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Search Tracks by: Mood or Style or Tempo or Album or Composer or BPM
Abstract (35)
Adventurous (67)
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Anticipation (88)
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Broad (5)
Adventurous (67)
Aggressive (49)
Anticipation (88)
Ballad (42)
Bluesy (24)
Bold (43)
Broad (5)
Nostalgic (60)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Panoramic (34)
Percussive (104)
Positive/Optimistic (96)
Pulsing (148)
Relaxed (84)
Rocking (39)
Sad (59)
Songs
Click on song titles to see all versions.
| Play | Add | Timing | Song | Versions | Album | Description | Composer(s) | BPM | |
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00:30 | Candy Boy | 7 | Acoustic With Benefits | Old-school dark, low, vibrato, minor key lead guitar over bluesy vamping acoustic and tom-tom groove | Lucy Coodley/ASCAP | 110 | |
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00:30 | Snake Eyes | 7 | Cute 'n' Kitschy | Bluesy chugging private-eye vamp with low guitars, organ, horn sect. swells | Allen Carrescia/ASCAP | 104 | |
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00:30 | Double Timeout | 7 | Drama Kings | (Spinoff of Double-O Eight) Light breakbeat with ambient guitars, stabs. Mod. @:30 and gets crunchier. | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Double-O Eight | 7 | Drama Kings | Dangerous breakbeat with adventurous strings, mod synths, hits, breaks. Shaken, not stirred | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 110 | |
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00:30 | Hardass | 6 | Drama Kings | Hard offbeat hits generate wiry, tense electo-orchestral groove under huge drums | Mitch Coodley/BMI | 130 | |
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00:30 | Lies | 9 | Drama Kings | Brooding, dark open, build to mod. at 1:05 - then 4/4 kick under orch. suspense. Big hits in :30alt | Mitch Coodley/BMI | 130 | |
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00:30 | Lockdown | 7 | Drama Kings | Dark pulsing, crunchy orch-tech, with percolating guitars, drum hits, drama candy | Mitch Coodley/BMI | 130 | |
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00:30 | Stiletto | 7 | Drama Kings | Pulsing glam-step with an urban adventure feel and funky touch of sex appeal | Mitch Coodley/BMI, Thomas Feurer/ASCAP | 125.7 | |
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00:30 | Stop Time | 7 | Drama Kings | Upfront hits into dangerous rocky-tech 4/4 with string licks, dropouts and drama drums | Mitch Coodley/BMI | 138 | |
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00:30 | The Curse | 9 | Drama Kings | Slow dark grinder, doubletime @1:09 into tech-metal chase cue with ear candy | Mitch Coodley/BMI | 80/160 | |
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00:30 | Galaxy Class Fallout | 7 | Electro Dance | Four-on-the-floor trance, dark and robotic, heavy synths, cool breaks from abstract intro | Krishna Venkatesh/ASCAP | 144 | |
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00:30 | Gimme Skankin' | 7 | Electro Dance | Heavy dustup with glitch and chipbeat elements, lot's of tweaks, breaks, funky stutters, distorted synths | Krishna Venkatesh/ASCAP | 140 | |
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00:30 | Justice League | 7 | Electro Dance | Popping grinding electrofunk, heavy downbeat with skanky synths over hard dance groove | Krishna Venkatesh/ASCAP | 128 | |
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00:30 | Machine Bomb | 7 | Electro Dance | Trance a/la Electronica 101, hypnotic pulse, pounding, evolving and bleepy textures | Krishna Venkatesh/ASCAP | 142 | |
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00:30 | Watchoo Want | 7 | Electro Dance | Light electro pop, with reggaeton-caribbean flavor, sexy vocal samples, catchy hook | Krishna Venkatesh/ASCAP | 92 | |
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00:30 | Whack Tek | 7 | Electro Dance | Sputtering super-fast techno with bleepy synths, wiry bluesy bass, insistent drums, bubbling pads | Mitch Coodley/BMI | 160 | |
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00:30 | Faceoff | 3 | Epic Narrative | Driving staccato intro stabs build into triumphant hybrid orchestral theme with pounding backend | Mitch Coodley/BMI | 130 | |
