Search Music
Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
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Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Family Time | 7 | Acoustic With Benefits | Warm, light new-agey folk-rock, acoustic guitar strumming with a joyous heartwarming feel | Lucy Coodley/ASCAP | 110 | |
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00:30 | Green Days | 7 | Acoustic With Benefits | Bright, sparkling synth sequence sets up a sunny positive groove with some thoughtful moments | Lucy Coodley/ASCAP | 120 | |
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00:30 | Positively | 7 | Acoustic With Benefits | Light but joyous, upbeat acoustic strumming groove with descending melody | Lucy Coodley/ASCAP | 113 | |
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00:30 | Thursday's Child | 7 | Acoustic With Benefits | Nice acoustic/light electric mix plus pedal steel build positive and poignant moods on solid groove | Lucy Coodley/ASCAP | 105 | |
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00:30 | All In Stride | 7 | All Natural Acoustic | Simple uke, guitar and whistled melody and claps create a happy-go-lucky feel | Matthew Dolland/ASCAP | 86 | |
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00:30 | Country Kitchen | 6 | All Natural Acoustic | Happy acoustic strumming - easy and lighthearted 12-string country melody | Mitch Coodley/BMI | 100 | |
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00:30 | Joy On The Way | 7 | All Natural Acoustic | Joyful open guitar and mandolin strumming under bright positive upbeat melody | Mitch Coodley/BMI | 125 | |
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00:30 | Wakin' Up Right | 7 | All Natural Acoustic | Light guitar picking sets up steady, upbeat, positive rising acoustic folk-rock groove | Mitch Coodley/BMI | 130 | |
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00:30 | Why Kee Kee | 7 | All Natural Acoustic | Light luau fare, langorous island feel with slack key guitars, uke, lap steel | Mitch Coodley/BMI | 74 | |
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00:30 | Dressed And Buttoned-Up | 7 | Cute 'n' Kitschy | Kitschy bossa with pecky trumpet and male vocal das | Allen Carrescia/ASCAP | 136 | |
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00:30 | Birth Of A Monarch | 7 | Drama Kings | Sweet pastoral open, stately pattern, explosive fanfare hits @:53 into regal theme with big finish | Mitch Coodley/BMI | 134 | |
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00:30 | Forest Green | 7 | Drama Kings | Poignant gestural theme. Lilting sections, light bg, then sweet guitar-piano melody | Mitch Coodley/BMI | 120 | |
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00:30 | Love Like Gold | 7 | Electro Dance | Classic pop dance, 4 on the floor, celebratory chordal synth pattern hook | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Closest Kin | 2 | Epic Narrative | Lightly pulsing, positive underscore with worldly atmosphere | Mitch Coodley/BMI | 80 | |
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01:00 | Dreams Of Conquest | 10 | Epic Narrative | Light ostinato strings build to broad theme of hope amid struggle to heroic finish - huge backend | Mitch Coodley/BMI | 142 | |
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00:30 | Heart Of Steel | 9 | Epic Narrative | Icy landscape, female choir, swelling brass lead to emotional triumph and exhilaration, big backend | Mitch Coodley/BMI | 116 | |
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00:30 | American Field | 7 | Film Score | Lively Americana, broad orchestral theme with an open plains feel | Gabriel Hays/BMI | 142 | |
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00:30 | Beautiful America | 7 | Film Score | Intimate shimmering piano pulsing into explosive fireworks, with elements of minimalism, classical and pop | Gabriel Hays/BMI | 130 | |
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00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |
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00:30 | Average White Guy | 5 | Fun Funk | Down and dirty funk with bass and guitar riffs over scratchy percussion | Andez /ASCAP | 97 | |
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00:30 | Booga Lulu | 5 | Fun Funk | Fast funky boogaloo groove with light breaks, organ fills and picking guitar | Andez /ASCAP | 128 | |
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00:30 | Partay! | 5 | Fun Funk | Upbeat party music, very kool, very happy and catchy, with bright sax fills | Andez /ASCAP | 121 | |
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00:30 | Hands In The Air | 7 | Good And Better | Bouncy, fun 4/4 dance with playful synth riffs and soft background sections | Andy Snitzer/ASCAP | 125 | |
