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Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
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Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Positively | 7 | Acoustic With Benefits | Light but joyous, upbeat acoustic strumming groove with descending melody | Lucy Coodley/ASCAP | 113 | |
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00:30 | Punky Pie | 7 | Acoustic With Benefits | Happy light post-punk with a frothy feel and clear leads | Lucy Coodley/ASCAP | 163 | |
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00:30 | Tell Me What | 7 | Acoustic With Benefits | Minor key light indie rock with acoustic guitars and B-3 organ | Lucy Coodley/ASCAP | 125 | |
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00:30 | Joy On The Way | 7 | All Natural Acoustic | Joyful open guitar and mandolin strumming under bright positive upbeat melody | Mitch Coodley/BMI | 125 | |
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00:30 | Psychotic Polka | 7 | Cute 'n' Kitschy | Slap-happy polka with guitars over tuba ala Curb | Allen Carrescia/ASCAP | 116 | |
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00:30 | Hardass | 6 | Drama Kings | Hard offbeat hits generate wiry, tense electo-orchestral groove under huge drums | Mitch Coodley/BMI | 130 | |
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00:30 | Lies | 9 | Drama Kings | Brooding, dark open, build to mod. at 1:05 - then 4/4 kick under orch. suspense. Big hits in :30alt | Mitch Coodley/BMI | 130 | |
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00:30 | Lockdown | 7 | Drama Kings | Dark pulsing, crunchy orch-tech, with percolating guitars, drum hits, drama candy | Mitch Coodley/BMI | 130 | |
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00:30 | Stiletto | 7 | Drama Kings | Pulsing glam-step with an urban adventure feel and funky touch of sex appeal | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 125.7 | |
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00:30 | Stop Time | 7 | Drama Kings | Upfront hits into dangerous rocky-tech 4/4 with string licks, dropouts and drama drums | Mitch Coodley/BMI | 138 | |
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00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
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00:30 | Warrior's Dream | 11 | Drama Kings | Quiet minor key anticipation, sturdy ostinato, broad heroic brass theme, bridge and swells | Mitch Coodley/BMI | 130 | |
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00:30 | Fourth Of July | 7 | Electro Dance | Electro-pop with string section, pulsing pads into building anthemic hook | Krishna Venkatesh/ASCAP | 124 | |
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00:30 | Justice League | 7 | Electro Dance | Popping grinding electrofunk, heavy downbeat with skanky synths over hard dance groove | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Love Like Gold | 7 | Electro Dance | Classic pop dance, 4 on the floor, celebratory chordal synth pattern hook | Krishna Venkatesh/ASCAP | 128 | |
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01:00 | Dreams Of Conquest | 10 | Epic Narrative | Light ostinato strings build to broad theme of hope amid struggle to heroic finish - huge backend | Mitch Coodley/BMI | 142 | |
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00:30 | Faceoff | 3 | Epic Narrative | Driving staccato intro stabs build into triumphant hybrid orchestral theme with pounding backend | Mitch Coodley/BMI | 130 | |
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03:52 | Humans Win | 7 | Epic Narrative | Delicate intro, swelling build into ostinato, broad cinematic theme w/big drums, orch, choir, big backend | Mitch Coodley/BMI | 90 | |
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03:53 | New Kingdom | 2 | Epic Narrative | Slow brooding open to impending swells, building to triumphant theme w/orchestra and choir | Mitch Coodley/BMI | 110 | |
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00:30 | Slapshot | 3 | Epic Narrative | Low pounding rhythmic hits to building gridiron-type conflict, triumph, then tough as nails ending | Mitch Coodley/BMI | 145 | |
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00:30 | Your Number Is Up | 6 | Epic Narrative | Sharp stabs to dangerous action with pulsing strings, heavy perc., guitars, climactic backend | Mitch Coodley/BMI | 150 | |
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00:30 | Battle Of The Machines | 7 | Film Score | Orchestral-electronic trailer. Soaring melodies and driving transforming rhythm patterns. | Gabriel Hays/BMI | 92 | |
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00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
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00:30 | The Hammer | 7 | Film Score | Metal guitars, heavy drums, driving strings for a powerful superhero | Gabriel Hays/BMI | 150 | |
