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Songs
Click on song titles to see all versions.
Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
---|---|---|---|---|---|---|---|---|---|
00:30 | Green Days | 7 | Acoustic With Benefits | Bright, sparkling synth sequence sets up a sunny positive groove with some thoughtful moments | Lucy Coodley/ASCAP | 120 | |||
00:30 | Sheep's Meadow | 7 | Acoustic With Benefits | Heather-light highlands feel mandolin and acoustic guitars get a bit moody over light light alt-rock groove | Lucy Coodley/ASCAP | 115 | |||
00:30 | Since Then | 7 | Acoustic With Benefits | Soft acoustic pattern under a sweet, sentimental, lilting melody with light brushes | Lucy Coodley/ASCAP | 113 | |||
00:30 | Soft Mountains | 7 | Acoustic With Benefits | Slow, minimal, ringing acoustic guitar picking creates a poignant, introspective mood | Lucy Coodley/ASCAP | 90 | |||
00:30 | Coming Of Age | 7 | All Natural Acoustic | Gently pulsing guitar and piano ostinato under poignant alto flute melody then nylon gtuitar solo | Mitch Coodley/BMI | 120 | |||
00:30 | Here I Go | 7 | All Natural Acoustic | Female vocal. Easy, sweet, innocent going-on-a-journey song with guitar and banjo | Matthew Dolland/ASCAP | 85 | |||
00:30 | Why Kee Kee | 7 | All Natural Acoustic | Light luau fare, langorous island feel with slack key guitars, uke, lap steel | Mitch Coodley/BMI | 74 | |||
00:30 | Worth The Weight | 5 | All Natural Acoustic | Soft, nostalgic picking solo acoustic with a poignant, misty ambience | Matthew Dolland/ASCAP | 68 | |||
00:30 | Del Mar | 7 | Chillout | Soft jazzy muted trumpet plays light cool phrases over an ambient latin percussion bed | Mitch Coodley/BMI | 110 | |||
00:30 | Estrelas Brazileiras | 7 | Chillout | Swaying Brazilian bossa lounge with nylon guitar and breezy flute | Mitch Coodley/BMI | 80 | |||
00:30 | Mistral | 7 | Chillout | Gentle intro to warm ambient trumpet song with misty swells and nylon guitar | Mitch Coodley/BMI | 120 | |||
00:30 | The Corner Booth | 7 | Chillout | Lightly pulsing ambient vibe with light 4/4 kick and acoustic guitar patterns and bridge melody | Mitch Coodley/BMI | 120 | |||
00:30 | The Time | 7 | Chillout | New age female vocals over gently shifting ambient pads and light club beat under guitar melodies | Mitch Coodley/BMI | 130 | |||
00:30 | Horizons | 7 | Downtempo Lounge | Moody dulcimer-guitar patterns with delay claps, piano and reverb drums | Bryan Nelson/ASCAP | 115 | |||
00:30 | Birth Of A Monarch | 7 | Drama Kings | Sweet pastoral open, stately pattern, explosive fanfare hits @:53 into regal theme with big finish | Mitch Coodley/BMI | 134 | |||
00:30 | Journey To Oz | 8 | Drama Kings | Fantasy opening into broad heroic brass theme w/hits, bridge with sidechain pulse, swells, atmosphere | Mitch Coodley/BMI | 130 | |||
00:30 | Closest Kin | 2 | Epic Narrative | Lightly pulsing, positive underscore with worldly atmosphere | Mitch Coodley/BMI | 80 | |||
03:52 | Humans Win | 7 | Epic Narrative | Delicate intro, swelling build into ostinato, broad cinematic theme w/big drums, orch, choir, big backend | Mitch Coodley/BMI | 90 | |||
04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |||
02:37 | Ways Of The Ocean | 1 | Epic Narrative | Warm, ambient, atmospheric feel speaks of the natural cycle of life | Mitch Coodley/BMI | 120 | |||
00:30 | Life Is Like A Box Of | 7 | Film Score | Intimate and earnest, nostalgic memories featuring piano and warm flute theme | Gabriel Hays/BMI | 100 | |||
00:30 | Lift Up And Carry | 7 | Film Score | Poignant, sweeping romantic strings and intimate flute create a bittersweet nostalgia | Gabriel Hays/BMI | 80 | |||
