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Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
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Bold (43)
Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Since Then | 7 | Acoustic With Benefits | Soft acoustic pattern under a sweet, sentimental, lilting melody with light brushes | Lucy Coodley/ASCAP | 113 | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Horizons | 7 | Downtempo Lounge | Moody dulcimer-guitar patterns with delay claps, piano and reverb drums | Bryan Nelson/ASCAP | 115 | |
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00:30 | Forest Green | 7 | Drama Kings | Poignant gestural theme. Lilting sections, light bg, then sweet guitar-piano melody | Mitch Coodley/BMI | 120 | |
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01:00 | Dreams Of Conquest | 10 | Epic Narrative | Light ostinato strings build to broad theme of hope amid struggle to heroic finish - huge backend | Mitch Coodley/BMI | 142 | |
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00:30 | Heart Of Steel | 9 | Epic Narrative | Icy landscape, female choir, swelling brass lead to emotional triumph and exhilaration, big backend | Mitch Coodley/BMI | 116 | |
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03:52 | Humans Win | 7 | Epic Narrative | Delicate intro, swelling build into ostinato, broad cinematic theme w/big drums, orch, choir, big backend | Mitch Coodley/BMI | 90 | |
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03:53 | New Kingdom | 2 | Epic Narrative | Slow brooding open to impending swells, building to triumphant theme w/orchestra and choir | Mitch Coodley/BMI | 110 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | The Glass Half Full | 3 | Epic Narrative | Light optimistic strings become more serious, worldly. Hope against struggle | Mitch Coodley/BMI | 140 | |
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02:37 | Ways Of The Ocean | 1 | Epic Narrative | Warm, ambient, atmospheric feel speaks of the natural cycle of life | Mitch Coodley/BMI | 120 | |
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00:30 | Battle Of The Machines | 7 | Film Score | Orchestral-electronic trailer. Soaring melodies and driving transforming rhythm patterns. | Gabriel Hays/BMI | 92 | |
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00:30 | Beautiful America | 7 | Film Score | Intimate shimmering piano pulsing into explosive fireworks, with elements of minimalism, classical and pop | Gabriel Hays/BMI | 130 | |
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00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
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00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |
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00:30 | Lift Up And Carry | 7 | Film Score | Poignant, sweeping romantic strings and intimate flute create a bittersweet nostalgia | Gabriel Hays/BMI | 80 | |
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00:30 | Return Of The Hero | 7 | Film Score | A triumphant warrior returns home. Sweeping string gestures and intimate woodwinds. | Gabriel Hays/BMI | 105 | |
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00:30 | Winning The Uphill Battle | 7 | Film Score | Exciting, inspirational battle music - great for charging up sports action and drama | Gabriel Hays/BMI | 130 | |
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00:30 | Local Hero | 7 | Good And Better | Happy, positive steady 4/4 groove with a warm mood | Andy Snitzer/ASCAP | 114 | |
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00:30 | Manju's Mango | 7 | Indian Pop | Joyous uptempo percussive dance pop with live/electronica mix and vocal tops | Krishna Venkatesh/ASCAP | 130 | |
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00:30 | Places | 7 | Indie Acoustic | Simple strumming and pattern pulse on a medium groove with an almost poignant mood | Matthew Dolland/ASCAP | 120 | |
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00:30 | Volver a mi | 5 | Latin Pop | Male Spanish vocals "Coming Back To Myself". Pulsing Latin ballad with anthemic hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 87 | |
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00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |
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00:53 | A Look Back | 1 | Light Docu-Drama | Watery intro to pattern piano creates introspective reflective mood | Mitch Coodley/BMI | 100 | |
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02:04 | Fragile Water | 1 | Light Docu-Drama | Silvery shimmering pads under evocative bass flute theme | Mitch Coodley/BMI | 85 | |
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02:10 | Growing Pains | 1 | Light Docu-Drama | Slow rising drone, soft piano patterns, touching and reflective growth | Mitch Coodley/BMI | 100 | |
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03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |
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03:26 | Piece of My Heart | 1 | Light Docu-Drama | Solo violin pattern over light orchestra leads to sweet, childlike emotional theme | Mitch Coodley/BMI | 100 | |
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00:48 | Too Sad | 1 | Light Docu-Drama | Dark strings and pads, mournful, sad, tragic mood, short cue | Mitch Coodley/BMI | 90 | |
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02:24 | Wheel of Life | 1 | Light Docu-Drama | Gentle piano pulse, slow emotional build, lovely cello theme, soft close | Mitch Coodley/BMI | 100 | |
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00:30 | Militant Surveillance | 7 | Middle East Cinematic | Dark, threatening Middle Eastern drama with doudouks, tampuras, square bass recorder, percussion | Tristan Alexia/ASCAP | 120 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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01:00 | Family Loss | 1 | Mystery & Crime 1 | Loved ones left behind. Wistful piano with warm pads and light percussion | Mitch Coodley/BMI | 70 | |
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01:20 | Lost Lovers | 1 | Mystery & Crime 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | 95 | |
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01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |
