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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
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00:30 | Warrior's Dream | 11 | Drama Kings | Quiet minor key anticipation, sturdy ostinato, broad heroic brass theme, bridge and swells | Mitch Coodley/BMI | 130 | |
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01:00 | Dreams Of Conquest | 10 | Epic Narrative | Light ostinato strings build to broad theme of hope amid struggle to heroic finish - huge backend | Mitch Coodley/BMI | 142 | |
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00:30 | Faceoff | 3 | Epic Narrative | Driving staccato intro stabs build into triumphant hybrid orchestral theme with pounding backend | Mitch Coodley/BMI | 130 | |
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00:30 | Heart Of Steel | 9 | Epic Narrative | Icy landscape, female choir, swelling brass lead to emotional triumph and exhilaration, big backend | Mitch Coodley/BMI | 116 | |
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03:52 | Humans Win | 7 | Epic Narrative | Delicate intro, swelling build into ostinato, broad cinematic theme w/big drums, orch, choir, big backend | Mitch Coodley/BMI | 90 | |
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00:30 | Slapshot | 3 | Epic Narrative | Low pounding rhythmic hits to building gridiron-type conflict, triumph, then tough as nails ending | Mitch Coodley/BMI | 145 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | Up Holler Hellhole | 5 | Epic Narrative | Twisted hillbilly horror show. Warped bluegrass with grunge. Axe murderer with a smile! | Mitch Coodley/BMI | 128 | |
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00:30 | Your Number Is Up | 6 | Epic Narrative | Sharp stabs to dangerous action with pulsing strings, heavy perc., guitars, climactic backend | Mitch Coodley/BMI | 150 | |
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00:30 | American Field | 7 | Film Score | Lively Americana, broad orchestral theme with an open plains feel | Gabriel Hays/BMI | 142 | |
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00:30 | Battle Of The Machines | 7 | Film Score | Orchestral-electronic trailer. Soaring melodies and driving transforming rhythm patterns. | Gabriel Hays/BMI | 92 | |
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00:30 | Beautiful America | 7 | Film Score | Intimate shimmering piano pulsing into explosive fireworks, with elements of minimalism, classical and pop | Gabriel Hays/BMI | 130 | |
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00:30 | Dream Control | 7 | Film Score | Building minimalist orchestral-tech - Hermann meets Eno - driving drums, brooding strings, swirling synths. | Gabriel Hays/BMI | 150 | |
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00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
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00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |
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00:30 | Lift Up And Carry | 7 | Film Score | Poignant, sweeping romantic strings and intimate flute create a bittersweet nostalgia | Gabriel Hays/BMI | 80 | |
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00:30 | Memento | 7 | Film Score | Plucky marimba pattern under clarinet/flute theme - serious yet quirky | Gabriel Hays/BMI | 129 | |
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00:30 | Migration | 7 | Film Score | East, West and Middle come together in world orchestral track. Featuring strings, duduk and driving percussion. | Gabriel Hays/BMI | 132 | |
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00:30 | Return Of The Hero | 7 | Film Score | A triumphant warrior returns home. Sweeping string gestures and intimate woodwinds. | Gabriel Hays/BMI | 105 | |
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00:30 | Winning The Uphill Battle | 7 | Film Score | Exciting, inspirational battle music - great for charging up sports action and drama | Gabriel Hays/BMI | 130 | |
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00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |
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00:30 | Basement Bhangra | 7 | Indian Pop | Dance mix of electronica and Indian mambo-like fusion with breaks, licks and fills | Krishna Venkatesh/ASCAP | 106 | |
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00:30 | Delhi Disco | 7 | Indian Pop | Uptempo Indian disco funk with a bit of Big Beat with all the trimmings- shouts, fills, licks, solos | Krishna Venkatesh/ASCAP | 125 | |
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00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |
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00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |
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00:30 | Gopis Calling | 7 | Indian Pop | Slow female vocal morphs into moody film cue like Indian pop-fusion with flute fills | Krishna Venkatesh/ASCAP | 100 | |
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00:30 | Juluka Dance | 7 | Indian Pop | Uptempo dance-pop with group yells, zithers, tablas, drums and breaks | Krishna Venkatesh/ASCAP | 115 | |
