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Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
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Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Don't Tell Me What | 7 | Acoustic With Benefits | Crunchy light electric riff sets up a thoughtful alt-rock groove with a little minor key vibe | Lucy Coodley/ASCAP | 100 | |
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00:30 | Double-O Eight | 7 | Drama Kings | Dangerous breakbeat with adventurous strings, mod synths, hits, breaks. Shaken, not stirred | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Hardass | 6 | Drama Kings | Hard offbeat hits generate wiry, tense electo-orchestral groove under huge drums | Mitch Coodley/BMI | 130 | |
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00:30 | Lockdown | 7 | Drama Kings | Dark pulsing, crunchy orch-tech, with percolating guitars, drum hits, drama candy | Mitch Coodley/BMI | 130 | |
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00:30 | Stop Time | 7 | Drama Kings | Upfront hits into dangerous rocky-tech 4/4 with string licks, dropouts and drama drums | Mitch Coodley/BMI | 138 | |
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00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
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00:30 | Galaxy Class Fallout | 7 | Electro Dance | Four-on-the-floor trance, dark and robotic, heavy synths, cool breaks from abstract intro | Krishna Venkatesh/ASCAP | 144 | |
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00:30 | Gimme Skankin' | 7 | Electro Dance | Heavy dustup with glitch and chipbeat elements, lot's of tweaks, breaks, funky stutters, distorted synths | Krishna Venkatesh/ASCAP | 140 | |
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00:30 | Justice League | 7 | Electro Dance | Popping grinding electrofunk, heavy downbeat with skanky synths over hard dance groove | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Machine Bomb | 7 | Electro Dance | Trance a/la Electronica 101, hypnotic pulse, pounding, evolving and bleepy textures | Krishna Venkatesh/ASCAP | 142 | |
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00:30 | Whack Tek | 7 | Electro Dance | Sputtering super-fast techno with bleepy synths, wiry bluesy bass, insistent drums, bubbling pads | Mitch Coodley/BMI | 160 | |
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00:30 | You Got It Good | 7 | Electro Dance | Catchy moderate electro-pop dance, with heavy grinding bass, pulsing synths | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Faceoff | 3 | Epic Narrative | Driving staccato intro stabs build into triumphant hybrid orchestral theme with pounding backend | Mitch Coodley/BMI | 130 | |
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00:30 | Slapshot | 3 | Epic Narrative | Low pounding rhythmic hits to building gridiron-type conflict, triumph, then tough as nails ending | Mitch Coodley/BMI | 145 | |
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00:30 | Your Number Is Up | 6 | Epic Narrative | Sharp stabs to dangerous action with pulsing strings, heavy perc., guitars, climactic backend | Mitch Coodley/BMI | 150 | |
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00:30 | Battle Of The Machines | 7 | Film Score | Orchestral-electronic trailer. Soaring melodies and driving transforming rhythm patterns. | Gabriel Hays/BMI | 92 | |
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00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
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00:30 | The Hammer | 7 | Film Score | Metal guitars, heavy drums, driving strings for a powerful superhero | Gabriel Hays/BMI | 150 | |
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00:30 | Winning The Uphill Battle | 7 | Film Score | Exciting, inspirational battle music - great for charging up sports action and drama | Gabriel Hays/BMI | 130 | |
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00:30 | Friday Night Light | 7 | Good And Better | Uptempo brassy sports theme with a touch of drama | Andy Snitzer/ASCAP | 146 | |
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00:30 | Te espero | 5 | Latin Pop | Male Spanish vocal "I'll Wait" Driving, assertive 4/4 Latin reggae-house with rap section | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 118 | |
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00:30 | Sand Storm | 7 | Middle East Cinematic | Middle Eastern world-rock w/ crunch gtrs, bansuri, tampura, dulcimer, drums, percussion | Tristan Alexia/ASCAP | 120 | |
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02:22 | Dial 911 | 1 | Mystery & Crime 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | 160 | |
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02:19 | Hand Over Your Dub | 1 | Mystery & Crime 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | 140 | |
