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Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
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Nostalgic (60)
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Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Family Time | 7 | Acoustic With Benefits | Warm, light new-agey folk-rock, acoustic guitar strumming with a joyous heartwarming feel | Lucy Coodley/ASCAP | 110 | |
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00:30 | Green Days | 7 | Acoustic With Benefits | Bright, sparkling synth sequence sets up a sunny positive groove with some thoughtful moments | Lucy Coodley/ASCAP | 120 | |
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00:30 | Just Say Yes | 7 | Acoustic With Benefits | Light acoustic rhythm guitar and mandolin textures, steady positive organic groove, optimistic melody | Lucy Coodley/ASCAP | 85 | |
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00:30 | Sheep's Meadow | 7 | Acoustic With Benefits | Heather-light highlands feel mandolin and acoustic guitars get a bit moody over light light alt-rock groove | Lucy Coodley/ASCAP | 115 | |
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00:30 | Since Then | 7 | Acoustic With Benefits | Soft acoustic pattern under a sweet, sentimental, lilting melody with light brushes | Lucy Coodley/ASCAP | 113 | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | All In Stride | 7 | All Natural Acoustic | Simple uke, guitar and whistled melody and claps create a happy-go-lucky feel | Matthew Dolland/ASCAP | 86 | |
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00:30 | Coming Of Age | 7 | All Natural Acoustic | Gently pulsing guitar and piano ostinato under poignant alto flute melody then nylon gtuitar solo | Mitch Coodley/BMI | 120 | |
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00:30 | Here I Go | 7 | All Natural Acoustic | Female vocal. Easy, sweet, innocent going-on-a-journey song with guitar and banjo | Matthew Dolland/ASCAP | 85 | |
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00:30 | That Face | 7 | All Natural Acoustic | Jaunty, whimsical little two-guitar ditty with a moderate folksy swing feel | Mitch Coodley/BMI | 120 | |
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00:30 | The Way Down | 7 | All Natural Acoustic | Soft acoustic strumming and bright melody with a warm, folkloric flavor | Matthew Dolland/ASCAP | 90 | |
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00:30 | Why Kee Kee | 7 | All Natural Acoustic | Light luau fare, langorous island feel with slack key guitars, uke, lap steel | Mitch Coodley/BMI | 74 | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Del Mar | 7 | Chillout | Soft jazzy muted trumpet plays light cool phrases over an ambient latin percussion bed | Mitch Coodley/BMI | 110 | |
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00:30 | Estrelas Brazileiras | 7 | Chillout | Swaying Brazilian bossa lounge with nylon guitar and breezy flute | Mitch Coodley/BMI | 80 | |
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00:30 | Goin' On | 7 | Chillout | Soft new-age atmospheres over lightly funky beat, with vibey guitar melody and jazzy solo | Mitch Coodley/BMI | 90 | |
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00:30 | Mistral | 7 | Chillout | Gentle intro to warm ambient trumpet song with misty swells and nylon guitar | Mitch Coodley/BMI | 120 | |
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00:30 | Moroccan Sands | 7 | Chillout | Exotic euro trip-hop lounge with mid-east ambience, sultry female vocal loops, processed flutes | Mitch Coodley/BMI | 90 | |
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00:30 | Quiet Nights | 7 | Chillout | Smooth club groove with soft textures and jazz guitar octave theme | Mitch Coodley/BMI | 120 | |
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00:30 | The Corner Booth | 7 | Chillout | Lightly pulsing ambient vibe with light 4/4 kick and acoustic guitar patterns and bridge melody | Mitch Coodley/BMI | 120 | |
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00:30 | The Time | 7 | Chillout | New age female vocals over gently shifting ambient pads and light club beat under guitar melodies | Mitch Coodley/BMI | 130 | |
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00:30 | World Peace | 8 | Chillout | Worldly, swelling, peaceful, positive atmosphere over light tribal beat with wood flutes | Mitch Coodley/BMI | 120 | |
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00:30 | Breakfast On The Veranda | 7 | Cute 'n' Kitschy | Langorous French-romantic kitsch with female la-las and bossa guitars | Allen Carrescia/ASCAP | 118 | |
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00:30 | Dapper Tapper | 7 | Cute 'n' Kitschy | Pretty ironic elevator music with pecky flute over sliding guitars | Allen Carrescia/ASCAP | 136 | |
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00:30 | Dressed And Buttoned-Up | 7 | Cute 'n' Kitschy | Kitschy bossa with pecky trumpet and male vocal das | Allen Carrescia/ASCAP | 136 | |