00:30 | Motional | 7 | Good And Better | Joyous, easy upbeat positive groove with or without warm soprano sax melody | Andy Snitzer/ASCAP | 129 | |||
00:30 | Family Pack | 7 | Homespun | It's all good. Easy, upbeat family fun with loping guitars, mandolins and ukes | Ann Klein/BMI | 104 | |||
00:30 | Fields Of Ceylon | 7 | Indian Pop | Slow cool drama with fretless bass over moody pads, light tabla, flute and violin section licks | Krishna Venkatesh/ASCAP | 70 | |||
00:30 | Forbidden Wedding | 7 | Indian Pop | Raga opening into medium backbeat under Indian fusion with film score string section | Krishna Venkatesh/ASCAP | 80 | |||
00:30 | Deep House Tango | 7 | Latin Pop | Tango infused contemporary dance track with accordion, guitar, sax section | David Mann/ASCAP | 115 | |||
00:30 | Europa | 7 | Latin Pop | Dreamy, slightly trippy bossa nova with languorous sax and string leads | David Mann/ASCAP | 78 | |||
00:30 | Volver a mi | 5 | Latin Pop | Male Spanish vocals "Coming Back To Myself". Pulsing Latin ballad with anthemic hook | Ferdinand Isella/SADAIC, Luis Guillermo Cudmani/SADAIC | 87 | |||
00:30 | Afternoon Breeze | 7 | Light Acousti-Pop | Midtempo cheery acoustic guitar with lush strings and sparse tight drum bed | Deborah Difonzo/BMI | 80 | |||
00:30 | Big Chill | 7 | Light Acousti-Pop | Pretty, slow, mellow fingerpicked guitar over warm pads and light percussion | Deborah Difonzo/BMI | 76 | |||
00:53 | A Look Back | 1 | Light Docu-Drama | Watery intro to pattern piano creates introspective reflective mood | Mitch Coodley/BMI | 100 | |||
02:04 | Fragile Water | 1 | Light Docu-Drama | Silvery shimmering pads under evocative bass flute theme | Mitch Coodley/BMI | 85 | |||
02:39 | Introspection | 1 | Light Docu-Drama | Gestural, lilting reflective memory with pregnant pauses, sense of innocence | Mitch Coodley/BMI | 100 | |||
03:08 | It's Time | 1 | Light Docu-Drama | Lush pads lead to slow emotional piano chords, life story with touching ending | Mitch Coodley/BMI | 114 | |||
03:26 | Passages | 1 | Light Docu-Drama | Richly textured landscape for a long journey to a grand finish | Mitch Coodley/BMI | 134 | |||
03:26 | Piece of My Heart | 1 | Light Docu-Drama | Solo violin pattern over light orchestra leads to sweet, childlike emotional theme | Mitch Coodley/BMI | 100 | |||
02:24 | Wheel of Life | 1 | Light Docu-Drama | Gentle piano pulse, slow emotional build, lovely cello theme, soft close | Mitch Coodley/BMI | 100 | |||
00:30 | DNA Dreams | 7 | Light Tech/Corporate | Pretty harp patterns, slow dreamy groove. Light tech new-age mechanical calm | Robert Allaire/ASCAP | 77 | |||
00:30 | In The Bazaar | 7 | Middle East Cinematic | Moody Middle Eastern drama featuring ouds and plucked strings over driving percussion | Tristan Alexia/ASCAP | 120 | |||
01:20 | Lost Lovers | 1 | Mystery & Crime 1 | Gentle melodrama. Simple minor-key piano, quiet orchestra, percussion | Mitch Coodley/BMI | 95 | |||
01:01 | They Wait | 1 | Mystery & Crime 1 | Poignant family picture after a tragedy. Lilting piano, strings, bells, innocent mood | Mitch Coodley/BMI | 110 | |||
00:30 | Back Home | 3 | Poignant Piano | Warm folkloric song with simple melody and touch of poignant happy/sad reminiscence | Kana Kamitsubo/ASCAP | 93 | |||
00:39 | Color Splash | 3 | Poignant Piano | Sparkling chordal splashes create color pallete of warmth amd serenity | Kana Kamitsubo/ASCAP | Free | |||
00:30 | Gentle Flow | 3 | Poignant Piano | Light tinkly piano creates a gentle innocent mood with a meditative quality and hint of sadness | Kana Kamitsubo/ASCAP | 150 | |||
00:30 | Lovers | 3 | Poignant Piano | Melodic major to minor theme with light dramatic undertone and cycle of fiths chord pattern | Kana Kamitsubo/ASCAP | 88 | |||