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00:30 | Just For Fun | 7 | Good And Better | Easy, loping, playful shuffle, touch of reggae for everyday lightness | Andy Snitzer/ASCAP | 126 | |
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00:30 | Local Hero | 7 | Good And Better | Happy, positive steady 4/4 groove with a warm mood | Andy Snitzer/ASCAP | 114 | |
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00:30 | Match Point | 7 | Good And Better | Brassy uptempo sports cue for light highlights and features | Andy Snitzer/ASCAP | 137 | |
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00:30 | Our Town | 7 | Good And Better | Warm, everyman soft rock, all positive, string theme with piano | Andy Snitzer/ASCAP | 104 | |
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00:30 | Pull Together | 7 | Good And Better | Pure positive energy with pulsing strings and rhythm section | Andy Snitzer/ASCAP | 137 | |
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00:30 | Startup | 7 | Good And Better | Light tech pattern creates forward motion for good news | Andy Snitzer/ASCAP | 132 | |
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00:30 | Teching Stock | 7 | Good And Better | Soft tech patterns under strings generate a positive business vibe | Andy Snitzer/ASCAP | 128 | |
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00:30 | Time's Plus | 7 | Good And Better | Moderate pattern pulse builds layers for news or business | Andy Snitzer/ASCAP | 107 | |
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00:30 | Clean As A Whistle | 7 | Homespun | Sweet, lighthearted simple whistling tune with guitar, bass, uke, and pots and pans | Ann Klein/BMI | 146 | |
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00:30 | Copycat Kitten | 7 | Homespun | Light, upbeat and cute - with uke and rhythm sect. Your pet video could go viral! | Ann Klein/BMI | 136 | |
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00:30 | Done With Dust | 7 | Homespun | Fun whimsy with cute climbing questions and frisky double-time answers. With clarinet and banjo | Ann Klein/BMI | 144 | |
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00:30 | Family Pack | 7 | Homespun | It's all good. Easy, upbeat family fun with loping guitars, mandolins and ukes | Ann Klein/BMI | 104 | |
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00:30 | Fresh Air Fun | 7 | Homespun | Infectious, happy country-western-Nashville mashup w/ fiddle, high-string guitars, rhythm | Ann Klein/BMI | 105 | |
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00:30 | Hot Out Of The Oven | 7 | Homespun | Get 'em while they're hot! Cajun flavored upbeat shuffle with mandolins, accordion, dobro, rhythm | Ann Klein/BMI | 125 | |
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00:30 | Who Stole My Pancakes | 7 | Homespun | Sweet, joyful and playful fiddle and fingerpicking duet. Wha hoppen? | Ann Klein/BMI | 92 | |
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00:30 | Manju's Mango | 7 | Indian Pop | Joyous uptempo percussive dance pop with live/electronica mix and vocal tops | Krishna Venkatesh/ASCAP | 130 | |
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00:30 | Front Pocket | 7 | Indie Acoustic | Loping easy alt. rock with steady 8th note bass under light electric part with glockenspiel and brass sustains | Matthew Dolland/ASCAP | 112 | |
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00:30 | Northern Birds | 7 | Indie Acoustic | Upbeat optimistic medium folk rock with a semi-melodic strat lead | Matthew Dolland/ASCAP | 150 | |
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00:30 | Sidecar | 7 | Indie Acoustic | Light shuffle with delay guitars and drums builds to mini-indie anthem | Matthew Dolland/ASCAP | 123 | |
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00:30 | La dama | 5 | Latin Pop | Male Spanish vocal "The Lady" Catchy latin boy-group dance-pop with a lost love theme | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 128 | |
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00:30 | Mas Mariachi | 7 | Latin Pop | Happy, upbeat Mariachi with trumpet melody and violin counterpoint | David Mann/ASCAP | 110 | |
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00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |
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00:30 | Bang A Rang | 7 | Light Acousti-Pop | Mid tempo acoustic-guitar driven alt rock with warbling synth and clean guitar lines | Deborah Difonzo/BMI | 110 | |
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00:30 | Cut And Dry | 7 | Light Acousti-Pop | Uplifting positive energy. Tight drums and driving clean electric and acoustic guitars | Deborah Difonzo/BMI | 128 | |
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00:30 | Delay The Day | 7 | Light Acousti-Pop | Anticipatory guitar patterns build to positive moderate powered drums and bass | Deborah Difonzo/BMI | 80 | |