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00:30 | Love In The Air | 7 | Cute 'n' Kitschy | Kitschy '70s TV love theme with male aahs and pretty bells | Allen Carrescia/ASCAP | 140 | |
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00:30 | Ooh La La | 7 | Cute 'n' Kitschy | Plaintive wah wah guitar lead over cheesy organ, then melodramatic male "ooh la la" | Allen Carrescia/ASCAP | 116 | |
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00:30 | After All | 7 | Downtempo Lounge | Smokey lounge with lightly pulsing keys, guitar top notes, light chugging groove | Bryan Nelson/ASCAP | 90 | |
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00:30 | City Glow | 7 | Downtempo Lounge | Dreamy lounge with guitar solo and light pulsing rhythm and bell accents | Bryan Nelson/ASCAP | 125 | |
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00:30 | Horizons | 7 | Downtempo Lounge | Moody dulcimer-guitar patterns with delay claps, piano and reverb drums | Bryan Nelson/ASCAP | 115 | |
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00:30 | Who Knows | 7 | Downtempo Lounge | Light lounge under repeating descending harp arpeggios for an almost-upbeat groove | Bryan Nelson/ASCAP | 110 | |
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00:30 | Birth Of A Monarch | 7 | Drama Kings | Sweet pastoral open, stately pattern, explosive fanfare hits @:53 into regal theme with big finish | Mitch Coodley/BMI | 134 | |
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00:30 | Forest Green | 7 | Drama Kings | Poignant gestural theme. Lilting sections, light bg, then sweet guitar-piano melody | Mitch Coodley/BMI | 120 | |
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00:30 | Journey To Oz | 8 | Drama Kings | Fantasy opening into broad heroic brass theme w/hits, bridge with sidechain pulse, swells, atmosphere | Mitch Coodley/BMI | 130 | |
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00:30 | Lonely Winter | 7 | Electro Dance | Female vocal song. Moody house, yearning lyrics, light tech drums, sweeps, dark synths, pulsing bass | Tim Kvasnosky/ASCAP | 134 | |
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00:30 | Taste Of The Night | 7 | Electro Dance | Female vocal song. Easy yet moody light tech with deep house pulse, sexy mischievous vocals | Tim Kvasnosky/ASCAP | 120 | |
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00:30 | Closest Kin | 2 | Epic Narrative | Lightly pulsing, positive underscore with worldly atmosphere | Mitch Coodley/BMI | 80 | |
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01:00 | Dreams Of Conquest | 10 | Epic Narrative | Light ostinato strings build to broad theme of hope amid struggle to heroic finish - huge backend | Mitch Coodley/BMI | 142 | |
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00:30 | Heart Of Steel | 9 | Epic Narrative | Icy landscape, female choir, swelling brass lead to emotional triumph and exhilaration, big backend | Mitch Coodley/BMI | 116 | |
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03:52 | Humans Win | 7 | Epic Narrative | Delicate intro, swelling build into ostinato, broad cinematic theme w/big drums, orch, choir, big backend | Mitch Coodley/BMI | 90 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | The Glass Half Full | 3 | Epic Narrative | Light optimistic strings become more serious, worldly. Hope against struggle | Mitch Coodley/BMI | 140 | |
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02:37 | Ways Of The Ocean | 1 | Epic Narrative | Warm, ambient, atmospheric feel speaks of the natural cycle of life | Mitch Coodley/BMI | 120 | |
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00:30 | Beautiful America | 7 | Film Score | Intimate shimmering piano pulsing into explosive fireworks, with elements of minimalism, classical and pop | Gabriel Hays/BMI | 130 | |
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00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |
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00:30 | Lift Up And Carry | 7 | Film Score | Poignant, sweeping romantic strings and intimate flute create a bittersweet nostalgia | Gabriel Hays/BMI | 80 | |
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00:30 | Memento | 7 | Film Score | Plucky marimba pattern under clarinet/flute theme - serious yet quirky | Gabriel Hays/BMI | 129 | |
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00:30 | Just For Fun | 7 | Good And Better | Easy, loping, playful shuffle, touch of reggae for everyday lightness | Andy Snitzer/ASCAP | 126 | |
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00:30 | Local Hero | 7 | Good And Better | Happy, positive steady 4/4 groove with a warm mood | Andy Snitzer/ASCAP | 114 | |
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00:30 | The Right Moment | 7 | Good And Better | Breezy smooth groove with a touch of romance | Andy Snitzer/ASCAP | 75 | |
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00:30 | Time's Plus | 7 | Good And Better | Moderate pattern pulse builds layers for news or business | Andy Snitzer/ASCAP | 107 | |
