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Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
Aggressive (49)
Anticipation (88)
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Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Candy Boy | 7 | Acoustic With Benefits | Old-school dark, low, vibrato, minor key lead guitar over bluesy vamping acoustic and tom-tom groove | Lucy Coodley/ASCAP | 110 | |
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01:51 | Schubert - Moments Musicaux in F min. Op. 94 No.3 | 1 | Classical Piano | Classical, romantic | F. Schubert/None, Arr. Jacob Rhodebeck/ASCAP | 80 | |
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00:30 | Double-O Eight | 7 | Drama Kings | Dangerous breakbeat with adventurous strings, mod synths, hits, breaks. Shaken, not stirred | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Journey To Oz | 8 | Drama Kings | Fantasy opening into broad heroic brass theme w/hits, bridge with sidechain pulse, swells, atmosphere | Mitch Coodley/BMI | 130 | |
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00:30 | Lies | 9 | Drama Kings | Brooding, dark open, build to mod. at 1:05 - then 4/4 kick under orch. suspense. Big hits in :30alt | Mitch Coodley/BMI | 130 | |
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00:30 | Stiletto | 7 | Drama Kings | Pulsing glam-step with an urban adventure feel and funky touch of sex appeal | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 125.7 | |
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00:30 | Warrior's Dream | 11 | Drama Kings | Quiet minor key anticipation, sturdy ostinato, broad heroic brass theme, bridge and swells | Mitch Coodley/BMI | 130 | |
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00:30 | Galaxy Class Fallout | 7 | Electro Dance | Four-on-the-floor trance, dark and robotic, heavy synths, cool breaks from abstract intro | Krishna Venkatesh/ASCAP | 144 | |
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00:30 | Justice League | 7 | Electro Dance | Popping grinding electrofunk, heavy downbeat with skanky synths over hard dance groove | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Whack Tek | 7 | Electro Dance | Sputtering super-fast techno with bleepy synths, wiry bluesy bass, insistent drums, bubbling pads | Mitch Coodley/BMI | 160 | |
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00:30 | Closest Kin | 2 | Epic Narrative | Lightly pulsing, positive underscore with worldly atmosphere | Mitch Coodley/BMI | 80 | |
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00:30 | Heart Of Steel | 9 | Epic Narrative | Icy landscape, female choir, swelling brass lead to emotional triumph and exhilaration, big backend | Mitch Coodley/BMI | 116 | |
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03:53 | New Kingdom | 2 | Epic Narrative | Slow brooding open to impending swells, building to triumphant theme w/orchestra and choir | Mitch Coodley/BMI | 110 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | The Glass Half Full | 3 | Epic Narrative | Light optimistic strings become more serious, worldly. Hope against struggle | Mitch Coodley/BMI | 140 | |
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00:30 | American Field | 7 | Film Score | Lively Americana, broad orchestral theme with an open plains feel | Gabriel Hays/BMI | 142 | |
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00:30 | Return Of The Hero | 7 | Film Score | A triumphant warrior returns home. Sweeping string gestures and intimate woodwinds. | Gabriel Hays/BMI | 105 | |
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00:30 | Winning The Uphill Battle | 7 | Film Score | Exciting, inspirational battle music - great for charging up sports action and drama | Gabriel Hays/BMI | 130 | |
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00:30 | Ajanta Calling | 7 | Indian Pop | Downtempo dramatic breakbeat with electronica/raga over drum and tabla mix with female vocal and violin | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | Andaman Islands | 7 | Indian Pop | World mix of raga and loping medium hip-hop beat with violin over a lightly dramatic bed | Krishna Venkatesh/ASCAP | 92 | |
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00:30 | Basement Bhangra | 7 | Indian Pop | Dance mix of electronica and Indian mambo-like fusion with breaks, licks and fills | Krishna Venkatesh/ASCAP | 106 | |
