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Songs
Click on song titles to see all versions.
Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
---|---|---|---|---|---|---|---|---|---|
00:30 | Quiet Nights | 7 | Chillout | Smooth club groove with soft textures and jazz guitar octave theme | Mitch Coodley/BMI | 120 | |||
00:30 | Gimme Skankin' | 7 | Electro Dance | Heavy dustup with glitch and chipbeat elements, lot's of tweaks, breaks, funky stutters, distorted synths | Krishna Venkatesh/ASCAP | 140 | |||
00:30 | Hot Hot Heavy | 7 | Electro Dance | Female vocal song. Midtempo, old school hip-hop figures, house piano track, sexy teasing lyrics | Tim Kvasnosky/ASCAP | 109 | |||
00:30 | Average White Guy | 5 | Fun Funk | Down and dirty funk with bass and guitar riffs over scratchy percussion | Andez /ASCAP | 97 | |||
00:30 | Cops On Lunch Break | 5 | Fun Funk | Dark and gritty funk with fuzzy bass, wah synth, and strings for an urban feel | Andez /ASCAP | 110 | |||
00:30 | Funk Toon | 5 | Fun Funk | Funky but fun groove loop with a repeating bluesy bass and guitar riff | Andez /ASCAP | 120 | |||
00:30 | Night Session | 5 | Fun Funk | Slow funk with light strings for a little sexy late night romance | Andez /ASCAP | 81 | |||
00:30 | The Skinny | 5 | Fun Funk | Uptempo, slightly dangerous funk with wah guitar over bass and organ riffs | Andez /ASCAP | 130 | |||
00:30 | We Bad | 5 | Fun Funk | Bluesy sax riffs over chunky funk groove and sustained strings and organ | Andez /ASCAP | 106 | |||
00:30 | Ajanta Calling | 7 | Indian Pop | Downtempo dramatic breakbeat with electronica/raga over drum and tabla mix with female vocal and violin | Krishna Venkatesh/ASCAP | 102 | |||
00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |||
00:30 | Basement Bhangra | 7 | Indian Pop | Dance mix of electronica and Indian mambo-like fusion with breaks, licks and fills | Krishna Venkatesh/ASCAP | 106 | |||
00:30 | Delhi Disco | 7 | Indian Pop | Uptempo Indian disco funk with a bit of Big Beat with all the trimmings- shouts, fills, licks, solos | Krishna Venkatesh/ASCAP | 125 | |||
00:30 | Ghetto Deity | 7 | Indian Pop | Medium breakbeat and dark electronica with low flute, female and male vocal themes and shenai | Krishna Venkatesh/ASCAP | 96 | |||
00:30 | Lambada Dada | 7 | Latin Pop | Uptempo dubby Latin w/popping meringue-style saxes and trombones | David Mann/ASCAP | 120 | |||
00:30 | Montuno Dub | 7 | Latin Pop | Swaying funky-Latin track with montuno piano and horn section riffs | David Mann/ASCAP | 110 | |||
00:30 | Folked Up | 7 | Light Acousti-Pop | Nice acoustic guitar picking with ultra funky deep electro-hip-hop bed | Deborah Difonzo/BMI | 88 | |||
00:30 | Going Viral | 7 | Light Tech/Corporate | Swell into lightly gritty tech groove with wiry guitar leads and pretty delayed synth patterns | Robert Allaire/ASCAP | 130 | |||
01:00 | Dim City | 1 | Mystery & Crime 1 | Hard street life. Brooding groove under ambient reverse guitars, dark atmosphere | Mitch Coodley/BMI | 80 | |||
02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |||
02:19 | Hand Over Your Dub | 1 | Mystery & Crime 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | 140 | |||
01:02 | Mean Streets | 1 | Mystery & Crime 1 | Dark urban crime aftermath. Solid hit, swells to pulsing dark loops with pulsing strings | Mitch Coodley/BMI | 90 | |||
01:35 | Evidence Time Crunch | 1 | Mystery & Crime 2 | Cool dark drama. Chugging and chunky crunch guitars over a steady groove with wavy pads | Tristan Alexia/ASCAP | 115 | |||
01:35 | Gunshot Wound | 1 | Mystery & Crime 2 | Generic drama, with a beat. Kick drum, synths, guitar lines underscore a crime scene | Tristan Alexia/ASCAP | 115 | |||
01:48 | Lost In The Hood | 1 | Mystery & Crime 2 | Dark urban atmosphere. Sub bass and light loops with wiry synths and blankety pads | Tristan Alexia/ASCAP | 148 | |||
01:50 | Low Blows | 1 | Mystery & Crime 2 | Dark and wiry underscore. Moderate tension with crunchy sustains and compelling light groove | Tristan Alexia/ASCAP | 115 | |||
00:30 | Check The Scoreboard | 4 | Picture This Song | Male vocal. Slow urban dramatic. Beat,strings,synths, piano. No surrender: “I'm always on top” sports message/metaphor | Jay Harper/ASCAP | 93 | |||
00:30 | Hotter Than Lava | 4 | Picture This Song | Male/female rap trio vocals. Electro/urban new school. Deep guy chorus alternates with sexy PG popping rapped banter | Jay Harper/ASCAP | 145 | |||
00:30 | Up, Up | 4 | Picture This Song | Boy-girl vocal. Joyous optimism. Easy pop/R&B w/bright metaphors and slyly clever rapping bridge and outro | Jay Harper/ASCAP | 93 | |||
00:30 | Ay Ay Ay! | 7 | Positivity | Lo-fi, processed, infectiously upbeat Latin mix of salsa, Ricky Ricardo horns and percussive mambo | Lucy Coodley/ASCAP | 200 | |||
00:30 | Breakbeat Of Champions | 7 | Testosterone | Uptempo electro-breakbeat with gritty guitars and heavily syncopated synths and stutter edits | Deborah Difonzo/BMI | 140 | |||
00:30 | Evil Genius | 7 | Testosterone | Wiry synths into pounding tech with some low bendy guitars and percussive ear candy | Deborah Difonzo/BMI | 140 | |||
02:22 | Quiet Earth | 1 | Wildlife Documentary | Light atmosphere, soft percussion, keyboards for intimate mood | Mitch Coodley/BMI | 135 | |||
00:30 | Gypsy Forever | 7 | World Adventure | Flamenco mashup with traditional guitar and a funky four-on-the-floor dance beat | Gabriel Hays/BMI | 123 | |||
00:30 | Little Asia | 7 | World Adventure | Pan Asian spin through Indonesia, Vietnam and Japan, w/Vietnamese bells and shakuhachi | Gabriel Hays/BMI | 120 |