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00:30 | Clean As A Whistle | 7 | Homespun | Sweet, lighthearted simple whistling tune with guitar, bass, uke, and pots and pans | Ann Klein/BMI | 146 | |
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00:30 | Copycat Kitten | 7 | Homespun | Light, upbeat and cute - with uke and rhythm sect. Your pet video could go viral! | Ann Klein/BMI | 136 | |
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00:30 | First Steps | 7 | Homespun | Jaunty, rhythmic kid's piano piece with acoustic guitars and bass | Ann Klein/BMI | 82.5 | |
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00:30 | Fresh Air Fun | 7 | Homespun | Infectious, happy country-western-Nashville mashup w/ fiddle, high-string guitars, rhythm | Ann Klein/BMI | 105 | |
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00:30 | Put Your Feet Up | 7 | Homespun | Sweet, lazy, laid-back relaxation with harmonica, uke and slide guitars | Ann Klein/BMI | 112 | |
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00:30 | Who Stole My Pancakes | 7 | Homespun | Sweet, joyful and playful fiddle and fingerpicking duet. Wha hoppen? | Ann Klein/BMI | 92 | |
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00:30 | Marcha | 7 | Indie Acoustic | Highway picking over easy percussion leads to a country road trip with smoky pedals | Matthew Dolland/ASCAP | 120 | |
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00:30 | Europa | 7 | Latin Pop | Dreamy, slightly trippy bossa nova with languorous sax and string leads | David Mann/ASCAP | 78 | |
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00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |
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00:30 | Big Chill | 7 | Light Acousti-Pop | Pretty, slow, mellow fingerpicked guitar over warm pads and light percussion | Deborah Difonzo/BMI | 76 | |
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00:30 | Folked Up | 7 | Light Acousti-Pop | Nice acoustic guitar picking with ultra funky deep electro-hip-hop bed | Deborah Difonzo/BMI | 88 | |
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00:30 | Slow Stepping | 7 | Light Acousti-Pop | Easy folkie acoustics with light funky drums. Warm string lines add dimension in chorus | Deborah Difonzo/BMI | 74 | |
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00:30 | Warm Nights | 7 | Light Acousti-Pop | Nice acoustic guitar picking with easy, dry beat, adding mandolin and dreamy pads | Deborah Difonzo/BMI | 78 | |
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00:53 | A Look Back | 1 | Light Docu-Drama | Watery intro to pattern piano creates introspective reflective mood | Mitch Coodley/BMI | 100 | |
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02:04 | Fragile Water | 1 | Light Docu-Drama | Silvery shimmering pads under evocative bass flute theme | Mitch Coodley/BMI | 85 | |
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02:10 | Growing Pains | 1 | Light Docu-Drama | Slow rising drone, soft piano patterns, touching and reflective growth | Mitch Coodley/BMI | 100 | |
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02:39 | Introspection | 1 | Light Docu-Drama | Gestural, lilting reflective memory with pregnant pauses, sense of innocence | Mitch Coodley/BMI | 100 | |
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03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |
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03:26 | Piece of My Heart | 1 | Light Docu-Drama | Solo violin pattern over light orchestra leads to sweet, childlike emotional theme | Mitch Coodley/BMI | 100 | |
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02:24 | Wheel of Life | 1 | Light Docu-Drama | Gentle piano pulse, slow emotional build, lovely cello theme, soft close | Mitch Coodley/BMI | 100 | |
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00:30 | Forward Look | 7 | Light Tech/Corporate | Lilting marimba patterns over pretty keyboards, minimalist patterns - build to easy positive groove | Robert Allaire/ASCAP | 127 | |
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00:30 | Good Connections | 7 | Light Tech/Corporate | Light drum/rhythm loop with piano under flutey positive melody | Robert Allaire/ASCAP | 80 | |
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00:30 | Processing Power | 7 | Light Tech/Corporate | Trolling, lightly percussive, new-agey organic tech piece with glass melody pads and hanging synths | Robert Allaire/ASCAP | 100 | |
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00:30 | Thinkspace | 7 | Light Tech/Corporate | Light percussion and keyboards create motion-positive train of thought | Robert Allaire/ASCAP | 116 | |
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00:30 | Arabian Dunes | 7 | Middle East Cinematic | Mideast/world percussion with dark, alluring, female Arabic vocals, strings, flute | Tristan Alexia/ASCAP | 120 | |
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01:36 | Dawning Realization | 1 | Mystery & Crime 1 | Investigation and human drama. Pulsing bass, light dramatic orchestral theme, elect. guitar | Mitch Coodley/BMI | 80 | |