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00:30 | Manju's Mango | 7 | Indian Pop | Joyous uptempo percussive dance pop with live/electronica mix and vocal tops | Krishna Venkatesh/ASCAP | 130 | |
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02:39 | Introspection | 1 | Light Docu-Drama | Gestural, lilting reflective memory with pregnant pauses, sense of innocence | Mitch Coodley/BMI | 100 | |
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00:30 | Nomadic Journey | 7 | Middle East Cinematic | Afghan rabab leads sinuous percussive journey w/various Middle Eastern strings | Tristan Alexia/ASCAP | 107 | |
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00:30 | Oil Reserve | 7 | Middle East Cinematic | Dark, forboding Middle Eastern theme featuring distressed doudouks, zithers, percussion | Tristan Alexia/ASCAP | 108 | |
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01:26 | Bad Night | 1 | Mystery & Crime 1 | Nothing good happened here - what's the story? Slow-fast pulsing percussion and pads | Mitch Coodley/BMI | 150 | |
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01:01 | Creep Me Out | 1 | Mystery & Crime 1 | Creepy crime scene. Light scary strings, processed percussion, string punctuations | Mitch Coodley/BMI | 100 | |
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01:00 | Dark Cowboy | 1 | Mystery & Crime 1 | Noir-ish touch of evil character. Open minor guitar chords over pusling drone bass | Mitch Coodley/BMI | 120 | |
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01:22 | Death Be Not Pretty | 1 | Mystery & Crime 1 | Dark brooding atmosphere. Evolving drones swell into pulsing strings and patterns | Mitch Coodley/BMI | 140 | |
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02:22 | Dial 911 | 1 | Mystery & Crime 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | 160 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |
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02:19 | Hand Over Your Dub | 1 | Mystery & Crime 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | 140 | |
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01:00 | Hideout | 1 | Mystery & Crime 1 | Mind of the bad guy. Gestural anticipatory drama with warbling drones, strings, swells | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 1 | 1 | Mystery & Crime 1 | Police procedural. Atmosphere with motion, plucked synths, percussion over drone and pads | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 2 | 1 | Mystery & Crime 1 | Crime procedural. Atmosphere with sequences, plucked synths, perc., guitar, strings, pads | Mitch Coodley/BMI | 100 | |
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01:02 | Mean Streets | 1 | Mystery & Crime 1 | Dark urban crime aftermath. Solid hit, swells to pulsing dark loops with pulsing strings | Mitch Coodley/BMI | 90 | |
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01:02 | The Jury Is Out | 1 | Mystery & Crime 1 | Difficult waiting game. Pensive melodrama, pulsing chords, strings, percussion | Mitch Coodley/BMI | 120 | |
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01:03 | Who's In There | 1 | Mystery & Crime 1 | Ominous crime scene. Threatening drone, scary pads, bells and processed colors | Mitch Coodley/BMI | 90 | |
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01:20 | Admissible Evidence | 1 | Mystery & Crime 2 | Urgent investigation. Breathy dark lead over warbling synth pulses and percussion loops | Tristan Alexia/ASCAP | 110 | |
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01:51 | Crime Lab | 1 | Mystery & Crime 2 | Contemplative yet agitated landscape. Synths & perc., with processed guitar, bass create light tension | Tristan Alexia/ASCAP | 130 | |
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01:30 | Crime Scene Search | 1 | Mystery & Crime 2 | Dark muted urgency. Impending pulse with synth ostinatos, percussion, elec. guitar, rhythmic breaths | Tristan Alexia/ASCAP | 145 | |
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01:46 | Crime's Whys | 1 | Mystery & Crime 2 | Dark eerie crime scene. Sweeping pads and low drum and bass pulse, not too tense | Jonathan Perl/ASCAP | 94 | |
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01:42 | Data Analysis | 1 | Mystery & Crime 2 | Drone and pads create ambiguous analytical mood. High strings with pulsing synths | Tristan Alexia/ASCAP | 105 | |
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01:52 | Evidence Recovery | 1 | Mystery & Crime 2 | Simple science. Crime scene examination with touch of danger, pathos. Piano, synths, drums, strings | Tristan Alexia/ASCAP | 100 | |
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01:35 | Evidence Time Crunch | 1 | Mystery & Crime 2 | Cool dark drama. Chugging and chunky crunch guitars over a steady groove with wavy pads | Tristan Alexia/ASCAP | 115 | |
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02:15 | Exculpatory Evidence | 1 | Mystery & Crime 2 | Light investigative mood. Low pulsing bass under simple dark patterns create contemplative scene | Tristan Alexia/ASCAP | 120 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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01:40 | Family Aftermath | 1 | Mystery & Crime 2 | Sad reflective piece. Synth drones, piano, sparse drums create mournful atmosphere | Tristan Alexia/ASCAP | 120 | |