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01:00 | Why Did This Happen | 1 | Mystery & Crime 1 | Gentle human tragedy. Sad piano ballad with modulating synths and low drone | Mitch Coodley/BMI | 100 | |
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01:40 | Crime Scene Walk Through | 1 | Mystery & Crime 2 | Mix of doubt and satisfaction. Large drones and pads shift between major and minor | Tristan Alexia/ASCAP | 120 | |
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01:52 | Evidence Recovery | 1 | Mystery & Crime 2 | Simple science. Crime scene examination with touch of danger, pathos. Piano, synths, drums, strings | Tristan Alexia/ASCAP | 100 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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01:40 | Family Aftermath | 1 | Mystery & Crime 2 | Sad reflective piece. Synth drones, piano, sparse drums create mournful atmosphere | Tristan Alexia/ASCAP | 120 | |
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01:25 | Remembering The Victim | 1 | Mystery & Crime 2 | Mournful reflection of loss. Processed piano, synth motion and ambient guitar | Tristan Alexia/ASCAP | 109 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | Call My Name | 4 | Picture This Song | Female vocal. Indie alt-pop. Lonely piano and ambient tension explode into dramatic plea over pulsing drums | Jay Harper/ASCAP | 135 | |
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00:30 | Euphoria | 4 | Picture This Song | Male Vocal. Uptempo indie pop-rock. Light then builds to driving chorus. Can't kick this habit - you. | Jay Harper/ASCAP | 147 | |
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00:30 | In Flames | 4 | Picture This Song | Male/Female vocals. Alt-pop, unsettling, moody, poignant, evocative ballad; "We'l all go down in flames" | Jay Harper/ASCAP | 83 | |
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00:30 | It's Not So Easy | 4 | Picture This Song | Male vocal. Bluesy/electro mash-up. Tremolo guitars meet heavy 4-on-the-floor. Powerful attitude hook "you don't get to have me" | Jay Harper/ASCAP | 134 | |
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00:30 | Some Things Are | 4 | Picture This Song | Male vocal. Moody slow atmospheric pop. Lush evocative lyrics about things better left unsaid | Jay Harper/ASCAP | 66 | |
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00:30 | Back Home | 3 | Poignant Piano | Warm folkloric song with simple melody and touch of poignant happy/sad reminiscence | Kana Kamitsubo/ASCAP | 93 | |
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00:30 | Gentle Flow | 3 | Poignant Piano | Light tinkly piano creates a gentle innocent mood with a meditative quality and hint of sadness | Kana Kamitsubo/ASCAP | 150 | |
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00:30 | Just Between Us | 3 | Poignant Piano | Lilting minor key love theme builds into rich emotional longing | Kana Kamitsubo/ASCAP | 68 | |
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00:30 | Let It Go | 3 | Poignant Piano | New-Age, ambiguous, open chords lead to light cascades of falling tension and relief | Kana Kamitsubo/ASCAP | Free | |
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00:33 | Pulse Of Life | 3 | Poignant Piano | Gentle warm chord pattern leads to a poignant melody | Kana Kamitsubo/ASCAP | 125 | |
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00:30 | Ringbearers | 3 | Poignant Piano | Light new-age/classical round a/la Pachelbel Canon, gentle processional feel nice for wedding | Kana Kamitsubo/ASCAP | 94 | |
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00:30 | Soft Then Loud | 7 | Positivity | Intro soft pads under guitar picks and perc, then hit hard with sustained crunch -anthemic joyous feel | Lucy Coodley/ASCAP | 126 | |
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00:30 | Warm Teardrop | 7 | Positivity | Textural acoustic-electric strumming - upbeat indie texture strumming rock with thoughtful bridge | Lucy Coodley/ASCAP | 118 | |
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00:30 | Time's Whys | 7 | Reality TV | Lush pattern pulse,moody introspective string pads with nylon guitar feeling of loss | Mitch Coodley/BMI | 145 | |
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00:30 | We Won! | 7 | Reality TV | Triumphant classic anthemic four-chord rock for moments of pure pride | Mitch Coodley/BMI | 90 | |
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00:30 | Kill Kill | 7 | Testosterone | Driving, dark, heavy mid-tempo drums and evil guitars create sinister drama | Deborah Difonzo/BMI | 95 | |
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01:35 | Cold Winter Range | 1 | Wildlife Documentary | Lonely alto flute, cool transparent pulse, desolate and sad then hopeful @ 1:00 | Mitch Coodley/BMI | 124 | |
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02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |
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01:34 | Death And Rebirth | 1 | Wildlife Documentary | Slow mournful elegy with story arc - becomes hopeful @ 1:00 to wistful quiet end | Mitch Coodley/BMI | 124 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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02:30 | Loss And Return | 1 | Wildlife Documentary | Moody, atmospheric texture leads to doubt, sadness but with a hopeful end | Mitch Coodley/BMI | 80 | |
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00:42 | Morning Tide | 1 | Wildlife Documentary | Rolling new-age piano pattern and high strings create a serene atmosphere | Mitch Coodley/BMI | 135 | |
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00:53 | River Valley | 1 | Wildlife Documentary | Slow piano folk song with a wistful poignancy | Mitch Coodley/BMI | 120 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |
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01:03 | The Lifecycle | 1 | Wildlife Documentary | Slow, lovely orchestral string theme-poignant and wistful then hopeful | Mitch Coodley/BMI | 97 | |
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00:30 | Highlands Triumph | 7 | World Adventure | Bold Highlands bagpipes, uplifting strings, dramatic percussion create an expansive Celtic celebration | Gabriel Hays/BMI | 133 |