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Adventurous (67)
Aggressive (49)
Anticipation (88)
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Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
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Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Candy Boy | 7 | Acoustic With Benefits | Old-school dark, low, vibrato, minor key lead guitar over bluesy vamping acoustic and tom-tom groove | Lucy Coodley/ASCAP | 110 | |
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00:30 | Don't Tell Me What | 7 | Acoustic With Benefits | Crunchy light electric riff sets up a thoughtful alt-rock groove with a little minor key vibe | Lucy Coodley/ASCAP | 100 | |
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00:30 | Low Roller | 7 | All Natural Acoustic | Firmly pulsing bluesy picking with acoustic slide and easy kick drum | Matthew Dolland/ASCAP | 114 | |
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00:30 | The Missing Piece | 7 | All Natural Acoustic | Dark bluesy acoustic picking and retro slide over light train-groove snare | Matthew Dolland/ASCAP | 94 | |
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00:30 | Moroccan Sands | 7 | Chillout | Exotic euro trip-hop lounge with mid-east ambience, sultry female vocal loops, processed flutes | Mitch Coodley/BMI | 90 | |
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00:30 | July | 7 | Downtempo Lounge | Backwards guitar drones and vamps create cool, psychedelic lounge vibe | Bryan Nelson/ASCAP | 80 | |
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00:30 | Reggae Bytes | 7 | Downtempo Lounge | Easy quacking reggae guitar on a simple minor key vamp with halftime backbeat | Bryan Nelson/ASCAP | 132 | |
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00:30 | Shorter Days | 7 | Downtempo Lounge | Delay minor-key keyboard pattern with pizz strings over lightly funky drums with a dreamy quality | Bryan Nelson/ASCAP | 95 | |
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00:30 | Double Timeout | 7 | Drama Kings | (Spinoff of Double-O Eight) Light breakbeat with ambient guitars, stabs. Mod. @:30 and gets crunchier. | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Double-O Eight | 7 | Drama Kings | Dangerous breakbeat with adventurous strings, mod synths, hits, breaks. Shaken, not stirred | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Hardass | 6 | Drama Kings | Hard offbeat hits generate wiry, tense electo-orchestral groove under huge drums | Mitch Coodley/BMI | 130 | |
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00:30 | Journey To Oz | 8 | Drama Kings | Fantasy opening into broad heroic brass theme w/hits, bridge with sidechain pulse, swells, atmosphere | Mitch Coodley/BMI | 130 | |
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00:30 | Lies | 9 | Drama Kings | Brooding, dark open, build to mod. at 1:05 - then 4/4 kick under orch. suspense. Big hits in :30alt | Mitch Coodley/BMI | 130 | |
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00:30 | Lockdown | 7 | Drama Kings | Dark pulsing, crunchy orch-tech, with percolating guitars, drum hits, drama candy | Mitch Coodley/BMI | 130 | |
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00:30 | Stop Time | 7 | Drama Kings | Upfront hits into dangerous rocky-tech 4/4 with string licks, dropouts and drama drums | Mitch Coodley/BMI | 138 | |
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00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
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00:30 | Warrior's Dream | 11 | Drama Kings | Quiet minor key anticipation, sturdy ostinato, broad heroic brass theme, bridge and swells | Mitch Coodley/BMI | 130 | |
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00:30 | Galaxy Class Fallout | 7 | Electro Dance | Four-on-the-floor trance, dark and robotic, heavy synths, cool breaks from abstract intro | Krishna Venkatesh/ASCAP | 144 | |
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00:30 | Gimme Skankin' | 7 | Electro Dance | Heavy dustup with glitch and chipbeat elements, lot's of tweaks, breaks, funky stutters, distorted synths | Krishna Venkatesh/ASCAP | 140 | |
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00:30 | Justice League | 7 | Electro Dance | Popping grinding electrofunk, heavy downbeat with skanky synths over hard dance groove | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Lonely Winter | 7 | Electro Dance | Female vocal song. Moody house, yearning lyrics, light tech drums, sweeps, dark synths, pulsing bass | Tim Kvasnosky/ASCAP | 134 | |
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00:30 | Whack Tek | 7 | Electro Dance | Sputtering super-fast techno with bleepy synths, wiry bluesy bass, insistent drums, bubbling pads | Mitch Coodley/BMI | 160 | |
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00:30 | Faceoff | 3 | Epic Narrative | Driving staccato intro stabs build into triumphant hybrid orchestral theme with pounding backend | Mitch Coodley/BMI | 130 | |