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01:43 | Forensic Analysis | 1 | Mystery & Crime 2 | Slow, building, determined investigative piece. Synths, drones and percussion. | Tristan Alexia/ASCAP | 94 | |
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01:24 | Grisly Discovery | 1 | Mystery & Crime 2 | Minimally dangerous and eerie. Synth swells and percussion hits paint a dark, grisly picture | Tristan Alexia/ASCAP | 105 | |
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01:35 | Gunshot Wound | 1 | Mystery & Crime 2 | Generic drama, with a beat. Kick drum, synths, guitar lines underscore a crime scene | Tristan Alexia/ASCAP | 115 | |
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01:50 | Low Blows | 1 | Mystery & Crime 2 | Dark and wiry underscore. Moderate tension with crunchy sustains and compelling light groove | Tristan Alexia/ASCAP | 115 | |
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01:38 | Message Received | 1 | Mystery & Crime 2 | Mystery with a touch of sci-fi. Sleepy telegraphic synth sets up a lightly padded mysterious mood | Jonathan Perl/ASCAP | 120 | |
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02:21 | Murder Art | 1 | Mystery & Crime 2 | Dark strings and pulses set a scene of unsettling distress | Tristan Alexia/ASCAP | 120 | |
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02:08 | Nightsteps | 1 | Mystery & Crime 2 | Simple low tension. Warbling light pulse under compelling pads - easy pulse with some swells | Jonathan Perl/ASCAP | 134 | |
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02:00 | Preliminary Injunction | 1 | Mystery & Crime 2 | Low tension crime drama. Rubbery pulses, loops and plings create a building, subtly dire mood | Tristan Alexia/ASCAP | 110 | |
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01:25 | Remembering The Victim | 1 | Mystery & Crime 2 | Mournful reflection of loss. Processed piano, synth motion and ambient guitar | Tristan Alexia/ASCAP | 109 | |
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02:24 | The Convict | 1 | Mystery & Crime 2 | Medium fast dark tension with pulsing synth lines, drums, percussion and edgy guitar. | Tristan Alexia/ASCAP | 120 | |
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01:51 | Waiting For The Verdict | 1 | Mystery & Crime 2 | Edgy but soft time-passing. Touch of anxiety with ticking percussion, coloristic synths and pads | Tristan Alexia/ASCAP | 105 | |
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01:39 | What Happened That Night | 1 | Mystery & Crime 2 | Dark, unsettling strings and atmospheric synth loops set a disturbing mood | Tristan Alexia/ASCAP | 110 | |
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00:30 | Call My Name | 4 | Picture This Song | Female vocal. Indie alt-pop. Lonely piano and ambient tension explode into dramatic plea over pulsing drums | Jay Harper/ASCAP | 135 | |
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00:30 | Beat The Clock | 7 | Reality TV | Cascading strings plunge into a ticking dramatic pulse with periods of high-tension quandary | Mitch Coodley/BMI | 140 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Time's Whys | 7 | Reality TV | Lush pattern pulse,moody introspective string pads with nylon guitar feeling of loss | Mitch Coodley/BMI | 145 | |
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02:28 | Call Of The Wild | 1 | Wildlife Documentary | Lonely alto flute, airy, a sense of loss, soft sustained chords, lots of space, positive end | Mitch Coodley/BMI | 124 | |
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02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |
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00:42 | On The Prowl | 1 | Wildlife Documentary | Slightly dramatic, mild tension and anticipation with strings and bow harp | Mitch Coodley/BMI | 135 | |
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00:51 | Out Of The Wild | 1 | Wildlife Documentary | Happy world, orchestral theme with vocal oohs and African perciussion | Mitch Coodley/BMI | 124 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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00:30 | Game Park | 7 | World Adventure | Beautiful Kora and driving Djembe invite you on an expansive pan-African eco-tour | Gabriel Hays/BMI | 130 | |
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00:30 | Istanbul Noir | 7 | World Adventure | Pounding dramatic hits drive Saz and duduk in this Turkish-not-so-delightful adventure | Gabriel Hays/BMI | 120 | |
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00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 | |
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00:30 | Little Asia | 7 | World Adventure | Pan Asian spin through Indonesia, Vietnam and Japan, w/Vietnamese bells and shakuhachi | Gabriel Hays/BMI | 120 | |
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00:30 | Where In The World | 7 | World Adventure | Watch your back when traveling alone through Turkmenistan, feat. darbuka and duduk | Gabriel Hays/BMI | 120 |