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00:30 | Slapshot | 3 | Epic Narrative | Low pounding rhythmic hits to building gridiron-type conflict, triumph, then tough as nails ending | Mitch Coodley/BMI | 145 | |
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04:13 | Strange Trip | 1 | Epic Narrative | Strange episodic trip w/ ironic touch: Dreamlike/scary/fun/drunken/fantasy/downfall/dreamy/epic fail | Mitch Coodley/BMI | 140 | |
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00:30 | Up Holler Hellhole | 5 | Epic Narrative | Twisted hillbilly horror show. Warped bluegrass with grunge. Axe murderer with a smile! | Mitch Coodley/BMI | 128 | |
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00:30 | Your Number Is Up | 6 | Epic Narrative | Sharp stabs to dangerous action with pulsing strings, heavy perc., guitars, climactic backend | Mitch Coodley/BMI | 150 | |
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00:30 | Dream Control | 7 | Film Score | Building minimalist orchestral-tech - Hermann meets Eno - driving drums, brooding strings, swirling synths. | Gabriel Hays/BMI | 150 | |
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00:30 | Hero In Battle | 7 | Film Score | Relentless war drums and blaring trumpets call the hero to cinematic battle | Gabriel Hays/BMI | 112 | |
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00:30 | The Hammer | 7 | Film Score | Metal guitars, heavy drums, driving strings for a powerful superhero | Gabriel Hays/BMI | 150 | |
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00:30 | Cops On Lunch Break | 5 | Fun Funk | Dark and gritty funk with fuzzy bass, wah synth, and strings for an urban feel | Andez /ASCAP | 110 | |
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00:30 | Delhi Disco | 7 | Indian Pop | Uptempo Indian disco funk with a bit of Big Beat with all the trimmings- shouts, fills, licks, solos | Krishna Venkatesh/ASCAP | 125 | |
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02:26 | Soul Chasers | 1 | Light Docu-Drama | Flighty quick pulse, hits, light tension with a touch of adventure | Mitch Coodley/BMI | 232 | |
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00:30 | Desert Extraction | 7 | Middle East Cinematic | Tense, mysterious, Middle East-West action adventure with vocal colors, crunch guitars, percussion | Tristan Alexia/ASCAP | 125 | |
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00:30 | Desert Oasis | 8 | Middle East Cinematic | A mysterious, exotic tone poem featuring moody flutes, low drones | Tristan Alexia/ASCAP | 105 | |
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00:30 | Mesopotamia | 7 | Middle East Cinematic | Dramatic drones under tribal Middle East/Asian percussion groove, woodwinds, sultry female vocals | Tristan Alexia/ASCAP | 105 | |
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00:30 | Militant Surveillance | 7 | Middle East Cinematic | Dark, threatening Middle Eastern drama with doudouks, tampuras, square bass recorder, percussion | Tristan Alexia/ASCAP | 120 | |
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00:30 | Oil Reserve | 7 | Middle East Cinematic | Dark, forboding Middle Eastern theme featuring distressed doudouks, zithers, percussion | Tristan Alexia/ASCAP | 108 | |
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00:30 | Persian Gulf | 7 | Middle East Cinematic | Evocative, dramatic Middle-Eastern/orchestral narrative with Arabic female vocal | Tristan Alexia/ASCAP | 110 | |
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00:30 | Sand Storm | 7 | Middle East Cinematic | Middle Eastern world-rock w/ crunch gtrs, bansuri, tampura, dulcimer, drums, percussion | Tristan Alexia/ASCAP | 120 | |
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01:26 | Bad Night | 1 | Mystery & Crime 1 | Nothing good happened here - what's the story? Slow-fast pulsing percussion and pads | Mitch Coodley/BMI | 150 | |
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01:00 | Clockwork Plans | 1 | Mystery & Crime 1 | Countdown to murder. Ticking clock brings dark, brooding drones, pads, strings, drum groove | Mitch Coodley/BMI | 100 | |
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01:01 | Creep Me Out | 1 | Mystery & Crime 1 | Creepy crime scene. Light scary strings, processed percussion, string punctuations | Mitch Coodley/BMI | 100 | |
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01:03 | Crime Scene | 1 | Mystery & Crime 1 | I think someone died here. Dank atmospheric pads, creepy bells, shifting drones | Mitch Coodley/BMI | 122 | |