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03:53 | New Kingdom | 2 | Epic Narrative | Slow brooding open to impending swells, building to triumphant theme w/orchestra and choir | Mitch Coodley/BMI | 110 | |
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00:30 | Slapshot | 3 | Epic Narrative | Low pounding rhythmic hits to building gridiron-type conflict, triumph, then tough as nails ending | Mitch Coodley/BMI | 145 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | Up Holler Hellhole | 5 | Epic Narrative | Twisted hillbilly horror show. Warped bluegrass with grunge. Axe murderer with a smile! | Mitch Coodley/BMI | 128 | |
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00:30 | Your Number Is Up | 6 | Epic Narrative | Sharp stabs to dangerous action with pulsing strings, heavy perc., guitars, climactic backend | Mitch Coodley/BMI | 150 | |
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00:30 | Dream Control | 7 | Film Score | Building minimalist orchestral-tech - Hermann meets Eno - driving drums, brooding strings, swirling synths. | Gabriel Hays/BMI | 150 | |
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00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
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00:30 | The Hammer | 7 | Film Score | Metal guitars, heavy drums, driving strings for a powerful superhero | Gabriel Hays/BMI | 150 | |
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00:30 | Winning The Uphill Battle | 7 | Film Score | Exciting, inspirational battle music - great for charging up sports action and drama | Gabriel Hays/BMI | 130 | |
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00:30 | Cops On Lunch Break | 5 | Fun Funk | Dark and gritty funk with fuzzy bass, wah synth, and strings for an urban feel | Andez /ASCAP | 110 | |
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00:30 | Friday Night Light | 7 | Good And Better | Uptempo brassy sports theme with a touch of drama | Andy Snitzer/ASCAP | 146 | |
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00:30 | Ajanta Calling | 7 | Indian Pop | Downtempo dramatic breakbeat with electronica/raga over drum and tabla mix with female vocal and violin | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | Ghetto Deity | 7 | Indian Pop | Medium breakbeat and dark electronica with low flute, female and male vocal themes and shenai | Krishna Venkatesh/ASCAP | 96 | |
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02:26 | Soul Chasers | 1 | Light Docu-Drama | Flighty quick pulse, hits, light tension with a touch of adventure | Mitch Coodley/BMI | 232 | |
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00:48 | Too Sad | 1 | Light Docu-Drama | Dark strings and pads, mournful, sad, tragic mood, short cue | Mitch Coodley/BMI | 90 | |
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00:30 | Cybermind | 7 | Light Tech/Corporate | Moderate pulsing bass under harpy patterns and vocal aahs with string pads | Robert Allaire/ASCAP | 125 | |
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00:30 | DNA Dreams | 7 | Light Tech/Corporate | Pretty harp patterns, slow dreamy groove. Light tech new-age mechanical calm | Robert Allaire/ASCAP | 77 | |
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00:30 | Going Viral | 7 | Light Tech/Corporate | Swell into lightly gritty tech groove with wiry guitar leads and pretty delayed synth patterns | Robert Allaire/ASCAP | 130 | |
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00:30 | Arid Pilgrimage | 7 | Middle East Cinematic | Droning Middle Eastern drama with oud ,saz, kanun, strings, wood flutes, percussion | Tristan Alexia/ASCAP | 121 | |
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00:30 | Desert Extraction | 7 | Middle East Cinematic | Tense, mysterious, Middle East-West action adventure with vocal colors, crunch guitars, percussion | Tristan Alexia/ASCAP | 125 | |
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00:30 | Desert Oasis | 8 | Middle East Cinematic | A mysterious, exotic tone poem featuring moody flutes, low drones | Tristan Alexia/ASCAP | 105 | |
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00:30 | Harem Scarem | 7 | Middle East Cinematic | Cool, throbbing Middle Eastern dance track with evocative vocals, drums, percussion, drones | Tristan Alexia/ASCAP | 120 | |
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00:30 | In The Bazaar | 7 | Middle East Cinematic | Moody Middle Eastern drama featuring ouds and plucked strings over driving percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Mesopotamia | 7 | Middle East Cinematic | Dramatic drones under tribal Middle East/Asian percussion groove, woodwinds, sultry female vocals | Tristan Alexia/ASCAP | 105 | |
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00:30 | Militant Surveillance | 7 | Middle East Cinematic | Dark, threatening Middle Eastern drama with doudouks, tampuras, square bass recorder, percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Nomadic Journey | 7 | Middle East Cinematic | Afghan rabab leads sinuous percussive journey w/various Middle Eastern strings | Tristan Alexia/ASCAP | 107 | |
