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Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
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Bold (43)
Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Horizons | 7 | Downtempo Lounge | Moody dulcimer-guitar patterns with delay claps, piano and reverb drums | Bryan Nelson/ASCAP | 115 | |
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00:30 | Wishing Well | 7 | Downtempo Lounge | Dark wiry minor key vamp with keyboards and string pads | Bryan Nelson/ASCAP | 94 | |
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00:30 | Journey To Oz | 8 | Drama Kings | Fantasy opening into broad heroic brass theme w/hits, bridge with sidechain pulse, swells, atmosphere | Mitch Coodley/BMI | 130 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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02:37 | Ways Of The Ocean | 1 | Epic Narrative | Warm, ambient, atmospheric feel speaks of the natural cycle of life | Mitch Coodley/BMI | 120 | |
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00:30 | Lift Up And Carry | 7 | Film Score | Poignant, sweeping romantic strings and intimate flute create a bittersweet nostalgia | Gabriel Hays/BMI | 80 | |
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00:30 | Trouble In The City | 5 | Fun Funk | Slightly moody funk with a sad/serious overtone and pounding bridge | Andez /ASCAP | 125 | |
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00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |
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00:30 | Go Ahead | 7 | Indie Acoustic | Laid-back folk strumming alt-rock builds with crunchy guitar pads and piano | Matthew Dolland/ASCAP | 91 | |
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00:30 | Places | 7 | Indie Acoustic | Simple strumming and pattern pulse on a medium groove with an almost poignant mood | Matthew Dolland/ASCAP | 120 | |
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00:53 | A Look Back | 1 | Light Docu-Drama | Watery intro to pattern piano creates introspective reflective mood | Mitch Coodley/BMI | 100 | |
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02:10 | Growing Pains | 1 | Light Docu-Drama | Slow rising drone, soft piano patterns, touching and reflective growth | Mitch Coodley/BMI | 100 | |
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03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |
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03:26 | Piece of My Heart | 1 | Light Docu-Drama | Solo violin pattern over light orchestra leads to sweet, childlike emotional theme | Mitch Coodley/BMI | 100 | |
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00:48 | Too Sad | 1 | Light Docu-Drama | Dark strings and pads, mournful, sad, tragic mood, short cue | Mitch Coodley/BMI | 90 | |
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00:30 | Arabian Dunes | 7 | Middle East Cinematic | Mideast/world percussion with dark, alluring, female Arabic vocals, strings, flute | Tristan Alexia/ASCAP | 120 | |
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00:30 | Arid Pilgrimage | 7 | Middle East Cinematic | Droning Middle Eastern drama with oud ,saz, kanun, strings, wood flutes, percussion | Tristan Alexia/ASCAP | 121 | |
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00:30 | Persian Gulf | 7 | Middle East Cinematic | Evocative, dramatic Middle-Eastern/orchestral narrative with Arabic female vocal | Tristan Alexia/ASCAP | 110 | |
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01:26 | Bad Night | 1 | Mystery & Crime 1 | Nothing good happened here - what's the story? Slow-fast pulsing percussion and pads | Mitch Coodley/BMI | 150 | |
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01:36 | Dawning Realization | 1 | Mystery & Crime 1 | Investigation and human drama. Pulsing bass, light dramatic orchestral theme, elect. guitar | Mitch Coodley/BMI | 80 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |
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01:00 | Family Loss | 1 | Mystery & Crime 1 | Loved ones left behind. Wistful piano with warm pads and light percussion | Mitch Coodley/BMI | 70 | |
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01:01 | Investigate 2 | 1 | Mystery & Crime 1 | Crime procedural. Atmosphere with sequences, plucked synths, perc., guitar, strings, pads | Mitch Coodley/BMI | 100 | |
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01:20 | Lost Lovers | 1 | Mystery & Crime 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | 95 | |
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01:02 | The Jury Is Out | 1 | Mystery & Crime 1 | Difficult waiting game. Pensive melodrama, pulsing chords, strings, percussion | Mitch Coodley/BMI | 120 | |
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01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |
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01:00 | Why Did This Happen | 1 | Mystery & Crime 1 | Gentle human tragedy. Sad piano ballad with modulating synths and low drone | Mitch Coodley/BMI | 100 | |
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01:40 | Crime Scene Walk Through | 1 | Mystery & Crime 2 | Mix of doubt and satisfaction. Large drones and pads shift between major and minor | Tristan Alexia/ASCAP | 120 | |