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01:00 | Dark Cowboy | 1 | Mystery & Crime 1 | Noir-ish touch of evil character. Open minor guitar chords over pusling drone bass | Mitch Coodley/BMI | 120 | |
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02:22 | Dial 911 | 1 | Mystery & Crime 1 | Impending crime and response. Light drones and hits lead to dark orchestral-tech uban groove | Mitch Coodley/BMI | 160 | |
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01:00 | Dim City | 1 | Mystery & Crime 1 | Hard street life. Brooding groove under ambient reverse guitars, dark atmosphere | Mitch Coodley/BMI | 80 | |
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01:00 | Don't Come Knocking | 1 | Mystery & Crime 1 | Knock at the door at night. Eerie swells over insistent pulse leads to brooding atmosphere | Mitch Coodley/BMI | 120 | |
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01:40 | Empty House | 1 | Mystery & Crime 1 | Lonely house after a crime. Sparse piano leads to gentle pulses and low drone | Mitch Coodley/BMI | 120 | |
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02:00 | Exlife | 1 | Mystery & Crime 1 | Dark semi-urban atmosphere. Guitar chording leads to dark funky groove with a retro vibe | Mitch Coodley/BMI | 100 | |
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02:19 | Hand Over Your Dub | 1 | Mystery & Crime 1 | Murder meets dub. Dark, dangerous urban dubstep with orchestral strings, wiry synths | Mitch Coodley/BMI | 140 | |
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01:00 | Hideout | 1 | Mystery & Crime 1 | Mind of the bad guy. Gestural anticipatory drama with warbling drones, strings, swells | Mitch Coodley/BMI | 100 | |
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01:01 | Investigate 1 | 1 | Mystery & Crime 1 | Police procedural. Atmosphere with motion, plucked synths, percussion over drone and pads | Mitch Coodley/BMI | 100 | |
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01:02 | Mean Streets | 1 | Mystery & Crime 1 | Dark urban crime aftermath. Solid hit, swells to pulsing dark loops with pulsing strings | Mitch Coodley/BMI | 90 | |
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01:45 | Out Of Money | 1 | Mystery & Crime 1 | Crime procedural. Pulsing percussive sequence, swell to moderate orchestral-tech groove | Mitch Coodley/BMI | 130 | |
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01:03 | Who's In There | 1 | Mystery & Crime 1 | Ominous crime scene. Threatening drone, scary pads, bells and processed colors | Mitch Coodley/BMI | 90 | |
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01:20 | Admissible Evidence | 1 | Mystery & Crime 2 | Urgent investigation. Breathy dark lead over warbling synth pulses and percussion loops | Tristan Alexia/ASCAP | 110 | |
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01:24 | Burden Of Proof | 1 | Mystery & Crime 2 | Muted urgency - fast mallets and percussion over drone with trailing crunch guitars and mystery synths | Tristan Alexia/ASCAP | 130 | |
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01:51 | Crime Lab | 1 | Mystery & Crime 2 | Contemplative yet agitated landscape. Synths & perc., with processed guitar, bass create light tension | Tristan Alexia/ASCAP | 130 | |
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01:30 | Crime Scene Search | 1 | Mystery & Crime 2 | Dark muted urgency. Impending pulse with synth ostinatos, percussion, elec. guitar, rhythmic breaths | Tristan Alexia/ASCAP | 145 | |
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01:40 | Crime Scene Walk Through | 1 | Mystery & Crime 2 | Mix of doubt and satisfaction. Large drones and pads shift between major and minor | Tristan Alexia/ASCAP | 120 | |
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01:42 | Data Analysis | 1 | Mystery & Crime 2 | Drone and pads create ambiguous analytical mood. High strings with pulsing synths | Tristan Alexia/ASCAP | 105 | |
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01:53 | Domestic Terrorism | 1 | Mystery & Crime 2 | Dark, malevolent undercurrent with heavy guitar, feedback pulsing bass, ear candy | Tristan Alexia/ASCAP | 120 | |
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01:35 | Evidence Time Crunch | 1 | Mystery & Crime 2 | Cool dark drama. Chugging and chunky crunch guitars over a steady groove with wavy pads | Tristan Alexia/ASCAP | 115 | |