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00:30 | Oil Reserve | 7 | Middle East Cinematic | Dark, forboding Middle Eastern theme featuring distressed doudouks, zithers, percussion | Tristan Alexia/ASCAP | 108 | |
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00:30 | Persian Gulf | 7 | Middle East Cinematic | Evocative, dramatic Middle-Eastern/orchestral narrative with Arabic female vocal | Tristan Alexia/ASCAP | 110 | |
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00:30 | Sand Storm | 7 | Middle East Cinematic | Middle Eastern world-rock w/ crunch gtrs, bansuri, tampura, dulcimer, drums, percussion | Tristan Alexia/ASCAP | 120 | |
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01:26 | Bad Night | 1 | Mystery & Crime 1 | Nothing good happened here - what's the story? Slow-fast pulsing percussion and pads | Mitch Coodley/BMI | 150 | |
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01:00 | Clockwork Plans | 1 | Mystery & Crime 1 | Countdown to murder. Ticking clock brings dark, brooding drones, pads, strings, drum groove | Mitch Coodley/BMI | 100 | |
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01:01 | Creep Me Out | 1 | Mystery & Crime 1 | Creepy crime scene. Light scary strings, processed percussion, string punctuations | Mitch Coodley/BMI | 100 | |
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01:03 | Crime Scene | 1 | Mystery & Crime 1 | I think someone died here. Dank atmospheric pads, creepy bells, shifting drones | Mitch Coodley/BMI | 122 | |
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01:00 | Dark Cowboy | 1 | Mystery & Crime 1 | Noir-ish touch of evil character. Open minor guitar chords over pusling drone bass | Mitch Coodley/BMI | 120 | |
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01:36 | Dawning Realization | 1 | Mystery & Crime 1 | Investigation and human drama. Pulsing bass, light dramatic orchestral theme, elect. guitar | Mitch Coodley/BMI | 80 | |
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01:22 | Death Be Not Pretty | 1 | Mystery & Crime 1 | Dark brooding atmosphere. Evolving drones swell into pulsing strings and patterns | Mitch Coodley/BMI | 140 | |
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02:22 | Dial 911 | 1 | Mystery & Crime 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | 160 | |
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01:00 | Dim City | 1 | Mystery & Crime 1 | Hard street life. Brooding groove under ambient reverse guitars, dark atmosphere | Mitch Coodley/BMI | 80 | |
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01:00 | Don't Come Knocking | 1 | Mystery & Crime 1 | Knock at the door at night. Eerie swells over insistent pulse leads to brooding atmosphere | Mitch Coodley/BMI | 120 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |
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02:19 | Hand Over Your Dub | 1 | Mystery & Crime 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | 140 | |
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01:00 | Hideout | 1 | Mystery & Crime 1 | Mind of the bad guy. Gestural anticipatory drama with warbling drones, strings, swells | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 1 | 1 | Mystery & Crime 1 | Police procedural. Atmosphere with motion, plucked synths, percussion over drone and pads | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 2 | 1 | Mystery & Crime 1 | Crime procedural. Atmosphere with sequences, plucked synths, perc., guitar, strings, pads | Mitch Coodley/BMI | 100 | |
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01:02 | Mean Streets | 1 | Mystery & Crime 1 | Dark urban crime aftermath. Solid hit, swells to pulsing dark loops with pulsing strings | Mitch Coodley/BMI | 90 | |
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01:45 | Out Of Money | 1 | Mystery & Crime 1 | Crime procedural. Pulsing percussive sequence, swell to moderate orchestral-tech groove | Mitch Coodley/BMI | 130 | |
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01:02 | The Jury Is Out | 1 | Mystery & Crime 1 | Difficult waiting game. Pensive melodrama, pulsing chords, strings, percussion | Mitch Coodley/BMI | 120 | |
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01:03 | Who's In There | 1 | Mystery & Crime 1 | Ominous crime scene. Threatening drone, scary pads, bells and processed colors | Mitch Coodley/BMI | 90 | |
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01:00 | Why Did This Happen | 1 | Mystery & Crime 1 | Gentle human tragedy. Sad piano ballad with modulating synths and low drone | Mitch Coodley/BMI | 100 | |
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01:20 | Admissible Evidence | 1 | Mystery & Crime 2 | Urgent investigation. Breathy dark lead over warbling synth pulses and percussion loops | Tristan Alexia/ASCAP | 110 | |