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00:30 | Dosa Doe | 7 | Indian Pop | Solid 4/4 dance beat under sitar licks with electronic bass and dramatic synth/string swells and female vocal | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |
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00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |
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00:30 | Ghetto Deity | 7 | Indian Pop | Medium breakbeat and dark electronica with low flute, female and male vocal themes and shenai | Krishna Venkatesh/ASCAP | 96 | |
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00:30 | Gopis Calling | 7 | Indian Pop | Slow female vocal morphs into moody film cue like Indian pop-fusion with flute fills | Krishna Venkatesh/ASCAP | 100 | |
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00:30 | Juluka Dance | 7 | Indian Pop | Uptempo dance-pop with group yells, zithers, tablas, drums and breaks | Krishna Venkatesh/ASCAP | 115 | |
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00:30 | Kolkatta Chase | 7 | Indian Pop | Light energetic mix of fast rhythmic vocals over double-time tabla and dramatic violin section licks | Krishna Venkatesh/ASCAP | 102 | |
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00:30 | On The Rocks | 7 | Indie Acoustic | Fast 8th note low riffs builds with anthemic delayed electric lead pattern | Matthew Dolland/ASCAP | 150 | |
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02:04 | Fragile Water | 1 | Light Docu-Drama | Silvery shimmering pads under evocative bass flute theme | Mitch Coodley/BMI | 85 | |
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03:26 | Passages | 1 | Light Docu-Drama | Richly textured landscape for a long journey to a grand finish | Mitch Coodley/BMI | 134 | |
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00:30 | Arabian Dunes | 7 | Middle East Cinematic | Mideast/world percussion with dark, alluring, female Arabic vocals, strings, flute | Tristan Alexia/ASCAP | 120 | |
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00:30 | Desert Extraction | 7 | Middle East Cinematic | Tense, mysterious, Middle East-West action adventure with vocal colors, crunch guitars, percussion | Tristan Alexia/ASCAP | 125 | |
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00:30 | Harem Scarem | 7 | Middle East Cinematic | Cool, throbbing Middle Eastern dance track with evocative vocals, drums, percussion, drones | Tristan Alexia/ASCAP | 120 | |
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00:30 | In The Bazaar | 7 | Middle East Cinematic | Moody Middle Eastern drama featuring ouds and plucked strings over driving percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Mesopotamia | 7 | Middle East Cinematic | Dramatic drones under tribal Middle East/Asian percussion groove, woodwinds, sultry female vocals | Tristan Alexia/ASCAP | 105 | |
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00:30 | Militant Surveillance | 7 | Middle East Cinematic | Dark, threatening Middle Eastern drama with doudouks, tampuras, square bass recorder, percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Nomadic Journey | 7 | Middle East Cinematic | Afghan rabab leads sinuous percussive journey w/various Middle Eastern strings | Tristan Alexia/ASCAP | 107 | |
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00:30 | Oil Reserve | 7 | Middle East Cinematic | Dark, forboding Middle Eastern theme featuring distressed doudouks, zithers, percussion | Tristan Alexia/ASCAP | 108 | |
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00:30 | Persian Gulf | 7 | Middle East Cinematic | Evocative, dramatic Middle-Eastern/orchestral narrative with Arabic female vocal | Tristan Alexia/ASCAP | 110 | |
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00:30 | Sand Storm | 7 | Middle East Cinematic | Middle Eastern world-rock w/ crunch gtrs, bansuri, tampura, dulcimer, drums, percussion | Tristan Alexia/ASCAP | 120 | |
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01:22 | Death Be Not Pretty | 1 | Mystery & Crime 1 | Dark brooding atmosphere. Evolving drones swell into pulsing strings and patterns | Mitch Coodley/BMI | 140 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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01:03 | Who's In There | 1 | Mystery & Crime 1 | Ominous crime scene. Threatening drone, scary pads, bells and processed colors | Mitch Coodley/BMI | 90 | |
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00:30 | Quiet Cool | 7 | Positivity | Cool jazzy lounge with techy backing under soft keyboard and jazz guitar octaves | Mitch Coodley/BMI | 120 | |