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01:51 | Crime Lab | 1 | Mystery & Crime 2 | Contemplative yet agitated landscape. Synths & perc., with processed guitar, bass create light tension | Tristan Alexia/ASCAP | 130 | |
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01:53 | Domestic Terrorism | 1 | Mystery & Crime 2 | Dark, malevolent undercurrent with heavy guitar, feedback pulsing bass, ear candy | Tristan Alexia/ASCAP | 120 | |
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01:35 | Evidence Time Crunch | 1 | Mystery & Crime 2 | Cool dark drama. Chugging and chunky crunch guitars over a steady groove with wavy pads | Tristan Alexia/ASCAP | 115 | |
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01:35 | Gunshot Wound | 1 | Mystery & Crime 2 | Generic drama, with a beat. Kick drum, synths, guitar lines underscore a crime scene | Tristan Alexia/ASCAP | 115 | |
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01:41 | Perp Hunt | 1 | Mystery & Crime 2 | Urgent urban crime rock. Crunch guitars with pulsing percussion and synth hooks | Tristan Alexia/ASCAP | 120 | |
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02:24 | The Convict | 1 | Mystery & Crime 2 | Medium fast dark tension with pulsing synth lines, drums, percussion and edgy guitar. | Tristan Alexia/ASCAP | 120 | |
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00:30 | Hotter Than Lava | 4 | Picture This Song | Male/female rap trio vocals. Electro/urban new school. Deep guy chorus alternates with sexy PG popping rapped banter | Jay Harper/ASCAP | 145 | |
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00:30 | Beat The Clock | 7 | Reality TV | Cascading strings plunge into a ticking dramatic pulse with periods of high-tension quandary | Mitch Coodley/BMI | 140 | |
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00:30 | Breakout | 7 | Reality TV | Gritty power rock jam with a metallic riff and funk inspired guitars | Mitch Coodley/BMI | 140 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Scream Alert | 7 | Reality TV | Super-intense Gothic drama with dark percussive undercurrent and hard stabs | Mitch Coodley/BMI | 130 | |
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00:30 | Breakbeat Of Champions | 7 | Testosterone | Uptempo electro-breakbeat with gritty guitars and heavily syncopated synths and stutter edits | Deborah Difonzo/BMI | 140 | |
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00:30 | Evil Genius | 7 | Testosterone | Wiry synths into pounding tech with some low bendy guitars and percussive ear candy | Deborah Difonzo/BMI | 140 | |
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00:30 | Football Wars | 7 | Testosterone | Fast pulsing energetic thematic rock with wiry guitar melody and flash solos | Deborah Difonzo/BMI | 136 | |
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00:30 | Grind It Out | 7 | Testosterone | Slow, stabby figures with beefy low octaves and steely slide fills | Deborah Difonzo/BMI | 70 | |
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00:30 | Kill Kill | 7 | Testosterone | Driving, dark, heavy mid-tempo drums and evil guitars create sinister drama | Deborah Difonzo/BMI | 95 | |
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00:30 | Lead Balloon | 7 | Testosterone | Slow grinding dark drama metal rock with climbing minor key theme | Deborah Difonzo/BMI | 115 | |
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00:30 | Primal Shred | 7 | Testosterone | Fast high-energy metal - kicking drums, slashing guitars. Chorus provides relief | Deborah Difonzo/BMI | 145 | |
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00:30 | Speedfreak | 7 | Testosterone | Speed metal with blazing guitars, frenetic racing drums and jackhammer bridge | Deborah Difonzo/BMI | 160 | |
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00:30 | Survivalist | 7 | Testosterone | Slow pounding pyrrhic victory - dark dramatic orchestral rock with heavy guitar underpinnings | Deborah Difonzo/BMI | 82 | |
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00:30 | Testosterone | 7 | Testosterone | Fast gritty rocker with growling guttural guitar lines and dramatic energy | Deborah Difonzo/BMI | 196 | |
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00:30 | Whirlwind | 7 | Testosterone | Slinky mid/up tempo power riff-rock metal jam with soaring choruses | Deborah Difonzo/BMI | 102 | |
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00:30 | High Gain | 7 | The Kids Are All Rock | Overdriven, lo-fi garage rock stripped down to the basics -- trashy drums, a blistering guitar and thumping bass | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
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00:30 | Scorcher | 7 | The Kids Are All Rock | Balls-to-the-wall crunching guitars and a fast pounding, 4/4 drumbeat build to the stadium-ready chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | Escape From Jharkhand | 7 | World Adventure | Driving strings, sitar and tabla create Indian high-tension Bollywood dramatic chase scene | Gabriel Hays/BMI | 162 |