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00:30 | Keeping Clean | 7 | Light Acousti-Pop | Tight acoustic guitar strumming over dry R&B drums. Sparse, funky and dreamy | Deborah Difonzo/BMI | 82 | |
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00:30 | Sky Blue Eyes | 7 | Light Acousti-Pop | Mid tempo uplifting jangly, chugging American guitar pop | Deborah Difonzo/BMI | 124 | |
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00:30 | Slow Stepping | 7 | Light Acousti-Pop | Easy folkie acoustics with light funky drums. Warm string lines add dimension in chorus | Deborah Difonzo/BMI | 74 | |
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00:30 | Summer Isle | 7 | Light Acousti-Pop | Positive, easy going indie rock track with nice dreamy guitar melody lines | Deborah Difonzo/BMI | 110 | |
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02:20 | Breaking Out | 2 | Light Docu-Drama | Joyous muso-rock with catchy posts and breaks. Break it out! | Mitch Coodley/BMI | 133 | |
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03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |
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03:26 | Passages | 1 | Light Docu-Drama | Richly textured landscape for a long journey to a grand finish | Mitch Coodley/BMI | 134 | |
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03:26 | Piece of My Heart | 1 | Light Docu-Drama | Solo violin pattern over light orchestra leads to sweet, childlike emotional theme | Mitch Coodley/BMI | 100 | |
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00:30 | Processing Power | 7 | Light Tech/Corporate | Trolling, lightly percussive, new-agey organic tech piece with glass melody pads and hanging synths | Robert Allaire/ASCAP | 100 | |
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00:30 | Sunny Forecast | 7 | Light Tech/Corporate | Upbeat, positive, light melodic with guitar strums over pretty synth patterns | Robert Allaire/ASCAP | 130 | |
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01:01 | Investigate 1 | 1 | Mystery & Crime 1 | Police procedural. Atmosphere with motion, plucked synths, percussion over drone and pads | Mitch Coodley/BMI | 100 | |
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00:30 | Euphoria | 4 | Picture This Song | Male Vocal. Uptempo indie pop-rock. Light then builds to driving chorus. Can't kick this habit - you. | Jay Harper/ASCAP | 147 | |
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00:30 | Smile | 4 | Picture This Song | Female vocal. Electropop - folk-EDM. Youthful, “feel good” hook. Smile like someone's there with you. | Jay Harper/ASCAP | 131 | |
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00:30 | Up, Up | 4 | Picture This Song | Boy-girl vocal. Joyous optimism. Easy pop/R&B w/bright metaphors and slyly clever rapping bridge and outro | Jay Harper/ASCAP | 93 | |
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00:30 | Wherever I Be | 4 | Picture This Song | Group sing-along M/F vocals. Organic alt/folk. Happy, endearing, clever - about friendship through thick and thin | Jay Harper/ASCAP | 120 | |
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00:30 | Ay Ay Ay! | 7 | Positivity | Lo-fi, processed, infectiously upbeat Latin mix of salsa, Ricky Ricardo horns and percussive mambo | Lucy Coodley/ASCAP | 200 | |
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00:30 | Easy Rider | 7 | Positivity | Exuberant, playful indie rocker with catchy rhythmic hook and easy melody | Lucy Coodley/ASCAP | 140 | |
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00:30 | Little Island Time | 7 | Positivity | Happy Caribbean reggae-infused romp with hooky sax section, plucky guitar, B3 organ | Lucy Coodley/ASCAP | 100 | |
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00:30 | Meet Cute | 7 | Positivity | Plucky, light, happy froth over an almost funky beat with guitars and processed mandolin | Lucy Coodley/ASCAP | 120 | |
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00:30 | Play For Keeps | 7 | Positivity | Light sweet intro leads to steady uptempo positive pulsing backbeat and guitar textures | Lucy Coodley/ASCAP | 181 | |
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00:30 | Soft Then Loud | 7 | Positivity | Intro soft pads under guitar picks and perc, then hit hard with sustained crunch -anthemic joyous feel | Lucy Coodley/ASCAP | 126 | |
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00:30 | Synchronize Watches | 7 | Positivity | Light tech and steady keyboards create positive pulse building to triumphant bridge w/strings | Lucy Coodley/ASCAP | 110 | |
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00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 | |
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00:30 | Warm Teardrop | 7 | Positivity | Textural acoustic-electric strumming - upbeat indie texture strumming rock with thoughtful bridge | Lucy Coodley/ASCAP | 118 | |
