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Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
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Anticipation (88)
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Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Family Time | 7 | Acoustic With Benefits | Warm, light new-agey folk-rock, acoustic guitar strumming with a joyous heartwarming feel | Lucy Coodley/ASCAP | 110 | |
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00:30 | Just Say Yes | 7 | Acoustic With Benefits | Light acoustic rhythm guitar and mandolin textures, steady positive organic groove, optimistic melody | Lucy Coodley/ASCAP | 85 | |
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00:30 | Sheep's Meadow | 7 | Acoustic With Benefits | Heather-light highlands feel mandolin and acoustic guitars get a bit moody over light light alt-rock groove | Lucy Coodley/ASCAP | 115 | |
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00:30 | Since Then | 7 | Acoustic With Benefits | Soft acoustic pattern under a sweet, sentimental, lilting melody with light brushes | Lucy Coodley/ASCAP | 113 | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | Thursday's Child | 7 | Acoustic With Benefits | Nice acoustic/light electric mix plus pedal steel build positive and poignant moods on solid groove | Lucy Coodley/ASCAP | 105 | |
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00:30 | All In Stride | 7 | All Natural Acoustic | Simple uke, guitar and whistled melody and claps create a happy-go-lucky feel | Matthew Dolland/ASCAP | 86 | |
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00:30 | Coming Of Age | 7 | All Natural Acoustic | Gently pulsing guitar and piano ostinato under poignant alto flute melody then nylon gtuitar solo | Mitch Coodley/BMI | 120 | |
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00:30 | Country Kitchen | 6 | All Natural Acoustic | Happy acoustic strumming - easy and lighthearted 12-string country melody | Mitch Coodley/BMI | 100 | |
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00:30 | That Face | 7 | All Natural Acoustic | Jaunty, whimsical little two-guitar ditty with a moderate folksy swing feel | Mitch Coodley/BMI | 120 | |
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00:30 | The Way Down | 7 | All Natural Acoustic | Soft acoustic strumming and bright melody with a warm, folkloric flavor | Matthew Dolland/ASCAP | 90 | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Estrelas Brazileiras | 7 | Chillout | Swaying Brazilian bossa lounge with nylon guitar and breezy flute | Mitch Coodley/BMI | 80 | |
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00:30 | Goin' On | 7 | Chillout | Soft new-age atmospheres over lightly funky beat, with vibey guitar melody and jazzy solo | Mitch Coodley/BMI | 90 | |
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00:30 | Mistral | 7 | Chillout | Gentle intro to warm ambient trumpet song with misty swells and nylon guitar | Mitch Coodley/BMI | 120 | |
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00:30 | Quiet Nights | 7 | Chillout | Smooth club groove with soft textures and jazz guitar octave theme | Mitch Coodley/BMI | 120 | |
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00:30 | The Corner Booth | 7 | Chillout | Lightly pulsing ambient vibe with light 4/4 kick and acoustic guitar patterns and bridge melody | Mitch Coodley/BMI | 120 | |
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00:30 | The Time | 7 | Chillout | New age female vocals over gently shifting ambient pads and light club beat under guitar melodies | Mitch Coodley/BMI | 130 | |
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00:30 | Ting-A-Ling | 7 | Chillout | Quirky light funky disco-lounge with cute licks and breaks | Mitch Coodley/BMI | 125 | |
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00:30 | World Peace | 8 | Chillout | Worldly, swelling, peaceful, positive atmosphere over light tribal beat with wood flutes | Mitch Coodley/BMI | 120 | |
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00:30 | Breakfast On The Veranda | 7 | Cute 'n' Kitschy | Langorous French-romantic kitsch with female la-las and bossa guitars | Allen Carrescia/ASCAP | 118 | |
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00:30 | Jazzercizin' | 7 | Cute 'n' Kitschy | Light samba rhythm section under tongue-in-cheek slide guitar melody | Allen Carrescia/ASCAP | 116 | |
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00:30 | Shopophobia | 7 | Cute 'n' Kitschy | Catchy cute 'n' kitschy male vocal da's over retro elevator music bed | Allen Carrescia/ASCAP | 98 | |
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00:30 | Surf Serenade | 7 | Cute 'n' Kitschy | Surfy love song with cheesy organ and guitars | Allen Carrescia/ASCAP | 160 | |
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00:30 | City Glow | 7 | Downtempo Lounge | Dreamy lounge with guitar solo and light pulsing rhythm and bell accents | Bryan Nelson/ASCAP | 125 | |
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00:30 | Horizons | 7 | Downtempo Lounge | Moody dulcimer-guitar patterns with delay claps, piano and reverb drums | Bryan Nelson/ASCAP | 115 | |
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00:30 | Lost Thoughts | 7 | Downtempo Lounge | Pattern delays and cool reverbs create dreamy lounge | Bryan Nelson/ASCAP | 120 | |
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00:30 | Taste Of The Night | 7 | Electro Dance | Female vocal song. Easy yet moody light tech with deep house pulse, sexy mischievous vocals | Tim Kvasnosky/ASCAP | 120 | |
