 | Slow, building, determined investigative piece. Synths, drones and percussion. | Tristan Alexia/ASCAP | 94 | |
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01:24 | Grisly Discovery | 1 | Mystery & Crime 2 | Minimally dangerous and eerie. Synth swells and percussion hits paint a dark, grisly picture | Tristan Alexia/ASCAP | 105 | |
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01:48 | Lost In The Hood | 1 | Mystery & Crime 2 | Dark urban atmosphere. Sub bass and light loops with wiry synths and blankety pads | Tristan Alexia/ASCAP | 148 | |
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01:50 | Low Blows | 1 | Mystery & Crime 2 | Dark and wiry underscore. Moderate tension with crunchy sustains and compelling light groove | Tristan Alexia/ASCAP | 115 | |
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01:38 | Message Received | 1 | Mystery & Crime 2 | Mystery with a touch of sci-fi. Sleepy telegraphic synth sets up a lightly padded mysterious mood | Jonathan Perl/ASCAP | 120 | |
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02:21 | Murder Art | 1 | Mystery & Crime 2 | Dark strings and pulses set a scene of unsettling distress | Tristan Alexia/ASCAP | 120 | |
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02:08 | Nightsteps | 1 | Mystery & Crime 2 | Simple low tension. Warbling light pulse under compelling pads - easy pulse with some swells | Jonathan Perl/ASCAP | 134 | |
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01:41 | Perp Hunt | 1 | Mystery & Crime 2 | Urgent urban crime rock. Crunch guitars with pulsing percussion and synth hooks | Tristan Alexia/ASCAP | 120 | |
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01:51 | Poring Over The Evidence | 1 | Mystery & Crime 2 | Procedural crime drama, time passing. Pulsing light synths under ambiguous swelling pads | Tristan Alexia/ASCAP | 120 | |
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02:00 | Preliminary Injunction | 1 | Mystery & Crime 2 | Low tension crime drama. Rubbery pulses, loops and plings create a building, subtly dire mood | Tristan Alexia/ASCAP | 110 | |
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01:25 | Remembering The Victim | 1 | Mystery & Crime 2 | Mournful reflection of loss. Processed piano, synth motion and ambient guitar | Tristan Alexia/ASCAP | 109 | |
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02:24 | The Convict | 1 | Mystery & Crime 2 | Medium fast dark tension with pulsing synth lines, drums, percussion and edgy guitar. | Tristan Alexia/ASCAP | 120 | |
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01:51 | Waiting For The Verdict | 1 | Mystery & Crime 2 | Edgy but soft time-passing. Touch of anxiety with ticking percussion, coloristic synths and pads | Tristan Alexia/ASCAP | 105 | |
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01:39 | What Happened That Night | 1 | Mystery & Crime 2 | Dark, unsettling strings and atmospheric synth loops set a disturbing mood | Tristan Alexia/ASCAP | 110 | |
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01:30 | Witness Competency | 1 | Mystery & Crime 2 | Shadows of doubt. Light melodrama, slight anxiety with piano, strings, and percussive patterns | Tristan Alexia/ASCAP | 100 | |
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00:30 | In Flames | 4 | Picture This Song | Male/Female vocals. Alt-pop, unsettling, moody, poignant, evocative ballad; "We'l all go down in flames" | Jay Harper/ASCAP | 83 | |
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00:39 | Color Splash | 3 | Poignant Piano | Sparkling chordal splashes create color pallete of warmth amd serenity | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Gentle Flow | 3 | Poignant Piano | Light tinkly piano creates a gentle innocent mood with a meditative quality and hint of sadness | Kana Kamitsubo/ASCAP | 150 | |
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00:33 | Pulse Of Life | 3 | Poignant Piano | Gentle warm chord pattern leads to a poignant melody | Kana Kamitsubo/ASCAP | 125 | |
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00:30 | Ringbearers | 3 | Poignant Piano | Light new-age/classical round a/la Pachelbel Canon, gentle processional feel nice for wedding | Kana Kamitsubo/ASCAP | 94 | |
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00:30 | Watercolors | 3 | Poignant Piano | Soft, bight watery arpeggios in free time create a timeless magical mood | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Meet Cute | 7 | Positivity | Plucky, light, happy froth over an almost funky beat with guitars and processed mandolin | Lucy Coodley/ASCAP | 120 | |
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00:30 | Quiet Cool | 7 | Positivity | Cool jazzy lounge with techy backing under soft keyboard and jazz guitar octaves | Mitch Coodley/BMI | 120 | |
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00:30 | Soft Then Loud | 7 | Positivity | Intro soft pads under guitar picks and perc, then hit hard with sustained crunch -anthemic joyous feel | Lucy Coodley/ASCAP | 126 | |
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00:30 | Synchronize Watches | 7 | Positivity | Light tech and steady keyboards create positive pulse building to triumphant bridge w/strings | Lucy Coodley/ASCAP | 110 | |
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00:30 | Evil Genius | 7 | Testosterone | Wiry synths into pounding tech with some low bendy guitars and percussive ear candy | Deborah Difonzo/BMI | 140 | |
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00:30 | Funny Bones | 7 | The Kids Are All Rock | Upbeat, playful blend of ukelele, electric guitars and squelchy keyboards. Quirky electric guitar runs spice up the mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 172 | |
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00:44 | Balance Of Nature | 1 | Wildlife Documentary | Plucky, positive light percussion with acoustic guitar | Mitch Coodley/BMI | 135 | |
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02:28 | Call Of The Wild | 1 | Wildlife Documentary | Lonely alto flute, airy, a sense of loss, soft sustained chords, lots of space, positive end | Mitch Coodley/BMI | 124 | |