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00:30 | Winning The Uphill Battle | 7 | Film Score | Exciting, inspirational battle music - great for charging up sports action and drama | Gabriel Hays/BMI | 130 | |
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00:30 | Booga Lulu | 5 | Fun Funk | Fast funky boogaloo groove with light breaks, organ fills and picking guitar | Andez /ASCAP | 128 | |
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00:30 | The Skinny | 5 | Fun Funk | Uptempo, slightly dangerous funk with wah guitar over bass and organ riffs | Andez /ASCAP | 130 | |
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00:30 | Friday Night Light | 7 | Good And Better | Uptempo brassy sports theme with a touch of drama | Andy Snitzer/ASCAP | 146 | |
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00:30 | Match Point | 7 | Good And Better | Brassy uptempo sports cue for light highlights and features | Andy Snitzer/ASCAP | 137 | |
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00:30 | Motional | 7 | Good And Better | Joyous, easy upbeat positive groove with or without warm soprano sax melody | Andy Snitzer/ASCAP | 129 | |
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00:30 | Startup | 7 | Good And Better | Light tech pattern creates forward motion for good news | Andy Snitzer/ASCAP | 132 | |
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00:30 | Basement Bhangra | 7 | Indian Pop | Dance mix of electronica and Indian mambo-like fusion with breaks, licks and fills | Krishna Venkatesh/ASCAP | 106 | |
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00:30 | Dosa Doe | 7 | Indian Pop | Solid 4/4 dance beat under sitar licks with electronic bass and dramatic synth/string swells and female vocal | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Kolkatta Chase | 7 | Indian Pop | Light energetic mix of fast rhythmic vocals over double-time tabla and dramatic violin section licks | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | Manju's Mango | 7 | Indian Pop | Joyous uptempo percussive dance pop with live/electronica mix and vocal tops | Krishna Venkatesh/ASCAP | 130 | |
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00:30 | La dama | 5 | Latin Pop | Male Spanish vocal "The Lady" Catchy latin boy-group dance-pop with a lost love theme | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 128 | |
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00:30 | Lambada Dada | 7 | Latin Pop | Uptempo dubby Latin w/popping meringue-style saxes and trombones | David Mann/ASCAP | 120 | |
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00:30 | Musica | 7 | Latin Pop | Sexy, uptempo Cuban with montuno break, horn licks, vocal lines | David Mann/ASCAP | 115 | |
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00:30 | Nadie como tu | 5 | Latin Pop | Female/male Spanish vocal "Somebody Like You". Chugging, hooky EDM-pop w/ light rap | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 130 | |
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00:30 | No llores mas | 5 | Latin Pop | Male/femaleSpanish vocals "Don't Cry Anymore" Hooky latin-reggaeton with punchy synths | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 124 | |
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00:30 | Te espero | 5 | Latin Pop | Male Spanish vocal "I'll Wait" Driving, assertive 4/4 Latin reggae-house with rap section | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 118 | |
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00:30 | Cut And Dry | 7 | Light Acousti-Pop | Uplifting positive energy. Tight drums and driving clean electric and acoustic guitars | Deborah Difonzo/BMI | 128 | |
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00:30 | Sky Blue Eyes | 7 | Light Acousti-Pop | Mid tempo uplifting jangly, chugging American guitar pop | Deborah Difonzo/BMI | 124 | |
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02:20 | Breaking Out | 2 | Light Docu-Drama | Joyous muso-rock with catchy posts and breaks. Break it out! | Mitch Coodley/BMI | 133 | |
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00:30 | Impulse Response | 7 | Light Tech/Corporate | Moody intro to energetic synth computer ostinatos blending with piano sequence | Robert Allaire/ASCAP | 140 | |
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00:30 | Desert Extraction | 7 | Middle East Cinematic | Tense, mysterious, Middle East-West action adventure with vocal colors, crunch guitars, percussion | Tristan Alexia/ASCAP | 125 | |
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02:19 | Hand Over Your Dub | 1 | Mystery & Crime 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | 140 | |
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00:30 | Check The Scoreboard | 4 | Picture This Song | Male vocal. Slow urban dramatic. Beat,strings,synths, piano. No surrender: “I'm always on top” sports message/metaphor | Jay Harper/ASCAP | 93 | |
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00:30 | Euphoria | 4 | Picture This Song | Male Vocal. Uptempo indie pop-rock. Light then builds to driving chorus. Can't kick this habit - you. | Jay Harper/ASCAP | 147 | |