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01:24 | Burden Of Proof | 1 | Mystery & Crime 2 | Muted urgency - fast mallets and percussion over drone with trailing crunch guitars and mystery synths | Tristan Alexia/ASCAP | 130 | |
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01:51 | Crime Lab | 1 | Mystery & Crime 2 | Contemplative yet agitated landscape. Synths & perc., with processed guitar, bass create light tension | Tristan Alexia/ASCAP | 130 | |
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01:30 | Crime Scene Search | 1 | Mystery & Crime 2 | Dark muted urgency. Impending pulse with synth ostinatos, percussion, elec. guitar, rhythmic breaths | Tristan Alexia/ASCAP | 145 | |
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01:40 | Crime Scene Walk Through | 1 | Mystery & Crime 2 | Mix of doubt and satisfaction. Large drones and pads shift between major and minor | Tristan Alexia/ASCAP | 120 | |
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01:46 | Crime's Whys | 1 | Mystery & Crime 2 | Dark eerie crime scene. Sweeping pads and low drum and bass pulse, not too tense | Jonathan Perl/ASCAP | 94 | |
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01:42 | Data Analysis | 1 | Mystery & Crime 2 | Drone and pads create ambiguous analytical mood. High strings with pulsing synths | Tristan Alexia/ASCAP | 105 | |
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01:35 | DNA Fingerprint | 1 | Mystery & Crime 2 | Reflective, analytical mood. Clockwork vibe with moody atmosphere | Tristan Alexia/ASCAP | 80 | |
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01:53 | Domestic Terrorism | 1 | Mystery & Crime 2 | Dark, malevolent undercurrent with heavy guitar, feedback pulsing bass, ear candy | Tristan Alexia/ASCAP | 120 | |
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01:52 | Evidence Recovery | 1 | Mystery & Crime 2 | Simple science. Crime scene examination with touch of danger, pathos. Piano, synths, drums, strings | Tristan Alexia/ASCAP | 100 | |
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01:35 | Evidence Time Crunch | 1 | Mystery & Crime 2 | Cool dark drama. Chugging and chunky crunch guitars over a steady groove with wavy pads | Tristan Alexia/ASCAP | 115 | |
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02:15 | Exculpatory Evidence | 1 | Mystery & Crime 2 | Light investigative mood. Low pulsing bass under simple dark patterns create contemplative scene | Tristan Alexia/ASCAP | 120 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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01:40 | Family Aftermath | 1 | Mystery & Crime 2 | Sad reflective piece. Synth drones, piano, sparse drums create mournful atmosphere | Tristan Alexia/ASCAP | 120 | |
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01:43 | Forensic Analysis | 1 | Mystery & Crime 2 | Slow, building, determined investigative piece. Synths, drones and percussion. | Tristan Alexia/ASCAP | 94 | |
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01:24 | Grisly Discovery | 1 | Mystery & Crime 2 | Minimally dangerous and eerie. Synth swells and percussion hits paint a dark, grisly picture | Tristan Alexia/ASCAP | 105 | |
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01:35 | Gunshot Wound | 1 | Mystery & Crime 2 | Generic drama, with a beat. Kick drum, synths, guitar lines underscore a crime scene | Tristan Alexia/ASCAP | 115 | |
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01:48 | Lost In The Hood | 1 | Mystery & Crime 2 | Dark urban atmosphere. Sub bass and light loops with wiry synths and blankety pads | Tristan Alexia/ASCAP | 148 | |
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01:50 | Low Blows | 1 | Mystery & Crime 2 | Dark and wiry underscore. Moderate tension with crunchy sustains and compelling light groove | Tristan Alexia/ASCAP | 115 | |
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01:38 | Message Received | 1 | Mystery & Crime 2 | Mystery with a touch of sci-fi. Sleepy telegraphic synth sets up a lightly padded mysterious mood | Jonathan Perl/ASCAP | 120 | |
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02:21 | Murder Art | 1 | Mystery & Crime 2 | Dark strings and pulses set a scene of unsettling distress | Tristan Alexia/ASCAP | 120 | |
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02:08 | Nightsteps | 1 | Mystery & Crime 2 | Simple low tension. Warbling light pulse under compelling pads - easy pulse with some swells | Jonathan Perl/ASCAP | 134 | |
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01:41 | Perp Hunt | 1 | Mystery & Crime 2 | Urgent urban crime rock. Crunch guitars with pulsing percussion and synth hooks | Tristan Alexia/ASCAP | 120 | |
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01:51 | Poring Over The Evidence | 1 | Mystery & Crime 2 | Procedural crime drama, time passing. Pulsing light synths under ambiguous swelling pads | Tristan Alexia/ASCAP | 120 | |
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02:00 | Preliminary Injunction | 1 | Mystery & Crime 2 | Low tension crime drama. Rubbery pulses, loops and plings create a building, subtly dire mood | Tristan Alexia/ASCAP | 110 | |