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01:00 | Family Loss | 1 | Mystery & Crime 1 | Loved ones left behind. Wistful piano with warm pads and light percussion | Mitch Coodley/BMI | 70 | |
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01:20 | Lost Lovers | 1 | Mystery & Crime 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | 95 | |
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01:02 | The Jury Is Out | 1 | Mystery & Crime 1 | Difficult waiting game. Pensive melodrama, pulsing chords, strings, percussion | Mitch Coodley/BMI | 120 | |
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01:02 | The Morning Before | 1 | Mystery & Crime 1 | Sunrise in an ordinary town. Calm before the storm | Mitch Coodley/BMI | 100 | |
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01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |
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01:00 | Why Did This Happen | 1 | Mystery & Crime 1 | Gentle human tragedy. Sad piano ballad with modulating synths and low drone | Mitch Coodley/BMI | 100 | |
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01:46 | Crime's Whys | 1 | Mystery & Crime 2 | Dark eerie crime scene. Sweeping pads and low drum and bass pulse, not too tense | Jonathan Perl/ASCAP | 94 | |
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02:08 | Nightsteps | 1 | Mystery & Crime 2 | Simple low tension. Warbling light pulse under compelling pads - easy pulse with some swells | Jonathan Perl/ASCAP | 134 | |
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01:51 | Poring Over The Evidence | 1 | Mystery & Crime 2 | Procedural crime drama, time passing. Pulsing light synths under ambiguous swelling pads | Tristan Alexia/ASCAP | 120 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | New Tricks | 4 | Picture This Song | Male vocal. Pop/reggae. Bouncy, fun. New girl's a red zone case - where's Cesar Millan? | Jay Harper/ASCAP | 75 | |
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00:30 | Back Home | 3 | Poignant Piano | Warm folkloric song with simple melody and touch of poignant happy/sad reminiscence | Kana Kamitsubo/ASCAP | 93 | |
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00:39 | Color Splash | 3 | Poignant Piano | Sparkling chordal splashes create color pallete of warmth amd serenity | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Gentle Flow | 3 | Poignant Piano | Light tinkly piano creates a gentle innocent mood with a meditative quality and hint of sadness | Kana Kamitsubo/ASCAP | 150 | |
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00:30 | Just Between Us | 3 | Poignant Piano | Lilting minor key love theme builds into rich emotional longing | Kana Kamitsubo/ASCAP | 68 | |
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00:30 | Let It Go | 3 | Poignant Piano | New-Age, ambiguous, open chords lead to light cascades of falling tension and relief | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Lovers | 3 | Poignant Piano | Melodic major to minor theme with light dramatic undertone and cycle of fiths chord pattern | Kana Kamitsubo/ASCAP | 88 | |
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00:33 | Pulse Of Life | 3 | Poignant Piano | Gentle warm chord pattern leads to a poignant melody | Kana Kamitsubo/ASCAP | 125 | |
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00:30 | Ringbearers | 3 | Poignant Piano | Light new-age/classical round a/la Pachelbel Canon, gentle processional feel nice for wedding | Kana Kamitsubo/ASCAP | 94 | |
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00:33 | Springtime | 3 | Poignant Piano | Twinkly falling gentle arpeggios creating a springlike warmth rising skyward. Smile through one's tears | Kana Kamitsubo/ASCAP | 96 | |
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00:30 | Watercolors | 3 | Poignant Piano | Soft, bight watery arpeggios in free time create a timeless magical mood | Kana Kamitsubo/ASCAP | Free | |
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00:30 | Meet Cute | 7 | Positivity | Plucky, light, happy froth over an almost funky beat with guitars and processed mandolin | Lucy Coodley/ASCAP | 120 | |
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00:30 | Quiet Cool | 7 | Positivity | Cool jazzy lounge with techy backing under soft keyboard and jazz guitar octaves | Mitch Coodley/BMI | 120 | |
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00:30 | Soft Then Loud | 7 | Positivity | Intro soft pads under guitar picks and perc, then hit hard with sustained crunch -anthemic joyous feel | Lucy Coodley/ASCAP | 126 | |
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00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 | |
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00:30 | Vacation | 7 | The Kids Are All Rock | Acoustic picking and irresistibly perky whistled hook. Upbeat hook features light keyboard theme with hand claps | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 134 | |