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00:30 | Hotter Than Lava | 4 | Picture This Song | Male/female rap trio vocals. Electro/urban new school. Deep guy chorus alternates with sexy PG popping rapped banter | Jay Harper/ASCAP | 145 | |
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00:30 | Easy Rider | 7 | Positivity | Exuberant, playful indie rocker with catchy rhythmic hook and easy melody | Lucy Coodley/ASCAP | 140 | |
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00:30 | Play For Keeps | 7 | Positivity | Light sweet intro leads to steady uptempo positive pulsing backbeat and guitar textures | Lucy Coodley/ASCAP | 181 | |
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00:30 | Warm Teardrop | 7 | Positivity | Textural acoustic-electric strumming - upbeat indie texture strumming rock with thoughtful bridge | Lucy Coodley/ASCAP | 118 | |
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00:30 | Breakout | 7 | Reality TV | Gritty power rock jam with a metallic riff and funk inspired guitars | Mitch Coodley/BMI | 140 | |
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00:30 | Chasing The Money | 7 | Reality TV | Fast paced pulsing drama with a mix of fun and fear techno orchestra | Mitch Coodley/BMI | 149 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Only A Game | 7 | Reality TV | Happy go lucky guitars, positive acoustic rock, joyous hook | Mitch Coodley/BMI | 90 | |
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00:30 | Scream Alert | 7 | Reality TV | Super-intense Gothic drama with dark percussive undercurrent and hard stabs | Mitch Coodley/BMI | 130 | |
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00:30 | We Won! | 7 | Reality TV | Triumphant classic anthemic four-chord rock for moments of pure pride | Mitch Coodley/BMI | 90 | |
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00:30 | Evil Genius | 7 | Testosterone | Wiry synths into pounding tech with some low bendy guitars and percussive ear candy | Deborah Difonzo/BMI | 140 | |
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00:30 | Football Wars | 7 | Testosterone | Fast pulsing energetic thematic rock with wiry guitar melody and flash solos | Deborah Difonzo/BMI | 136 | |
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00:30 | Grind It Out | 7 | Testosterone | Slow, stabby figures with beefy low octaves and steely slide fills | Deborah Difonzo/BMI | 70 | |
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00:30 | Primal Shred | 7 | Testosterone | Fast high-energy metal - kicking drums, slashing guitars. Chorus provides relief | Deborah Difonzo/BMI | 145 | |
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00:30 | Whirlwind | 7 | Testosterone | Slinky mid/up tempo power riff-rock metal jam with soaring choruses | Deborah Difonzo/BMI | 102 | |
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00:30 | Exciter | 7 | The Kids Are All Rock | Wall of crunchy guitars leads to picking patterns, thoughtful middle-eight and joyful, uptempo anthemic chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 148 | |
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00:30 | High Gain | 7 | The Kids Are All Rock | Overdriven, lo-fi garage rock stripped down to the basics -- trashy drums, a blistering guitar and thumping bass | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
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00:30 | Power Pill | 7 | The Kids Are All Rock | Quick, tight pounding drums, high shimmering guitar harmonics and thematic leads into light power crunch | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | Scorcher | 7 | The Kids Are All Rock | Balls-to-the-wall crunching guitars and a fast pounding, 4/4 drumbeat build to the stadium-ready chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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01:43 | Into The Wild | 1 | Wildlife Documentary | Bold panoramic foray into the wild, with quiet, intimate middle | Mitch Coodley/BMI | 124 | |
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00:51 | Out Of The Wild | 1 | Wildlife Documentary | Happy world, orchestral theme with vocal oohs and African perciussion | Mitch Coodley/BMI | 124 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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00:53 | Serengeti Return | 1 | Wildlife Documentary | Rolling positive forward motion with an African 12/8 feel, percussion and strings | Mitch Coodley/BMI | 124 | |
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00:30 | Gypsy Forever | 7 | World Adventure | Flamenco mashup with traditional guitar and a funky four-on-the-floor dance beat | Gabriel Hays/BMI | 123 | |
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00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 | |
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00:30 | Where In The World | 7 | World Adventure | Watch your back when traveling alone through Turkmenistan, feat. darbuka and duduk | Gabriel Hays/BMI | 120 |