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00:30 | Closest Kin | 2 | Epic Narrative | Lightly pulsing, positive underscore with worldly atmosphere | Mitch Coodley/BMI | 80 | |
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02:37 | Ways Of The Ocean | 1 | Epic Narrative | Warm, ambient, atmospheric feel speaks of the natural cycle of life | Mitch Coodley/BMI | 120 | |
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00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |
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00:30 | The Dude | 5 | Fun Funk | Medium funk with guitar and bass over light drum groove with claps and wah guitar | Andez /ASCAP | 105 | |
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00:30 | We Bad | 5 | Fun Funk | Bluesy sax riffs over chunky funk groove and sustained strings and organ | Andez /ASCAP | 106 | |
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00:30 | Just For Fun | 7 | Good And Better | Easy, loping, playful shuffle, touch of reggae for everyday lightness | Andy Snitzer/ASCAP | 126 | |
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00:30 | Motional | 7 | Good And Better | Joyous, easy upbeat positive groove with or without warm soprano sax melody | Andy Snitzer/ASCAP | 129 | |
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00:30 | The Right Moment | 7 | Good And Better | Breezy smooth groove with a touch of romance | Andy Snitzer/ASCAP | 75 | |
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00:30 | Copycat Kitten | 7 | Homespun | Light, upbeat and cute - with uke and rhythm sect. Your pet video could go viral! | Ann Klein/BMI | 136 | |
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00:30 | Family Pack | 7 | Homespun | It's all good. Easy, upbeat family fun with loping guitars, mandolins and ukes | Ann Klein/BMI | 104 | |
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00:30 | First Steps | 7 | Homespun | Jaunty, rhythmic kid's piano piece with acoustic guitars and bass | Ann Klein/BMI | 82.5 | |
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00:30 | Put Your Feet Up | 7 | Homespun | Sweet, lazy, laid-back relaxation with harmonica, uke and slide guitars | Ann Klein/BMI | 112 | |
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00:30 | Who Stole My Pancakes | 7 | Homespun | Sweet, joyful and playful fiddle and fingerpicking duet. Wha hoppen? | Ann Klein/BMI | 92 | |
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00:30 | After Hours | 7 | Indie Acoustic | Steady 8th note strumming over drum groove with light atmospheric pad and piano | Matthew Dolland/ASCAP | 120 | |
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00:30 | Al Fresco | 7 | Indie Acoustic | Building, moody vibe with forward motion travis picking acoustic and swelling atmospheric pads | Matthew Dolland/ASCAP | 116 | |
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00:30 | Front Pocket | 7 | Indie Acoustic | Loping easy alt. rock with steady 8th note bass under light electric part with glockenspiel and brass sustains | Matthew Dolland/ASCAP | 112 | |
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00:30 | Go Ahead | 7 | Indie Acoustic | Laid-back folk strumming alt-rock builds with crunchy guitar pads and piano | Matthew Dolland/ASCAP | 91 | |
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00:30 | I Know You Do | 7 | Indie Acoustic | Light country folk-rock with a slightly trashy backbeat and simple picking | Matthew Dolland/ASCAP | 140 | |
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00:30 | Northern Birds | 7 | Indie Acoustic | Upbeat optimistic medium folk rock with a semi-melodic strat lead | Matthew Dolland/ASCAP | 150 | |
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00:30 | Sidecar | 7 | Indie Acoustic | Light shuffle with delay guitars and drums builds to mini-indie anthem | Matthew Dolland/ASCAP | 123 | |
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00:30 | There Was Nothing | 7 | Indie Acoustic | Basic alt. rock rhythm section with easy 8th note guitar pulse and simple piano lead | Matthew Dolland/ASCAP | 118 | |
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00:30 | Europa | 7 | Latin Pop | Dreamy, slightly trippy bossa nova with languorous sax and string leads | David Mann/ASCAP | 78 | |
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00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Big Chill | 7 | Light Acousti-Pop | Pretty, slow, mellow fingerpicked guitar over warm pads and light percussion | Deborah Difonzo/BMI | 76 | |
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00:30 | Folked Up | 7 | Light Acousti-Pop | Nice acoustic guitar picking with ultra funky deep electro-hip-hop bed | Deborah Difonzo/BMI | 88 | |
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00:30 | Keeping Clean | 7 | Light Acousti-Pop | Tight acoustic guitar strumming over dry R&B drums. Sparse, funky and dreamy | Deborah Difonzo/BMI | 82 | |
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00:30 | Slow Stepping | 7 | Light Acousti-Pop | Easy folkie acoustics with light funky drums. Warm string lines add dimension in chorus | Deborah Difonzo/BMI | 74 | |
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00:30 | Warm Nights | 7 | Light Acousti-Pop | Nice acoustic guitar picking with easy, dry beat, adding mandolin and dreamy pads | Deborah Difonzo/BMI | 78 | |