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02:15 | Exculpatory Evidence | 1 | Mystery & Crime 2 | Light investigative mood. Low pulsing bass under simple dark patterns create contemplative scene | Tristan Alexia/ASCAP | 120 | |
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01:45 | Falsely Accused | 1 | Mystery & Crime 2 | Quiet dark urgency. Moody dramatic strings over synth pulses create pressing sense of despair | Tristan Alexia/ASCAP | 95 | |
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01:40 | Family Aftermath | 1 | Mystery & Crime 2 | Sad reflective piece. Synth drones, piano, sparse drums create mournful atmosphere | Tristan Alexia/ASCAP | 120 | |
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01:43 | Forensic Analysis | 1 | Mystery & Crime 2 | Slow, building, determined investigative piece. Synths, drones and percussion. | Tristan Alexia/ASCAP | 94 | |
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01:24 | Grisly Discovery | 1 | Mystery & Crime 2 | Minimally dangerous and eerie. Synth swells and percussion hits paint a dark, grisly picture | Tristan Alexia/ASCAP | 105 | |
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01:35 | Gunshot Wound | 1 | Mystery & Crime 2 | Generic drama, with a beat. Kick drum, synths, guitar lines underscore a crime scene | Tristan Alexia/ASCAP | 115 | |
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01:48 | Lost In The Hood | 1 | Mystery & Crime 2 | Dark urban atmosphere. Sub bass and light loops with wiry synths and blankety pads | Tristan Alexia/ASCAP | 148 | |
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01:50 | Low Blows | 1 | Mystery & Crime 2 | Dark and wiry underscore. Moderate tension with crunchy sustains and compelling light groove | Tristan Alexia/ASCAP | 115 | |
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01:38 | Message Received | 1 | Mystery & Crime 2 | Mystery with a touch of sci-fi. Sleepy telegraphic synth sets up a lightly padded mysterious mood | Jonathan Perl/ASCAP | 120 | |
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02:21 | Murder Art | 1 | Mystery & Crime 2 | Dark strings and pulses set a scene of unsettling distress | Tristan Alexia/ASCAP | 120 | |
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01:41 | Perp Hunt | 1 | Mystery & Crime 2 | Urgent urban crime rock. Crunch guitars with pulsing percussion and synth hooks | Tristan Alexia/ASCAP | 120 | |
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01:51 | Poring Over The Evidence | 1 | Mystery & Crime 2 | Procedural crime drama, time passing. Pulsing light synths under ambiguous swelling pads | Tristan Alexia/ASCAP | 120 | |
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02:00 | Preliminary Injunction | 1 | Mystery & Crime 2 | Low tension crime drama. Rubbery pulses, loops and plings create a building, subtly dire mood | Tristan Alexia/ASCAP | 110 | |
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01:25 | Remembering The Victim | 1 | Mystery & Crime 2 | Mournful reflection of loss. Processed piano, synth motion and ambient guitar | Tristan Alexia/ASCAP | 109 | |
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02:24 | The Convict | 1 | Mystery & Crime 2 | Medium fast dark tension with pulsing synth lines, drums, percussion and edgy guitar. | Tristan Alexia/ASCAP | 120 | |
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01:51 | Waiting For The Verdict | 1 | Mystery & Crime 2 | Edgy but soft time-passing. Touch of anxiety with ticking percussion, coloristic synths and pads | Tristan Alexia/ASCAP | 105 | |
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01:39 | What Happened That Night | 1 | Mystery & Crime 2 | Dark, unsettling strings and atmospheric synth loops set a disturbing mood | Tristan Alexia/ASCAP | 110 | |
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01:30 | Witness Competency | 1 | Mystery & Crime 2 | Shadows of doubt. Light melodrama, slight anxiety with piano, strings, and percussive patterns | Tristan Alexia/ASCAP | 100 | |
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00:30 | Hotter Than Lava | 4 | Picture This Song | Male/female rap trio vocals. Electro/urban new school. Deep guy chorus alternates with sexy PG popping rapped banter | Jay Harper/ASCAP | 145 | |
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00:30 | Beat The Clock | 7 | Reality TV | Cascading strings plunge into a ticking dramatic pulse with periods of high-tension quandary | Mitch Coodley/BMI | 140 | |