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01:42 | Data Analysis | 1 | Mystery & Crime 2 | Drone and pads create ambiguous analytical mood. High strings with pulsing synths | Tristan Alexia/ASCAP | 105 | |
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01:52 | Evidence Recovery | 1 | Mystery & Crime 2 | Simple science. Crime scene examination with touch of danger, pathos. Piano, synths, drums, strings | Tristan Alexia/ASCAP | 100 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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01:40 | Family Aftermath | 1 | Mystery & Crime 2 | Sad reflective piece. Synth drones, piano, sparse drums create mournful atmosphere | Tristan Alexia/ASCAP | 120 | |
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01:43 | Forensic Analysis | 1 | Mystery & Crime 2 | Slow, building, determined investigative piece. Synths, drones and percussion. | Tristan Alexia/ASCAP | 94 | |
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01:24 | Grisly Discovery | 1 | Mystery & Crime 2 | Minimally dangerous and eerie. Synth swells and percussion hits paint a dark, grisly picture | Tristan Alexia/ASCAP | 105 | |
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01:38 | Message Received | 1 | Mystery & Crime 2 | Mystery with a touch of sci-fi. Sleepy telegraphic synth sets up a lightly padded mysterious mood | Jonathan Perl/ASCAP | 120 | |
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01:25 | Remembering The Victim | 1 | Mystery & Crime 2 | Mournful reflection of loss. Processed piano, synth motion and ambient guitar | Tristan Alexia/ASCAP | 109 | |
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01:30 | Witness Competency | 1 | Mystery & Crime 2 | Shadows of doubt. Light melodrama, slight anxiety with piano, strings, and percussive patterns | Tristan Alexia/ASCAP | 100 | |
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00:30 | Call My Name | 4 | Picture This Song | Female vocal. Indie alt-pop. Lonely piano and ambient tension explode into dramatic plea over pulsing drums | Jay Harper/ASCAP | 135 | |
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00:30 | In Flames | 4 | Picture This Song | Male/Female vocals. Alt-pop, unsettling, moody, poignant, evocative ballad; "We'l all go down in flames" | Jay Harper/ASCAP | 83 | |
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00:30 | Some Things Are | 4 | Picture This Song | Male vocal. Moody slow atmospheric pop. Lush evocative lyrics about things better left unsaid | Jay Harper/ASCAP | 66 | |
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00:30 | Back Home | 3 | Poignant Piano | Warm folkloric song with simple melody and touch of poignant happy/sad reminiscence | Kana Kamitsubo/ASCAP | 93 | |
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00:30 | Gentle Flow | 3 | Poignant Piano | Light tinkly piano creates a gentle innocent mood with a meditative quality and hint of sadness | Kana Kamitsubo/ASCAP | 150 | |
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00:30 | Just Between Us | 3 | Poignant Piano | Lilting minor key love theme builds into rich emotional longing | Kana Kamitsubo/ASCAP | 68 | |
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00:30 | Let It Go | 3 | Poignant Piano | New-Age, ambiguous, open chords lead to light cascades of falling tension and relief | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Lovers | 3 | Poignant Piano | Melodic major to minor theme with light dramatic undertone and cycle of fiths chord pattern | Kana Kamitsubo/ASCAP | 88 | |
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00:30 | Time's Whys | 7 | Reality TV | Lush pattern pulse,moody introspective string pads with nylon guitar feeling of loss | Mitch Coodley/BMI | 145 | |
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00:42 | Close Reflection | 1 | Wildlife Documentary | Open sky feel, acoustic guitar echoes with airy pad, instrospective | Mitch Coodley/BMI | 134 | |
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01:35 | Cold Winter Range | 1 | Wildlife Documentary | Lonely alto flute, cool transparent pulse, desolate and sad then hopeful @ 1:00 | Mitch Coodley/BMI | 124 | |
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02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |
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01:34 | Death And Rebirth | 1 | Wildlife Documentary | Slow mournful elegy with story arc - becomes hopeful @ 1:00 to wistful quiet end | Mitch Coodley/BMI | 124 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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02:30 | Loss And Return | 1 | Wildlife Documentary | Moody, atmospheric texture leads to doubt, sadness but with a hopeful end | Mitch Coodley/BMI | 80 | |
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00:28 | Merciful End | 1 | Wildlife Documentary | Slow, dark, edgy, then tragic. Snapshot of wildlife loss or poaching | Mitch Coodley/BMI | 135 | |
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01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |
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01:03 | The Lifecycle | 1 | Wildlife Documentary | Slow, lovely orchestral string theme-poignant and wistful then hopeful | Mitch Coodley/BMI | 97 | |
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00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 |