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00:30 | Forward Look | 7 | Light Tech/Corporate | Lilting marimba patterns over pretty keyboards, minimalist patterns - build to easy positive groove | Robert Allaire/ASCAP | 127 | |
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00:30 | Good Connections | 7 | Light Tech/Corporate | Light drum/rhythm loop with piano under flutey positive melody | Robert Allaire/ASCAP | 80 | |
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00:30 | Processing Power | 7 | Light Tech/Corporate | Trolling, lightly percussive, new-agey organic tech piece with glass melody pads and hanging synths | Robert Allaire/ASCAP | 100 | |
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00:30 | Sunny Forecast | 7 | Light Tech/Corporate | Upbeat, positive, light melodic with guitar strums over pretty synth patterns | Robert Allaire/ASCAP | 130 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | New Tricks | 4 | Picture This Song | Male vocal. Pop/reggae. Bouncy, fun. New girl's a red zone case - where's Cesar Millan? | Jay Harper/ASCAP | 75 | |
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00:30 | Up, Up | 4 | Picture This Song | Boy-girl vocal. Joyous optimism. Easy pop/R&B w/bright metaphors and slyly clever rapping bridge and outro | Jay Harper/ASCAP | 93 | |
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00:30 | Back Home | 3 | Poignant Piano | Warm folkloric song with simple melody and touch of poignant happy/sad reminiscence | Kana Kamitsubo/ASCAP | 93 | |
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00:39 | Color Splash | 3 | Poignant Piano | Sparkling chordal splashes create color pallete of warmth amd serenity | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Gentle Flow | 3 | Poignant Piano | Light tinkly piano creates a gentle innocent mood with a meditative quality and hint of sadness | Kana Kamitsubo/ASCAP | 150 | |
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00:30 | Let It Go | 3 | Poignant Piano | New-Age, ambiguous, open chords lead to light cascades of falling tension and relief | Kana Kamitsubo/ASCAP | Free | |
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00:33 | Pulse Of Life | 3 | Poignant Piano | Gentle warm chord pattern leads to a poignant melody | Kana Kamitsubo/ASCAP | 125 | |
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00:33 | Springtime | 3 | Poignant Piano | Twinkly falling gentle arpeggios creating a springlike warmth rising skyward. Smile through one's tears | Kana Kamitsubo/ASCAP | 96 | |
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00:30 | Watercolors | 3 | Poignant Piano | Soft, bight watery arpeggios in free time create a timeless magical mood | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Lucky Charm | 7 | Positivity | G-rated fun, upbeat punky pop-rock for the whole family. Stop-time figures great for edits | Lucy Coodley/ASCAP | 157 | |
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00:30 | Quiet Cool | 7 | Positivity | Cool jazzy lounge with techy backing under soft keyboard and jazz guitar octaves | Mitch Coodley/BMI | 120 | |
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00:30 | Sunny Side | 7 | Positivity | Easy, carefree jazz swing quartet with Goodman style clarinet – relaxed and happy | Lucy Coodley/ASCAP | 160 | |
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00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 | |
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00:30 | Funny Bones | 7 | The Kids Are All Rock | Upbeat, playful blend of ukelele, electric guitars and squelchy keyboards. Quirky electric guitar runs spice up the mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 172 | |
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00:44 | Balance Of Nature | 1 | Wildlife Documentary | Plucky, positive light percussion with acoustic guitar | Mitch Coodley/BMI | 135 | |
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02:28 | Call Of The Wild | 1 | Wildlife Documentary | Lonely alto flute, airy, a sense of loss, soft sustained chords, lots of space, positive end | Mitch Coodley/BMI | 124 | |
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00:43 | Easy Passage | 1 | Wildlife Documentary | Positive forward motion - plucky blend of acoustic guitar strums and light percussion | Mitch Coodley/BMI | 135 | |
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04:00 | Islands In The Sun | 1 | Wildlife Documentary | Transparent strings and percussion, airy and mild theme then light island feel | Mitch Coodley/BMI | 135 | |
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01:40 | Land Of The Jaguar | 1 | Wildlife Documentary | Light Latin flavor groove with nylon guitar, perc. - interlude turns to sustained strings | Mitch Coodley/BMI | 129 | |
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00:42 | Morning Tide | 1 | Wildlife Documentary | Rolling new-age piano pattern and high strings create a serene atmosphere | Mitch Coodley/BMI | 135 | |
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01:05 | Moving West | 1 | Wildlife Documentary | Soft open atmosphere, then acoustic gtr and strings open up the range | Mitch Coodley/BMI | 135 | |
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02:22 | Quiet Earth | 1 | Wildlife Documentary | Light atmosphere, soft percussion, keyboards for intimate mood | Mitch Coodley/BMI | 135 | |
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00:26 | Soft Pulses | 1 | Wildlife Documentary | Flute and acoustic guitar pulse create steady, light, easy looping moion | Mitch Coodley/BMI | 80 |