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00:44 | Balance Of Nature | 1 | Wildlife Documentary | Plucky, positive light percussion with acoustic guitar | Mitch Coodley/BMI | 135 | |
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02:28 | Call Of The Wild | 1 | Wildlife Documentary | Lonely alto flute, airy, a sense of loss, soft sustained chords, lots of space, positive end | Mitch Coodley/BMI | 124 | |
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00:42 | Close Reflection | 1 | Wildlife Documentary | Open sky feel, acoustic guitar echoes with airy pad, instrospective | Mitch Coodley/BMI | 134 | |
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02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |
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01:34 | Death And Rebirth | 1 | Wildlife Documentary | Slow mournful elegy with story arc - becomes hopeful @ 1:00 to wistful quiet end | Mitch Coodley/BMI | 124 | |
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00:43 | Easy Passage | 1 | Wildlife Documentary | Positive forward motion - plucky blend of acoustic guitar strums and light percussion | Mitch Coodley/BMI | 135 | |
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02:12 | Follow Their Footsteps | 1 | Wildlife Documentary | Light anticipation, moderate positive, fast pulsing world, jungle orchestral | Mitch Coodley/BMI | 140 | |
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04:00 | Islands In The Sun | 1 | Wildlife Documentary | Transparent strings and percussion, airy and mild theme then light island feel | Mitch Coodley/BMI | 135 | |
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01:40 | Land Of The Jaguar | 1 | Wildlife Documentary | Light Latin flavor groove with nylon guitar, perc. - interlude turns to sustained strings | Mitch Coodley/BMI | 129 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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00:42 | Morning Tide | 1 | Wildlife Documentary | Rolling new-age piano pattern and high strings create a serene atmosphere | Mitch Coodley/BMI | 135 | |
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01:05 | Moving West | 1 | Wildlife Documentary | Soft open atmosphere, then acoustic gtr and strings open up the range | Mitch Coodley/BMI | 135 | |
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00:39 | Nature Marches On | 1 | Wildlife Documentary | Time passing - easy but serious, simple patterns, piano and strings, generic drama | Mitch Coodley/BMI | 135 | |
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00:42 | On The Prowl | 1 | Wildlife Documentary | Slightly dramatic, mild tension and anticipation with strings and bow harp | Mitch Coodley/BMI | 135 | |
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02:22 | Quiet Earth | 1 | Wildlife Documentary | Light atmosphere, soft percussion, keyboards for intimate mood | Mitch Coodley/BMI | 135 | |
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00:53 | River Valley | 1 | Wildlife Documentary | Slow piano folk song with a wistful poignancy | Mitch Coodley/BMI | 120 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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00:53 | Serengeti Return | 1 | Wildlife Documentary | Rolling positive forward motion with an African 12/8 feel, percussion and strings | Mitch Coodley/BMI | 124 | |
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00:26 | Soft Pulses | 1 | Wildlife Documentary | Flute and acoustic guitar pulse create steady, light, easy looping moion | Mitch Coodley/BMI | 80 | |
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01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |
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01:18 | Steady Move Loop | 1 | Wildlife Documentary | Plucky, neutral, light textural loop - easy forward motion | Mitch Coodley/BMI | 135 | |
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01:03 | The Lifecycle | 1 | Wildlife Documentary | Slow, lovely orchestral string theme-poignant and wistful then hopeful | Mitch Coodley/BMI | 97 | |
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02:03 | They Fenced The West | 1 | Wildlife Documentary | Easy Copeland-esque Western feel of open prairie, strings, piano, lonely finish | Mitch Coodley/BMI | 135 | |
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00:36 | Touring The Land | 1 | Wildlife Documentary | Light, happy jaunty feel for exotic travel or sightseeing the wild | Mitch Coodley/BMI | 124 | |
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00:30 | Andean Heights | 7 | World Adventure | Charge up Machu Pichu on a dangerous high-altitude adventure - with ocarina and canon | Gabriel Hays/BMI | 115 | |
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00:30 | Game Park | 7 | World Adventure | Beautiful Kora and driving Djembe invite you on an expansive pan-African eco-tour | Gabriel Hays/BMI | 130 | |
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00:30 | Little Asia | 7 | World Adventure | Pan Asian spin through Indonesia, Vietnam and Japan, w/Vietnamese bells and shakuhachi | Gabriel Hays/BMI | 120 |