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00:30 | Beat The Clock | 7 | Reality TV | Cascading strings plunge into a ticking dramatic pulse with periods of high-tension quandary | Mitch Coodley/BMI | 140 | |
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00:30 | Chasing The Money | 7 | Reality TV | Fast paced pulsing drama with a mix of fun and fear techno orchestra | Mitch Coodley/BMI | 149 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Making Time | 7 | Reality TV | Fast, low chugging dark drama techno with moody sequencers and guitar | Mitch Coodley/BMI | 132 | |
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00:30 | Strategize | 7 | Reality TV | Thoughtful but energetic string patterns over percussion w/piano pattern pulse | Mitch Coodley/BMI | 140 | |
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00:30 | Breakbeat Of Champions | 7 | Testosterone | Uptempo electro-breakbeat with gritty guitars and heavily syncopated synths and stutter edits | Deborah Difonzo/BMI | 140 | |
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00:30 | Evil Genius | 7 | Testosterone | Wiry synths into pounding tech with some low bendy guitars and percussive ear candy | Deborah Difonzo/BMI | 140 | |
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00:30 | Avalanche | 7 | The Kids Are All Rock | Shimmering electronic atmospherics lead to upbeat rollicking rock chorus and catchy vocal hook | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 139 | |
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00:30 | Power Pill | 7 | The Kids Are All Rock | Quick, tight pounding drums, high shimmering guitar harmonics and thematic leads into light power crunch | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 160 | |
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01:35 | Cold Winter Range | 1 | Wildlife Documentary | Lonely alto flute, cool transparent pulse, desolate and sad then hopeful @ 1:00 | Mitch Coodley/BMI | 124 | |
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01:43 | Into The Wild | 1 | Wildlife Documentary | Bold panoramic foray into the wild, with quiet, intimate middle | Mitch Coodley/BMI | 124 | |
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01:51 | On Safari | 1 | Wildlife Documentary | African drums set the scene for exotic wildlife on the move | Mitch Coodley/BMI | 124 | |
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00:51 | Out Of The Wild | 1 | Wildlife Documentary | Happy world, orchestral theme with vocal oohs and African perciussion | Mitch Coodley/BMI | 124 | |
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03:17 | Serengeti | 1 | Wildlife Documentary | Light percussive anticipation under cello theme, movement into uncertain poignancy | Mitch Coodley/BMI | 124 | |
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00:53 | Serengeti Return | 1 | Wildlife Documentary | Rolling positive forward motion with an African 12/8 feel, percussion and strings | Mitch Coodley/BMI | 124 | |
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02:03 | They Fenced The West | 1 | Wildlife Documentary | Easy Copeland-esque Western feel of open prairie, strings, piano, lonely finish | Mitch Coodley/BMI | 135 | |
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00:36 | Touring The Land | 1 | Wildlife Documentary | Light, happy jaunty feel for exotic travel or sightseeing the wild | Mitch Coodley/BMI | 124 | |
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00:43 | Western Loop | 1 | Wildlife Documentary | Positive motion, American West flavor with bouncy marcato strings - looping phrase | Mitch Coodley/BMI | 135 | |
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00:30 | Hun Gary | 7 | World Adventure | Hurdy-gurdy drives a relentless boar (or man) hunt through the dark forests of Hungary | Gabriel Hays/BMI | 93 | |
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00:30 | Poppy Trail | 7 | World Adventure | Dark simmering drums, Persian/Middle Eastern drama featuring duduk. Persia/Middle East | Gabriel Hays/BMI | 98 | |
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00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 | |
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00:30 | Where In The World | 7 | World Adventure | Watch your back when traveling alone through Turkmenistan, feat. darbuka and duduk | Gabriel Hays/BMI | 120 |