Search Music
Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Just Say Yes | 7 | Acoustic With Benefits | Light acoustic rhythm guitar and mandolin textures, steady positive organic groove, optimistic melody | Lucy Coodley/ASCAP | 85 | |
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00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |
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00:30 | Here I Go | 7 | All Natural Acoustic | Female vocal. Easy, sweet, innocent going-on-a-journey song with guitar and banjo | Matthew Dolland/ASCAP | 85 | |
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00:30 | That Face | 7 | All Natural Acoustic | Jaunty, whimsical little two-guitar ditty with a moderate folksy swing feel | Mitch Coodley/BMI | 120 | |
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00:30 | The Missing Piece | 7 | All Natural Acoustic | Dark bluesy acoustic picking and retro slide over light train-groove snare | Matthew Dolland/ASCAP | 94 | |
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00:30 | The Way Down | 7 | All Natural Acoustic | Soft acoustic strumming and bright melody with a warm, folkloric flavor | Matthew Dolland/ASCAP | 90 | |
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00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |
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00:30 | Dressed And Buttoned-Up | 7 | Cute 'n' Kitschy | Kitschy bossa with pecky trumpet and male vocal das | Allen Carrescia/ASCAP | 136 | |
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00:30 | Jazzercizin' | 7 | Cute 'n' Kitschy | Light samba rhythm section under tongue-in-cheek slide guitar melody | Allen Carrescia/ASCAP | 116 | |
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00:30 | Ooh La La | 7 | Cute 'n' Kitschy | Plaintive wah wah guitar lead over cheesy organ, then melodramatic male "ooh la la" | Allen Carrescia/ASCAP | 116 | |
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00:30 | Psychotic Polka | 7 | Cute 'n' Kitschy | Slap-happy polka with guitars over tuba ala Curb | Allen Carrescia/ASCAP | 116 | |
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00:30 | Slap Happy | 7 | Cute 'n' Kitschy | Funky, cute happy kitsch with guitars, organ and bari sax | Allen Carrescia/ASCAP | 128 | |
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00:30 | Forest Green | 7 | Drama Kings | Poignant gestural theme. Lilting sections, light bg, then sweet guitar-piano melody | Mitch Coodley/BMI | 120 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |
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00:30 | Lift Up And Carry | 7 | Film Score | Poignant, sweeping romantic strings and intimate flute create a bittersweet nostalgia | Gabriel Hays/BMI | 80 | |
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00:30 | Local Hero | 7 | Good And Better | Happy, positive steady 4/4 groove with a warm mood | Andy Snitzer/ASCAP | 114 | |
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00:30 | Clean As A Whistle | 7 | Homespun | Sweet, lighthearted simple whistling tune with guitar, bass, uke, and pots and pans | Ann Klein/BMI | 146 | |
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00:30 | Copycat Kitten | 7 | Homespun | Light, upbeat and cute - with uke and rhythm sect. Your pet video could go viral! | Ann Klein/BMI | 136 | |
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00:30 | Family Pack | 7 | Homespun | It's all good. Easy, upbeat family fun with loping guitars, mandolins and ukes | Ann Klein/BMI | 104 | |
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00:30 | Fresh Air Fun | 7 | Homespun | Infectious, happy country-western-Nashville mashup w/ fiddle, high-string guitars, rhythm | Ann Klein/BMI | 105 | |
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00:30 | Get Them Pups | 7 | Homespun | Pups on the move! Humorous, witty old-time two-step with clarinet, banjo, upright bass | Ann Klein/BMI | 208 | |
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00:30 | Who Stole My Pancakes | 7 | Homespun | Sweet, joyful and playful fiddle and fingerpicking duet. Wha hoppen? | Ann Klein/BMI | 92 | |
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00:30 | After Hours | 7 | Indie Acoustic | Steady 8th note strumming over drum groove with light atmospheric pad and piano | Matthew Dolland/ASCAP | 120 | |
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00:30 | Al Fresco | 7 | Indie Acoustic | Building, moody vibe with forward motion travis picking acoustic and swelling atmospheric pads | Matthew Dolland/ASCAP | 116 | |
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00:30 | I Know You Do | 7 | Indie Acoustic | Light country folk-rock with a slightly trashy backbeat and simple picking | Matthew Dolland/ASCAP | 140 | |
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00:30 | Marcha | 7 | Indie Acoustic | Highway picking over easy percussion leads to a country road trip with smoky pedals | Matthew Dolland/ASCAP | 120 | |
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00:30 | Places | 7 | Indie Acoustic | Simple strumming and pattern pulse on a medium groove with an almost poignant mood | Matthew Dolland/ASCAP | 120 | |
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00:30 | There Was Nothing | 7 | Indie Acoustic | Basic alt. rock rhythm section with easy 8th note guitar pulse and simple piano lead | Matthew Dolland/ASCAP | 118 | |
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00:30 | What I Am | 7 | Indie Acoustic | Dark muted picking over steady tom-tom parts and pattern pulse guitar | Matthew Dolland/ASCAP | 115 | |