00:33 | Pulse Of Life | 3 | Poignant Piano | Gentle warm chord pattern leads to a poignant melody | Kana Kamitsubo/ASCAP | 125 | |||
00:33 | Springtime | 3 | Poignant Piano | Twinkly falling gentle arpeggios creating a springlike warmth rising skyward. Smile through one's tears | Kana Kamitsubo/ASCAP | 96 | |||
00:30 | Watercolors | 3 | Poignant Piano | Soft, bight watery arpeggios in free time create a timeless magical mood | Kana Kamitsubo/ASCAP | Free | |||
00:30 | Quiet Cool | 7 | Positivity | Cool jazzy lounge with techy backing under soft keyboard and jazz guitar octaves | Mitch Coodley/BMI | 120 | |||
00:30 | Soft Then Loud | 7 | Positivity | Intro soft pads under guitar picks and perc, then hit hard with sustained crunch -anthemic joyous feel | Lucy Coodley/ASCAP | 126 | |||
00:30 | Sunny Side | 7 | Positivity | Easy, carefree jazz swing quartet with Goodman style clarinet – relaxed and happy | Lucy Coodley/ASCAP | 160 | |||
00:30 | Strategize | 7 | Reality TV | Thoughtful but energetic string patterns over percussion w/piano pattern pulse | Mitch Coodley/BMI | 140 | |||
00:44 | Balance Of Nature | 1 | Wildlife Documentary | Plucky, positive light percussion with acoustic guitar | Mitch Coodley/BMI | 135 | |||
02:28 | Call Of The Wild | 1 | Wildlife Documentary | Lonely alto flute, airy, a sense of loss, soft sustained chords, lots of space, positive end | Mitch Coodley/BMI | 124 | |||
01:35 | Cold Winter Range | 1 | Wildlife Documentary | Lonely alto flute, cool transparent pulse, desolate and sad then hopeful @ 1:00 | Mitch Coodley/BMI | 124 | |||
02:02 | Cycle Of Life | 1 | Wildlife Documentary | Slow poignant thematic strings with soft build. Wistful, happy-sad climax | Mitch Coodley/BMI | 65 | |||
02:12 | Follow Their Footsteps | 1 | Wildlife Documentary | Light anticipation, moderate positive, fast pulsing world, jungle orchestral | Mitch Coodley/BMI | 140 | |||
01:43 | Into The Wild | 1 | Wildlife Documentary | Bold panoramic foray into the wild, with quiet, intimate middle | Mitch Coodley/BMI | 124 | |||
04:00 | Islands In The Sun | 1 | Wildlife Documentary | Transparent strings and percussion, airy and mild theme then light island feel | Mitch Coodley/BMI | 135 | |||
01:40 | Land Of The Jaguar | 1 | Wildlife Documentary | Light Latin flavor groove with nylon guitar, perc. - interlude turns to sustained strings | Mitch Coodley/BMI | 129 | |||
00:56 | Life Is Fragile | 1 | Wildlife Documentary | Wistful slow rolling piano creates poignant mood leading to quiet triumph | Mitch Coodley/BMI | 124 | |||
02:30 | Loss And Return | 1 | Wildlife Documentary | Moody, atmospheric texture leads to doubt, sadness but with a hopeful end | Mitch Coodley/BMI | 80 | |||
00:42 | Morning Tide | 1 | Wildlife Documentary | Rolling new-age piano pattern and high strings create a serene atmosphere | Mitch Coodley/BMI | 135 | |||
01:05 | Moving West | 1 | Wildlife Documentary | Soft open atmosphere, then acoustic gtr and strings open up the range | Mitch Coodley/BMI | 135 | |||
02:22 | Quiet Earth | 1 | Wildlife Documentary | Light atmosphere, soft percussion, keyboards for intimate mood | Mitch Coodley/BMI | 135 | |||
01:01 | Spring Arrives | 1 | Wildlife Documentary | Lilting springtime feel with strings over easy pulse with ambiguous ending | Mitch Coodley/BMI | 124 | |||
01:03 | The Lifecycle | 1 | Wildlife Documentary | Slow, lovely orchestral string theme-poignant and wistful then hopeful | Mitch Coodley/BMI | 97 | |||
00:30 | Andean Heights | 7 | World Adventure | Charge up Machu Pichu on a dangerous high-altitude adventure - with ocarina and canon | Gabriel Hays/BMI | 115 |