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00:42 | Close Reflection | 1 | Wildlife Documentary | Open sky feel, acoustic guitar echoes with airy pad, instrospective | Mitch Coodley/BMI | 134 | |
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01:35 | Cold Winter Range | 1 | Wildlife Documentary | Lonely alto flute, cool transparent pulse, desolate and sad then hopeful @ 1:00 | Mitch Coodley/BMI | 124 | |
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02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |
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01:34 | Death And Rebirth | 1 | Wildlife Documentary | Slow mournful elegy with story arc - becomes hopeful @ 1:00 to wistful quiet end | Mitch Coodley/BMI | 124 | |
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00:43 | Easy Passage | 1 | Wildlife Documentary | Positive forward motion - plucky blend of acoustic guitar strums and light percussion | Mitch Coodley/BMI | 135 | |
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02:12 | Follow Their Footsteps | 1 | Wildlife Documentary | Light anticipation, moderate positive, fast pulsing world, jungle orchestral | Mitch Coodley/BMI | 140 | |
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04:00 | Islands In The Sun | 1 | Wildlife Documentary | Transparent strings and percussion, airy and mild theme then light island feel | Mitch Coodley/BMI | 135 | |
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01:40 | Land Of The Jaguar | 1 | Wildlife Documentary | Light Latin flavor groove with nylon guitar, perc. - interlude turns to sustained strings | Mitch Coodley/BMI | 129 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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02:30 | Loss And Return | 1 | Wildlife Documentary | Moody, atmospheric texture leads to doubt, sadness but with a hopeful end | Mitch Coodley/BMI | 80 | |
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00:28 | Merciful End | 1 | Wildlife Documentary | Slow, dark, edgy, then tragic. Snapshot of wildlife loss or poaching | Mitch Coodley/BMI | 135 | |
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00:42 | Morning Tide | 1 | Wildlife Documentary | Rolling new-age piano pattern and high strings create a serene atmosphere | Mitch Coodley/BMI | 135 | |
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01:05 | Moving West | 1 | Wildlife Documentary | Soft open atmosphere, then acoustic gtr and strings open up the range | Mitch Coodley/BMI | 135 | |
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00:39 | Nature Marches On | 1 | Wildlife Documentary | Time passing - easy but serious, simple patterns, piano and strings, generic drama | Mitch Coodley/BMI | 135 | |
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01:51 | On Safari | 1 | Wildlife Documentary | African drums set the scene for exotic wildlife on the move | Mitch Coodley/BMI | 124 | |
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00:42 | On The Prowl | 1 | Wildlife Documentary | Slightly dramatic, mild tension and anticipation with strings and bow harp | Mitch Coodley/BMI | 135 | |
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00:51 | Out Of The Wild | 1 | Wildlife Documentary | Happy world, orchestral theme with vocal oohs and African perciussion | Mitch Coodley/BMI | 124 | |
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00:53 | River Valley | 1 | Wildlife Documentary | Slow piano folk song with a wistful poignancy | Mitch Coodley/BMI | 120 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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00:53 | Serengeti Return | 1 | Wildlife Documentary | Rolling positive forward motion with an African 12/8 feel, percussion and strings | Mitch Coodley/BMI | 124 | |
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00:26 | Soft Pulses | 1 | Wildlife Documentary | Flute and acoustic guitar pulse create steady, light, easy looping moion | Mitch Coodley/BMI | 80 | |
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01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |
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01:18 | Steady Move Loop | 1 | Wildlife Documentary | Plucky, neutral, light textural loop - easy forward motion | Mitch Coodley/BMI | 135 | |
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02:03 | They Fenced The West | 1 | Wildlife Documentary | Easy Copeland-esque Western feel of open prairie, strings, piano, lonely finish | Mitch Coodley/BMI | 135 | |
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00:43 | Western Loop | 1 | Wildlife Documentary | Positive motion, American West flavor with bouncy marcato strings - looping phrase | Mitch Coodley/BMI | 135 | |
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00:30 | Andean Heights | 7 | World Adventure | Charge up Machu Pichu on a dangerous high-altitude adventure - with ocarina and canon | Gabriel Hays/BMI | 115 | |
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00:30 | Game Park | 7 | World Adventure | Beautiful Kora and driving Djembe invite you on an expansive pan-African eco-tour | Gabriel Hays/BMI | 130 | |
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00:30 | Istanbul Noir | 7 | World Adventure | Pounding dramatic hits drive Saz and duduk in this Turkish-not-so-delightful adventure | Gabriel Hays/BMI | 120 | |
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00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 | |
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00:30 | Little Asia | 7 | World Adventure | Pan Asian spin through Indonesia, Vietnam and Japan, w/Vietnamese bells and shakuhachi | Gabriel Hays/BMI | 120 | |
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00:30 | Poppy Trail | 7 | World Adventure | Dark simmering drums, Persian/Middle Eastern drama featuring duduk. Persia/Middle East | Gabriel Hays/BMI | 98 | |
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00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 | |
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00:30 | Where In The World | 7 | World Adventure | Watch your back when traveling alone through Turkmenistan, feat. darbuka and duduk | Gabriel Hays/BMI | 120 |