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00:30 | Volver a mi | 5 | Latin Pop | Male Spanish vocals "Coming Back To Myself". Pulsing Latin ballad with anthemic hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 87 | |
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00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |
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00:30 | Slow Stepping | 7 | Light Acousti-Pop | Easy folkie acoustics with light funky drums. Warm string lines add dimension in chorus | Deborah Difonzo/BMI | 74 | |
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00:30 | Warm Nights | 7 | Light Acousti-Pop | Nice acoustic guitar picking with easy, dry beat, adding mandolin and dreamy pads | Deborah Difonzo/BMI | 78 | |
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02:10 | Growing Pains | 1 | Light Docu-Drama | Slow rising drone, soft piano patterns, touching and reflective growth | Mitch Coodley/BMI | 100 | |
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03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |
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02:24 | Wheel of Life | 1 | Light Docu-Drama | Gentle piano pulse, slow emotional build, lovely cello theme, soft close | Mitch Coodley/BMI | 100 | |
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01:20 | Lost Lovers | 1 | Mystery & Crime 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | 95 | |
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01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |
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01:00 | Why Did This Happen | 1 | Mystery & Crime 1 | Gentle human tragedy. Sad piano ballad with modulating synths and low drone | Mitch Coodley/BMI | 100 | |
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00:30 | 40 Carat Diamond | 4 | Picture This Song | Male vocal. Moody alt/folk ballad with gentle build. Poetic lyrics about light and feeling alive | Jay Harper/ASCAP | 62.5 | |
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00:30 | In Flames | 4 | Picture This Song | Male/Female vocals. Alt-pop, unsettling, moody, poignant, evocative ballad; "We'l all go down in flames" | Jay Harper/ASCAP | 83 | |
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00:30 | New Tricks | 4 | Picture This Song | Male vocal. Pop/reggae. Bouncy, fun. New girl's a red zone case - where's Cesar Millan? | Jay Harper/ASCAP | 75 | |
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00:30 | Back Home | 3 | Poignant Piano | Warm folkloric song with simple melody and touch of poignant happy/sad reminiscence | Kana Kamitsubo/ASCAP | 93 | |
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00:30 | Just Between Us | 3 | Poignant Piano | Lilting minor key love theme builds into rich emotional longing | Kana Kamitsubo/ASCAP | 68 | |
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00:30 | Lovers | 3 | Poignant Piano | Melodic major to minor theme with light dramatic undertone and cycle of fiths chord pattern | Kana Kamitsubo/ASCAP | 88 | |
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00:33 | Pulse Of Life | 3 | Poignant Piano | Gentle warm chord pattern leads to a poignant melody | Kana Kamitsubo/ASCAP | 125 | |
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00:30 | Ringbearers | 3 | Poignant Piano | Light new-age/classical round a/la Pachelbel Canon, gentle processional feel nice for wedding | Kana Kamitsubo/ASCAP | 94 | |
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00:33 | Springtime | 3 | Poignant Piano | Twinkly falling gentle arpeggios creating a springlike warmth rising skyward. Smile through one's tears | Kana Kamitsubo/ASCAP | 96 | |
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00:30 | Sunny Side | 7 | Positivity | Easy, carefree jazz swing quartet with Goodman style clarinet – relaxed and happy | Lucy Coodley/ASCAP | 160 | |
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00:30 | Wake Up Kitty | 7 | Positivity | Easy, loping, acoustic folk rock backing a clean tremolo lead melody | Lucy Coodley/ASCAP | 157 | |
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00:30 | Vacation | 7 | The Kids Are All Rock | Acoustic picking and irresistibly perky whistled hook. Upbeat hook features light keyboard theme with hand claps | Daniel McKay/ASCAP, Joseph Kelly/ASCAP | 134 | |
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00:42 | Close Reflection | 1 | Wildlife Documentary | Open sky feel, acoustic guitar echoes with airy pad, instrospective | Mitch Coodley/BMI | 134 | |
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02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |
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00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |
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00:53 | River Valley | 1 | Wildlife Documentary | Slow piano folk song with a wistful poignancy | Mitch Coodley/BMI | 120 | |
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01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |
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02:03 | They Fenced The West | 1 | Wildlife Documentary | Easy Copeland-esque Western feel of open prairie, strings, piano, lonely finish | Mitch Coodley/BMI | 135 | |
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00:43 | Western Loop | 1 | Wildlife Documentary | Positive motion, American West flavor with bouncy marcato strings - looping phrase | Mitch Coodley/BMI | 135 | |
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00:30 | Journey To The Old World | 7 | World Adventure | Ancient meets new China. Air of mystery, sadness, and tension featuring cimbalom and ehru | Gabriel Hays/BMI | 101 |