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00:30 | Only A Game | 7 | Reality TV | Happy go lucky guitars, positive acoustic rock, joyous hook | Mitch Coodley/BMI | 90 | |
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00:30 | Strategize | 7 | Reality TV | Thoughtful but energetic string patterns over percussion w/piano pattern pulse | Mitch Coodley/BMI | 140 | |
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00:30 | Waving Hello | 7 | Testosterone | Bright uplifting pop-rock with clean guitars and sunny mood | Deborah Difonzo/BMI | 160 | |
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00:30 | Exciter | 7 | The Kids Are All Rock | Wall of crunchy guitars leads to picking patterns, thoughtful middle-eight and joyful, uptempo anthemic chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 148 | |
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00:30 | Funny Bones | 7 | The Kids Are All Rock | Upbeat, playful blend of ukelele, electric guitars and squelchy keyboards. Quirky electric guitar runs spice up the mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 172 | |
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00:30 | On Cloud Nine | 7 | The Kids Are All Rock | Fun, bright power-pop with off-kilter wah-wah sets up a light midsection and upbeat, epic outro | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 155 | |
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00:30 | Power Pill | 7 | The Kids Are All Rock | Quick, tight pounding drums, high shimmering guitar harmonics and thematic leads into light power crunch | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | Scorcher | 7 | The Kids Are All Rock | Balls-to-the-wall crunching guitars and a fast pounding, 4/4 drumbeat build to the stadium-ready chorus | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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00:30 | The Tricky One | 7 | The Kids Are All Rock | Light punk-pop with piano hook merges with sustaining guitar chords and leads after a moody, minor key mid-section | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 152 | |
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01:35 | Cold Winter Range | 1 | Wildlife Documentary | Lonely alto flute, cool transparent pulse, desolate and sad then hopeful @ 1:00 | Mitch Coodley/BMI | 124 | |
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02:12 | Follow Their Footsteps | 1 | Wildlife Documentary | Light anticipation, moderate positive, fast pulsing world, jungle orchestral | Mitch Coodley/BMI | 140 | |
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01:43 | Into The Wild | 1 | Wildlife Documentary | Bold panoramic foray into the wild, with quiet, intimate middle | Mitch Coodley/BMI | 124 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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01:05 | Moving West | 1 | Wildlife Documentary | Soft open atmosphere, then acoustic gtr and strings open up the range | Mitch Coodley/BMI | 135 | |
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00:51 | Out Of The Wild | 1 | Wildlife Documentary | Happy world, orchestral theme with vocal oohs and African perciussion | Mitch Coodley/BMI | 124 | |
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02:22 | Quiet Earth | 1 | Wildlife Documentary | Light atmosphere, soft percussion, keyboards for intimate mood | Mitch Coodley/BMI | 135 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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00:53 | Serengeti Return | 1 | Wildlife Documentary | Rolling positive forward motion with an African 12/8 feel, percussion and strings | Mitch Coodley/BMI | 124 | |
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01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |
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02:03 | They Fenced The West | 1 | Wildlife Documentary | Easy Copeland-esque Western feel of open prairie, strings, piano, lonely finish | Mitch Coodley/BMI | 135 | |
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00:36 | Touring The Land | 1 | Wildlife Documentary | Light, happy jaunty feel for exotic travel or sightseeing the wild | Mitch Coodley/BMI | 124 | |
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00:43 | Western Loop | 1 | Wildlife Documentary | Positive motion, American West flavor with bouncy marcato strings - looping phrase | Mitch Coodley/BMI | 135 | |
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00:30 | Game Park | 7 | World Adventure | Beautiful Kora and driving Djembe invite you on an expansive pan-African eco-tour | Gabriel Hays/BMI | 130 | |
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00:30 | Gypsy Forever | 7 | World Adventure | Flamenco mashup with traditional guitar and a funky four-on-the-floor dance beat | Gabriel Hays/BMI | 123 |