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00:30 | Breakout | 7 | Reality TV | Gritty power rock jam with a metallic riff and funk inspired guitars | Mitch Coodley/BMI | 140 | |
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00:30 | Chasing The Money | 7 | Reality TV | Fast paced pulsing drama with a mix of fun and fear techno orchestra | Mitch Coodley/BMI | 149 | |
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00:30 | Hurry Up And Wait | 7 | Reality TV | Fun and funky beat marks time with low-tension pulse and string licks | Mitch Coodley/BMI | 110 | |
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00:30 | Incredible Race | 7 | Reality TV | Fast paced, hard churning tech-rock orchestral drama with thrills and spills | Mitch Coodley/BMI | 140 | |
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00:30 | Making Time | 7 | Reality TV | Fast, low chugging dark drama techno with moody sequencers and guitar | Mitch Coodley/BMI | 132 | |
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00:30 | Scream Alert | 7 | Reality TV | Super-intense Gothic drama with dark percussive undercurrent and hard stabs | Mitch Coodley/BMI | 130 | |
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00:30 | Breakbeat Of Champions | 7 | Testosterone | Uptempo electro-breakbeat with gritty guitars and heavily syncopated synths and stutter edits | Deborah Difonzo/BMI | 140 | |
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00:30 | Evil Genius | 7 | Testosterone | Wiry synths into pounding tech with some low bendy guitars and percussive ear candy | Deborah Difonzo/BMI | 140 | |
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00:30 | Grind It Out | 7 | Testosterone | Slow, stabby figures with beefy low octaves and steely slide fills | Deborah Difonzo/BMI | 70 | |
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00:30 | Kill Kill | 7 | Testosterone | Driving, dark, heavy mid-tempo drums and evil guitars create sinister drama | Deborah Difonzo/BMI | 95 | |
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00:30 | Lead Balloon | 7 | Testosterone | Slow grinding dark drama metal rock with climbing minor key theme | Deborah Difonzo/BMI | 115 | |
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00:30 | Primal Shred | 7 | Testosterone | Fast high-energy metal - kicking drums, slashing guitars. Chorus provides relief | Deborah Difonzo/BMI | 145 | |
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00:30 | Speedfreak | 7 | Testosterone | Speed metal with blazing guitars, frenetic racing drums and jackhammer bridge | Deborah Difonzo/BMI | 160 | |
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00:30 | Survivalist | 7 | Testosterone | Slow pounding pyrrhic victory - dark dramatic orchestral rock with heavy guitar underpinnings | Deborah Difonzo/BMI | 82 | |
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00:30 | Testosterone | 7 | Testosterone | Fast gritty rocker with growling guttural guitar lines and dramatic energy | Deborah Difonzo/BMI | 196 | |
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00:28 | Merciful End | 1 | Wildlife Documentary | Slow, dark, edgy, then tragic. Snapshot of wildlife loss or poaching | Mitch Coodley/BMI | 135 | |
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01:51 | On Safari | 1 | Wildlife Documentary | African drums set the scene for exotic wildlife on the move | Mitch Coodley/BMI | 124 | |
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00:42 | On The Prowl | 1 | Wildlife Documentary | Slightly dramatic, mild tension and anticipation with strings and bow harp | Mitch Coodley/BMI | 135 | |
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00:30 | Escape From Jharkhand | 7 | World Adventure | Driving strings, sitar and tabla create Indian high-tension Bollywood dramatic chase scene | Gabriel Hays/BMI | 162 | |
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00:30 | Hun Gary | 7 | World Adventure | Hurdy-gurdy drives a relentless boar (or man) hunt through the dark forests of Hungary | Gabriel Hays/BMI | 93 | |
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00:30 | Tokyo-yo-yo | 7 | World Adventure | Exciting, slightly dangerous tour of late-night Tokyo clubs feat. koto and shakuhachi.Japan. | Gabriel Hays/BMI | 133 | |
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00:30 | Where In The World | 7 | World Adventure | Watch your back when traveling alone through Turkmenistan, feat. darbuka and duduk | Gabriel Hays/BMI | 120 |