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01:25 | Remembering The Victim | 1 | Mystery & Crime 2 | Mournful reflection of loss. Processed piano, synth motion and ambient guitar | Tristan Alexia/ASCAP | 109 | |
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02:24 | The Convict | 1 | Mystery & Crime 2 | Medium fast dark tension with pulsing synth lines, drums, percussion and edgy guitar. | Tristan Alexia/ASCAP | 120 | |
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01:51 | Waiting For The Verdict | 1 | Mystery & Crime 2 | Edgy but soft time-passing. Touch of anxiety with ticking percussion, coloristic synths and pads | Tristan Alexia/ASCAP | 105 | |
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01:39 | What Happened That Night | 1 | Mystery & Crime 2 | Dark, unsettling strings and atmospheric synth loops set a disturbing mood | Tristan Alexia/ASCAP | 110 | |
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01:30 | Witness Competency | 1 | Mystery & Crime 2 | Shadows of doubt. Light melodrama, slight anxiety with piano, strings, and percussive patterns | Tristan Alexia/ASCAP | 100 | |
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00:30 | Call My Name | 4 | Picture This Song | Female vocal. Indie alt-pop. Lonely piano and ambient tension explode into dramatic plea over pulsing drums | Jay Harper/ASCAP | 135 | |
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00:30 | In Flames | 4 | Picture This Song | Male/Female vocals. Alt-pop, unsettling, moody, poignant, evocative ballad; "We'l all go down in flames" | Jay Harper/ASCAP | 83 | |
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00:30 | It's Not So Easy | 4 | Picture This Song | Male vocal. Bluesy/electro mash-up. Tremolo guitars meet heavy 4-on-the-floor. Powerful attitude hook "you don't get to have me" | Jay Harper/ASCAP | 134 | |
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00:30 | Beat The Clock | 7 | Reality TV | Cascading strings plunge into a ticking dramatic pulse with periods of high-tension quandary | Mitch Coodley/BMI | 140 | |
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00:30 | Breakout | 7 | Reality TV | Gritty power rock jam with a metallic riff and funk inspired guitars | Mitch Coodley/BMI | 140 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Making Time | 7 | Reality TV | Fast, low chugging dark drama techno with moody sequencers and guitar | Mitch Coodley/BMI | 132 | |
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00:30 | Scream Alert | 7 | Reality TV | Super-intense Gothic drama with dark percussive undercurrent and hard stabs | Mitch Coodley/BMI | 130 | |
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00:30 | Grind It Out | 7 | Testosterone | Slow, stabby figures with beefy low octaves and steely slide fills | Deborah Difonzo/BMI | 70 | |
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00:30 | Kill Kill | 7 | Testosterone | Driving, dark, heavy mid-tempo drums and evil guitars create sinister drama | Deborah Difonzo/BMI | 95 | |
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00:30 | Lead Balloon | 7 | Testosterone | Slow grinding dark drama metal rock with climbing minor key theme | Deborah Difonzo/BMI | 115 | |
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00:30 | Primal Shred | 7 | Testosterone | Fast high-energy metal - kicking drums, slashing guitars. Chorus provides relief | Deborah Difonzo/BMI | 145 | |
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00:30 | Speedfreak | 7 | Testosterone | Speed metal with blazing guitars, frenetic racing drums and jackhammer bridge | Deborah Difonzo/BMI | 160 | |
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00:30 | Survivalist | 7 | Testosterone | Slow pounding pyrrhic victory - dark dramatic orchestral rock with heavy guitar underpinnings | Deborah Difonzo/BMI | 82 | |
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00:30 | Testosterone | 7 | Testosterone | Fast gritty rocker with growling guttural guitar lines and dramatic energy | Deborah Difonzo/BMI | 196 | |
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00:28 | Merciful End | 1 | Wildlife Documentary | Slow, dark, edgy, then tragic. Snapshot of wildlife loss or poaching | Mitch Coodley/BMI | 135 | |
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00:42 | On The Prowl | 1 | Wildlife Documentary | Slightly dramatic, mild tension and anticipation with strings and bow harp | Mitch Coodley/BMI | 135 | |
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00:30 | Escape From Jharkhand | 7 | World Adventure | Driving strings, sitar and tabla create Indian high-tension Bollywood dramatic chase scene | Gabriel Hays/BMI | 162 | |
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00:30 | Hun Gary | 7 | World Adventure | Hurdy-gurdy drives a relentless boar (or man) hunt through the dark forests of Hungary | Gabriel Hays/BMI | 93 | |
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00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 |